Vantage Point

Communications Secretary Martin Andanar announced last weekend that his office will soon launch a 鈥渂ig project.鈥 He was referring to a program to promote the country as a tourist destination and encourage foreign investments.

By 鈥渂ig,鈥 however, he also meant it will be heavily funded, which should further warm the hearts of his already overpaid, skills-challenged fellow top bureaucrats in the Presidential Communications Operations Office (PCOO) who鈥檙e daily trying to prettify the regime they鈥檙e serving while demonizing its critics and anyone else who doesn鈥檛 agree with it.

Andanar described the project as 鈥渁ll encompassing.鈥 It will include a campaign to attract foreign investments, boost tourism, celebrate the country鈥檚 allegedly exemplary educational system, play up its cultural uniqueness — everything. It will involve, he continued, all agencies of the government.

鈥淚t will center on the entire nation and it is the first time the country will be branded,鈥 he (incorrectly) declared.

If the project is indeed 鈥渁ll encompassing鈥 — meaning really 鈥渂ig鈥 — expect its costs to run in the hundreds of millions. Andanar didn鈥檛 say so, but it will require the hiring of international public relations firms in convincing the rest of the world that things aren鈥檛 as bad as they seem in this earthly paradise.

Andanar said the plan was approved by President Rodrigo Duterte during the last Cabinet meeting. The project is 鈥渘ational branding,鈥 meaning identifying the Philippines with a characteristic that鈥檚 uniquely its own to make it globally attractive to foreign visitors and business executives.

National, nation, or place 鈥渂randing鈥 is a public relations and marketing strategy of dubious ethical merit. Its basic aim is to change through advertising and media campaigns a country鈥檚 tarnished, middling, second-rate, or mediocre international reputation into something better, so that its name will evoke images of friendly natives, pristine beaches if it鈥檚 in the tropics, snow-covered peaks if it鈥檚 in the temperate zone, a pleasant environment, cultural uniqueness, or whatever, depending on the particulars of the country involved.

Andanar said his project will be the first to 鈥渂rand鈥 the country, but it鈥檚 not exactly new in these parts. Previous administrations have tried it, and at great expense. 鈥淲ow Philippines鈥 and 鈥淚t鈥檚 more fun in the Philippines鈥 were among past attempts to brand the country and were aimed at boosting the number of tourist arrivals. But because branding isn鈥檛 a magical cure-all that will upgrade a country鈥檚 poor image overnight, those attempts failed to raise the country鈥檚 tourism industry to the same level as, say, Thailand鈥檚. It鈥檚 still the reality rather than image-making that counts.

Other countries offer their own national brands to the rest of the world, such as, for example, 鈥淚ncredible India,鈥 鈥淎mazing Thailand,鈥 鈥淢alaysia truly Asia.鈥 Those countries are supposed to call to mind those adjectives when they鈥檙e mentioned as possible vacation destinations, rather than, say, such unflattering descriptions as 鈥渙verpopulated,鈥 鈥減olitically unstable,鈥 or 鈥渙ne-party ruled.鈥

Andanar鈥檚 鈥渂ig鈥 nation-branding project has been approved in the context of the continuing decline in the Philippines鈥 international standing. The country鈥檚 reputation hasn鈥檛 been as good as many think it should be, but neither was it was once quite as bad as some imagine.

A Philippine passport is an invitation in many parts of the world for the holder to be thought of as likely to overstay his visa, but that鈥檚 the common fate of third world people when they land in the airports of developed countries.

During the Marcos terror regime, a US Senator described the Philippines as 鈥渁 nation of 40 million cowards and one son of a b_ _ _ h.鈥 But that was corrected soon enough by the 1986 People Power Uprising, which, among other consequences, encouraged tourism and changes in the way Filipinos were perceived by the nationals of other countries.

PHL

Eventually, however, as succeeding administrations failed to make good on the promises of EDSA 1986, the country became more identified as a source of mail order brides, undocumented immigrants, and domestics — who do understand, and to some extent, do speak English (in a manner of speaking) — rather than as the homeland of a freedom-loving people.

Among human rights defenders and press freedom watch groups, the Philippines was once a country as enviable as it was puzzling. It is the only country in Asia whose Constitution explicitly protects free expression, free speech, press freedom, and freedom of assembly. But it is also the only country that is supposed to be a democracy and is officially at peace where journalists have been killed with impunity in record numbers (156 since 1986), and human rights are constantly under threat.

Both have given way to the conclusion that despite its Constitution, there is now a human rights crisis in the Philippines due to the murderous 鈥渨ar on drugs鈥 that the Duterte regime launched in 2016 and is continuing to wage against suspected drug users and pushers in the country鈥檚 poorest communities.

International human rights groups such as Amnesty International and Human Rights Watch, as well as the United Nations and the International Criminal Court, have raised the alarm over, and demanded accountability for, the extrajudicial killing of some 14,000 individuals including women and children at the hands of a regime that has quickly gained global notoriety not only for the profanity-laced rants of its head, but also for its refusal to heed calls for restraint and accountability.

The conclusion is inescapable: the Andanar nation-branding project is being launched because of regime recognition of the country鈥檚 fall from being once perceived as governed by a far from perfect political class to its being ruled today by its most violent and most retrograde wing reminiscent of the Marcos kleptocracy.

Changing that perception will be difficult.

But leave it to the skills at public manipulation of public relations and marketing practitioners to convince the world that everything is right in this part of the world under a regime that鈥檚 heaven-sent.

After all, it is some of the country鈥檚 own PR practitioners, who call themselves professionals but who鈥檙e without an ethical bone in their bodies, who鈥檙e pulling the strings of the trolls that are spreading false information, demonizing regime critics and responsible journalists, and making rational discourse virtually impossible by spreading the use of hate speech through social media.

What will the Philippine brand be in this context?

The killing of journalists provoked in the 1990s the branding of the Philippines as 鈥渢he most dangerous place in the world to practice journalism.鈥 That has since changed, the Philippines now being the most dangerous place on the planet not only for journalists, but also for political activists, social reformers and the poor, while being a haven for drug lords, human rights violators, plunderers and incompetents.

Whatever brand Andanar and company may dream up is unlikely to truly reflect these truths. 鈥淟and of woe,鈥 鈥淭roll haven,鈥 鈥淒rug lord paradise,鈥 or 鈥淎ssassins鈥 Eden鈥 may accurately brand the present state of the country, but certainly won鈥檛 encourage tourists and foreign investors.

Lying won鈥檛 help either. Most of the informed people of the world are in tune with events here, the present regime having become a global disgrace because of, among other vices, Mr. Duterte鈥檚 misogyny and his cursing Pope Francis, Barack Obama and whoever else challenges his manner of speech and governance.

A positive brand that will accurately sum up the Philippines鈥 many attractions will have to wait for another, better time when the Duterte regime shall have passed into history and things have changed for the better. But because falsehood is the current order鈥檚 favored currency, that truth will not stop Andanar鈥檚 鈥渂ig,鈥 heavily funded nation-branding project.

 

Luis V. Teodoro is on Facebook and Twitter (@luisteodoro). The views expressed in Vantage Point are his own and do not represent the views of the Center for Media Freedom and Responsibility.