By Sam L. Marcelo
Associate Editor

A YEAR FROM NOW, a recently published comics anthology, exists online as an answer to a question Lyra Garcellano and Merv Espina asked themselves while stuck in traffic: 鈥淎re people still willing to work for free?鈥 This question, on the other hand, was posed in answer to yet another question asked by Salcedo Auctions, which hosted a talk in 2014 titled 鈥淲ho determines the value of art?鈥 (The very reason Ms. Garcellano and Mr. Espina were stuck in traffic: they were on the way to Makati City to listen to the talk.)

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鈥淓verything was serendipitous,鈥 said Mr. Espina, the day before A Year From Now went live on the Internet. Fifteen illustrators from all over the world are gathered in this collection, which features both old and new work that run anywhere from two pages to 37. It鈥檚 an impressive roster that includes both well-known and emerging names. You have Tommi Musturi of Finland, who has been in the business for more than 20 years and whose work is regularly published by , and Kwon Yong-Deuk of South Korea, who just had a book translated into French.

鈥淚t was great that people were kind enough to share their stuff for free since half of them are professional comic artists who have their own deadlines,鈥 said Ms. Garcellano. 鈥淕uys like Tommi Musturi and Kwon Yong-Deuk are big in their own countries. Let鈥檚 put it this way: they have fan bases there.鈥 You also have the likes of Luna Beller-Tadiar, a Yale student who posts her comic strips on Tumblr, an online blogging platform. Ms. Garcellano saw Ms. Beller-Tadiar鈥檚 reflections on queer identity, which are told in a manner reminiscent of Joe Sacco鈥檚 graphic reportage, and asked her to develop a story for A Year From Now.

<i>Samuel</i> by Tommi Musturi of Finland
Samuel by Tommi Musturi of Finland

Those who know Ms. Garcellano for her installations and paintings should also know that she created Atomo and Weboy, a comic strip that ran in the Philippine Daily Inquirer for almost a decade. Many of the contributors to A Year From Now are people she met in 2006 through the Asia-Europe Comics Project, a residency in Singapore organized by the Asia-Europe Foundation. 鈥淲e kept in touch. There was no Facebook then but we had e-mail,鈥 she said. 鈥淲hen Facebook popped up, we all got together online.鈥

A panel from <i>Setagaya Drifter</i> by Cozacana of Tokyo
A panel from Setagaya Drifter by Cozacana of Tokyo

A Year From Now is the second anthology to spring from that residency. The first was Go Home: 12 Moving Stories, an actual print publication released in 2008 that was published and organized by the Asia-Europe Foundation in 2006. 鈥淭his is a reunion of sorts,鈥 said Ms. Garcellano, who added that the decision to shift the distribution of A Year From Now online was easy. 鈥淲e don鈥檛 have money for an actual print publication and it would entail too much work. Besides, how else would somebody from Europe get to read a comic by somebody from Cambodia or from Indonesia. If it were a book, it could still happen but it would be harder.鈥

Available in different formats and different resolutions, A Year From Now is composed mostly of travelogues with an existential edge (as Ms. Garcellano put it) and autobiographical stories. Shieko Reto, a transgender artist from Malaysia, a country that has an anti-transgender law, tackled issues within her community with levity and humor.

Toilet tips courtesy of Shieko Reto from Malaysia
Toilet tips courtesy of Shieko Reto of Malaysia

鈥淚 have a lot of friends who do not read comics but who are intrigued because of A Year From Now,鈥 said Ms. Garcellano. 鈥淭heir concept of comics is Marvel and that鈥檚 it. A Year From Now is not Marvel. There are no superheroes but there are stories and narratives. I hope people see the possibilities of comics in terms of art, writing and narration.鈥

The fate of the project is up in the air. Neither Ms. Garcellano nor Mr. Espina know if there will be a follow-up. Despite the personal costs 鈥 time, effort, energy and money spent on beer and food 鈥 they both agree that putting together the first (and perhaps only) edition of A Year From Now was a valuable experience. 鈥淚t鈥檚 worth it,鈥 said Ms. Garcellano. 鈥淚鈥檇 be the first one to say 鈥榝orget it鈥 if it weren鈥檛.鈥

(For more information and download links visit A Year From Now‘s , or peruse聽the entire anthology below.)

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