Home Arts & Leisure Japanese Film Fest returns online

Japanese Film Fest returns online

THE JAPANESE Film Festival (JFF) returns this year with a virtual edition, featuring 20 films depicting Japanese culture across different time periods.

The online film festival runs from Feb. 14 to 27 through its online website, .

In March last, the film festival was held in a mixed physical and online setup. This year it will be held purely online. Formerly known as Eiga Sai, the festival 鈥 which has iterations in other Southeast Asian countries, India, Russia, and Australia 鈥 was rebranded as the Japanese Film Festival.

According to the film festival鈥檚 website, the first online film festival, called JFF Plus: Online Festival 2020-2021, recorded more than 220,000 views from 20 countries worldwide.

鈥淔ilms have intangible impacts on our society. We watch films to be entertained, to be educated, to escape from the humdrums of daily life, and to travel beyond space and time,鈥 Ben Suzuki, director of the Japan Foundation Manila, said at an online press conference on Feb. 8.

Mr. Suzuki added that 鈥渇ilms are a powerful vehicle for cultural exchange and bilateral relations鈥 and 鈥渟trengthen ties between Japan and the Philippines through moving images.鈥

鈥淲e are working to expand our activities to the world from both the physical and online perspectives,鈥 JFF producer of Japan Foundation Tokyo Masafumi Konomi said, speaking through an interpreter.

This year鈥檚 film festival lineup includes Japanese drama, comedy, animation, thriller, documentaries, and classics.

The dramas are: Takafumi Hatano鈥檚 Ozland (2018); Yuichiro Hirakawa鈥檚 Until the Break of Dawn (2012); Yukiko Mishima鈥檚 Bread of Happiness (2012); Satoko Yokohama鈥檚 Ito (2021); Takeshi Furusawa鈥檚 ReLIFE (2017); Yukiko Sode鈥檚 Aristocrats (2021); Miwa Nishikawa鈥檚 Under the Open Sky (2021); Soushi Matsumoto鈥檚 It鈥檚 a Summer Film! (2021); Ryota Nakano鈥檚 Her Love Boils Bathwater (2016); Shuichi Okita鈥檚 The Chef of South Polar (2009); and Atsuhiro Yamada鈥檚 Awake (2020).

The documentaries are Takashi Innami鈥檚 The God of Ramen (2013), and Eiji Sakata鈥檚 SUMODO: The Successors of Samurai (2020). The animated films are Yasuhiro Yoshiura鈥檚 Time of EVE the Movie (2010); and Patema Inverted (2013). The period dramas are Isshin Inudo and Shinji Higuch鈥檚 The Floating Castle (2012); and Haruki Kadokawa鈥檚 Mio鈥檚 Cookbook (2020).

The other films are Hisashi Kimura鈥檚 thriller Masked Ward (2020); Shinobu Yaguchi鈥檚 comedy Happy Flight (2008); and Akira Kurosawa鈥檚 classic Rashomon (1950).

The films have subtitles in Arabic, Burmese, Central Khmer, English, German, Hungarian, Korean, Indonesian, Italian, Malay, Portuguese, Spanish, Thai, and Vietnamese. Each film will be on view for 48 hours upon its premiere.

In addition to the film screenings, there will be online discussions under the heading 鈥淟et鈥檚 Talk about Japanese Films!鈥 These will be available to interested participants even outside the Philippines. Joining the discussion are film professionals who will talk about the influences of Japanese cinema in the Philippines. The first online discussion, 鈥淵our Guide to Japanese Films,鈥 will be held on Feb. 14, 2-4 p.m.; while the second discussion, 鈥淚nside the World of JFF 2022 Films,鈥 will be on Feb. 22, 5-7 p.m.

Details on the films, and registration to the online discussions are available on the JFF+ portal website (). For more information, visit and Facebook. 鈥 Michelle Anne P. Soliman