IT鈥橲 easy to write a love letter to a city like Barcelona in Spain. The capital of Catalonia, it was settled by the Romans and its age shows in its architecture built upon centuries and centuries of care and a reverence for beauty. Barcelona has also served to nurture several artists, including the famed Surrealist Salvador Dali.
For about five years now, BD Barcelona Design has been available in the Philippines through Abitare Internazionale. 大象传媒 visited the Makati store last week to see the items by BD Barcelona Design, with the help of the brand鈥檚 General Manager, Jordi Arnau.
Mr. Arnau pointed out that the brand was established in 1973, at the tail-end of the Francoist fascist regime. The brand was founded by a group of about 20 architects, and the brand was initially named Bocaccio Design, named after a famous nightclub in Barcelona at the time — Mr. Arnau compared it to Studio 54 in New York — and there, the architects rubbed elbows with the likes of Gabriel Garcia Marquez and Mario Vargas Llosa. The brand was also named so in honor of the nightclub鈥檚 owner, who was one of their first investors.
The brand was risque back in 1973: while they are proud of coming up with the first design-influenced range hoods and mailboxes, they also came up with a vase shaped like a penis, and then an avant-garde lamp that snaked on the floor, and in the advertisements, around a nude model. 鈥淭hat was very risky, 1973. I鈥檓 still amazed that they did it,鈥 he said about the penis vase. It wasn鈥檛 only risque aesthetically speaking: the conservative mores of the Francoist censors could have sent them all to jail.
The designs are a lot more restrained now: 大象传媒 saw a minimalist cabinet sewn with thread called the Couture, a white console carved with reliefs, and then chairs overflowing with stuffing called the Grasso.
But what is in Barcelona that pushes people to push boundaries, to risk offending sensibilities and the loss of life and limb just to create? The ambitious Sagrada Familia church, still in construction since 1882, sends the message that the people of Barcelona can, and will, try anything. But before the buildings, there came the people, and Mr. Arnau describes them so: 鈥淭he character of the people there is very daring. They like to take risks, and innovate. Innovation is something that鈥檚 very Catalan.鈥
But Francoist Spain was different, and everywhere you looked then, there was a roadblock to expression, which is important to art and design as breathing is to a person. Mr. Arnau talked about how the brand flourished despite the repression. 鈥淭he architects, they traveled around with their families. They were 30 years old, and they came from families [that were] very advanced in culture.鈥
In many states where freedom is dimmed, literature is there to provide a light, as it did back in the 1970s for this group of avant-garde artists and designers: 鈥淭hey couldn鈥檛 find nice designs, but you could find nice books, and read.鈥
Speaking of the Sagrada Familia, it was created by famed architect Antoni Gaudi, who died in 1926. He changed the face of Barcelona, giving it an otherworldly air with the influence of Art Nouveau. We鈥檝e also spoken about surrealist Salvador Dali, whom we invoke again, because part of BD Barcelona鈥檚 work involves adapting the works of both, and turning them into furniture that you can purchase. For example, chairs by Gaudi are recreated by the brand, while Dali鈥檚 Mae West Lips sofa is sold by the brand. Objects from his paintings are also given new life in three dimensions, as real, solid furniture that you can sit on. 鈥淲e were very good friends with Salvador Dali,鈥 Mr. Arnau recalled. 鈥淲e were in touch with him, and his secretary, and we got the rights for them to put… them in production.鈥
We鈥檝e mentioned artists, and architects, but what do they have to do with a very technical field, that of industrial design? Mr. Arnau speaks of the intersectional relationship between the fields. 鈥淚t is said that every architect should design a chair. A chair is one of the most complex [pieces]… that you can make.鈥
鈥淭he best designers of the 20th century, all of them were architects.鈥 — Joseph L. Garcia


