PLAYING board games is a cherished pastime among family and friends, especially now that people taking time away from screens is rare. There are various tabletop gaming clubs, organizations, and informal groups that cater to everyone from casual hobbyists and social players, to serious board game enthusiasts, who meet up weekly to sit down and spend hours at the tabletop.
\nWhile the likes of Scrabble, Monopoly, and Clue continue to be the most popular games, modern strategy games are also in demand. In the Philippines, local and localized titles provide a unique experience \u2014 the latest of which is Modern Art, a highly acclaimed international board game which now has a Philippine edition.
\nFollowing a collaboration between the Gaming Library and Fundacion Sans\u00f3, the art auction board game Modern Art by Dr. Reiner Knizia has been adapted locally to feature works by Federico Aguilar Alcuaz, Abdulmari Imao, Larry Alcala, Raul Lebajo, and Juvenal Sans\u00f3.
\n\u201cThe game is played by three to five players. Basically, you guys will be playing as museums and participating in auctions to sell and to collect paintings, and, depending on the season or the market, be given a return of value based on which artist is trending,\u201d said Gaming Library Chief Executive Officer Hans Kenner Fernandez, at the media preview held at Fundacion Sans\u00f3 in San Juan City.
\n\u201cWhat\u2019s exciting is that there are different types of auctions that you can participate in,\u201d he added.
\nGaming Library, aside from being a board game shop, is the organizer of All Aboard Expo, a tabletop gaming convention which is now in its second year. From May 28 to 31, it will be the venue for various board game tournaments and new title launches, including Modern Art.
\nOther local titles to be launched at the event are Sinigang (a card game of bluffing and timing where the goal is to cook the perfect pot of sinigang) and Kalikasan (a localized version of the habitat-building game Cascadia, featuring Philippine animals like tarsiers and tamaraws).
\nFINDING COMMON GROUND
\nWhile one would think there isn\u2019t much overlap between art enthusiasts and board game enthusiasts, Mr. Fernandez noted that the gap need not be too wide.
He explained that reaching out to Fundacion Sans\u00f3 was the perfect move, as it happens to have the Initiative for the Continuation of Artist\u2019s Estate, a program to help manage artists\u2019 estates (not just Mr. Sans\u00f3\u2019s) through legacy-building, skill transfer, and copyright management.
\n\u201cWhat we\u2019ve learned last year was we shouldn\u2019t just focus on people who already play games,\u201d he said. \u201cIf we can find similarities and common ground together, especially now when our political climate is trying to divide people, I feel like we can do the opposite. So, Modern Art came to be because we believe that art is really a big component of board games.\u201d
\nConsidered by gaming enthusiasts as a masterclass in game design, Modern Art is a classic board game centered on the dynamics of the art market. The Philippine Edition introduces works by five contemporary Philippine artists \u2014 National Artists Federico Aguilar Alcuaz, Larry Alcala, and Abdulmari Imao, Filipino surrealist Raul Lebajo, and Presidential Medal of Merit Awardee Juvenal Sans\u00f3 \u2014 with works ranging from comics to classic oil paintings, from sculptures to tapestries.
\nThe board game\u2019s layout and visual design were led by graphic artist Tanya Mallillin, in collaboration with Mr. Fernandez and Duane Galang from the Gaming Library. Select releases of Modern Art: Philippine Edition will include a limited-edition archival print of Juvenal Sans\u00f3\u2019s Fat Cat, produced in strictly limited quantities.
\nThe original creator of Modern Art, mathematics whiz Dr. Reiner Knizia, is revered among game designers with over 900 published games and books.
\n\u201c\u2018Monopoly but for art\u2019 is the easiest way to grasp what Modern Art is about,\u201d said Tenie Santos, Fundacion Sans\u00f3\u2019s assistant director, at the preview. \u201cNot a lot of people know how big the gaming community is in the Philippines. We actually have the biggest gaming community in Southeast Asia. And we\u2019re so happy because board games are actually a form of art, with visual components, storytelling, culture, and even math.\u201d
\nShe added that the project will help the five artists\u2019 estates gain visibility among younger generations.
\n\u201cMany of them don\u2019t know these artists anymore, so we need to do something about it. We have to be flexible to the changes, trends happening outside the museums,\u201d Ms. Santos said.
\nPart of proceeds from the sales of the game will go to Strays Worth Saving, which Fundacion Sans\u00f3 donated to for the first time last month from the deluxe preorders of the board game.
\n\u201cWe\u2019ll keep doing it while we still have stocks of the game and of the Fat Cat archival prints. We hope to reach out to the entire Filipino community, to support local and to support arts and culture,\u201d she said. \u201cHopefully this will encourage people to be into art and not be intimidated.\u201d
\nBIGGEST GAMING CONVENTION IN SEA
\nThe official launch of Modern Art: Philippine Edition will take place at All Aboard Expo 2026, to be held at the MICE Center inside the Quezon City Hall complex from May 28 to 31. Representatives from the five artists\u2019 estates will be present.
Mr. Fernandez said that, since it is the biggest tabletop gaming convention in Southeast Asia (SEA), they are expecting 15,000 attendees throughout the weekend. Last year, they had 10,500 attendees.
\n\u201cWe have 40 international brands flying over and visitors from Poland, Portugal, Vietnam, South Korea \u2014 about 30 countries in total,\u201d he said. \u201cPeople have volunteered to teach the new board games, so a demo team will guide you if you want to try to play some.\u201d
\nGames will be labeled from Stages 1 to 5, indicating increasing level of difficulty, with Modern Art: Philippine Edition assigned to Stage 2.
\n\u201cIt will only have 100 copies at All Aboard Expo, so come and try it and get yours when you can!\u201d Mr. Fernandez said.
\nEntrance to the event is free for Quezon City residents and priced at P150 for everyone else. More details can be found here: https://www.gaminglib.com/pages/all-aboard-expo-2026. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "1 of 4\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nNew and localized titles to launch at tabletop gaming convention\nPLAYING board games is a cherished pastime among family and friends, especially now that people taking time away from screens is rare. There are various tabletop gaming clubs, organizations, and informal groups that cater to everyone from casual hobbyists and social players, to serious board game enthusiasts, who meet up weekly to sit down and spend hours at the tabletop.\nWhile the likes of Scrabble, Monopoly, and Clue continue to be the most popular games, modern strategy games are also in demand. In the Philippines, local and localized titles provide a unique experience \u2014 the latest of which is Modern Art, a highly acclaimed international board game which now has a Philippine edition.\nFollowing a collaboration between the Gaming Library and Fundacion Sans\u00f3, the art auction board game Modern Art by Dr. Reiner Knizia has been adapted locally to feature works by Federico Aguilar Alcuaz, Abdulmari Imao, Larry Alcala, Raul Lebajo, and Juvenal Sans\u00f3.\n\u201cThe game is played by three to five players. Basically, you guys will be playing as museums and participating in auctions to sell and to collect paintings, and, depending on the season or the market, be given a return of value based on which artist is trending,\u201d said Gaming Library Chief Executive Officer Hans Kenner Fernandez, at the media preview held at Fundacion Sans\u00f3 in San Juan City.\n\u201cWhat\u2019s exciting is that there are different types of auctions that you can participate in,\u201d he added.\nGaming Library, aside from being a board game shop, is the organizer of All Aboard Expo, a tabletop gaming convention which is now in its second year. From May 28 to 31, it will be the venue for various board game tournaments and new title launches, including Modern Art.\nOther local titles to be launched at the event are Sinigang (a card game of bluffing and timing where the goal is to cook the perfect pot of sinigang) and Kalikasan (a localized version of the habitat-building game Cascadia, featuring Philippine animals like tarsiers and tamaraws).\nFINDING COMMON GROUND\nWhile one would think there isn\u2019t much overlap between art enthusiasts and board game enthusiasts, Mr. Fernandez noted that the gap need not be too wide.\nHe explained that reaching out to Fundacion Sans\u00f3 was the perfect move, as it happens to have the Initiative for the Continuation of Artist\u2019s Estate, a program to help manage artists\u2019 estates (not just Mr. Sans\u00f3\u2019s) through legacy-building, skill transfer, and copyright management.\n\u201cWhat we\u2019ve learned last year was we shouldn\u2019t just focus on people who already play games,\u201d he said. \u201cIf we can find similarities and common ground together, especially now when our political climate is trying to divide people, I feel like we can do the opposite. So, Modern Art came to be because we believe that art is really a big component of board games.\u201d\nConsidered by gaming enthusiasts as a masterclass in game design, Modern Art is a classic board game centered on the dynamics of the art market. The Philippine Edition introduces works by five contemporary Philippine artists \u2014 National Artists Federico Aguilar Alcuaz, Larry Alcala, and Abdulmari Imao, Filipino surrealist Raul Lebajo, and Presidential Medal of Merit Awardee Juvenal Sans\u00f3 \u2014 with works ranging from comics to classic oil paintings, from sculptures to tapestries. \nThe board game\u2019s layout and visual design were led by graphic artist Tanya Mallillin, in collaboration with Mr. Fernandez and Duane Galang from the Gaming Library. Select releases of Modern Art: Philippine Edition will include a limited-edition archival print of Juvenal Sans\u00f3\u2019s Fat Cat, produced in strictly limited quantities.\nThe original creator of Modern Art, mathematics whiz Dr. Reiner Knizia, is revered among game designers with over 900 published games and books.\n\u201c\u2018Monopoly but for art\u2019 is the easiest way to grasp what Modern Art is about,\u201d said Tenie Santos, Fundacion Sans\u00f3\u2019s assistant director, at the preview. \u201cNot a lot of people know how big the gaming community is in the Philippines. We actually have the biggest gaming community in Southeast Asia. And we\u2019re so happy because board games are actually a form of art, with visual components, storytelling, culture, and even math.\u201d\nShe added that the project will help the five artists\u2019 estates gain visibility among younger generations.\n\u201cMany of them don\u2019t know these artists anymore, so we need to do something about it. We have to be flexible to the changes, trends happening outside the museums,\u201d Ms. Santos said.\nPart of proceeds from the sales of the game will go to Strays Worth Saving, which Fundacion Sans\u00f3 donated to for the first time last month from the deluxe preorders of the board game.\n\u201cWe\u2019ll keep doing it while we still have stocks of the game and of the Fat Cat archival prints. We hope to reach out to the entire Filipino community, to support local and to support arts and culture,\u201d she said. \u201cHopefully this will encourage people to be into art and not be intimidated.\u201d\nBIGGEST GAMING CONVENTION IN SEA\nThe official launch of Modern Art: Philippine Edition will take place at All Aboard Expo 2026, to be held at the MICE Center inside the Quezon City Hall complex from May 28 to 31. Representatives from the five artists\u2019 estates will be present.\nMr. Fernandez said that, since it is the biggest tabletop gaming convention in Southeast Asia (SEA), they are expecting 15,000 attendees throughout the weekend. Last year, they had 10,500 attendees.\n\u201cWe have 40 international brands flying over and visitors from Poland, Portugal, Vietnam, South Korea \u2014 about 30 countries in total,\u201d he said. \u201cPeople have volunteered to teach the new board games, so a demo team will guide you if you want to try to play some.\u201d\nGames will be labeled from Stages 1 to 5, indicating increasing level of difficulty, with Modern Art: Philippine Edition assigned to Stage 2.\n\u201cIt will only have 100 copies at All Aboard Expo, so come and try it and get yours when you can!\u201d Mr. Fernandez said.\nEntrance to the event is free for Quezon City residents and priced at P150 for everyone else. More details can be found here: https://www.gaminglib.com/pages/all-aboard-expo-2026. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-22T00:06:05+08:00", "date_modified": "2026-05-21T19:03:58+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Board-game-2.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ], "summary": "PLAYING board games is a cherished pastime among family and friends, especially now that people taking time away from screens is rare. There are various tabletop gaming clubs, organizations, and informal groups that cater to everyone from casual hobbyists and social players, to serious board game enthusiasts, who meet up weekly to sit down and spend hours at the tabletop." }, { "id": "/?p=751294", "url": "/arts-and-leisure/2026/05/22/751294/content-creator-jemay-santiago-opens-up-through-music/", "title": "Content creator Jemay Santiago opens up through music", "content_html": "FOR Filipino R&B artist Jemay Santiago, who is also a prominent online content creator, making music allows her to reveal a more vulnerable side that is different from her more jovial public persona. So, it is not a surprise that her latest single, \u201c1A,\u201d which was released this month, presents a laidback sound and an inner depth.
\n\u201cThe context is that I came to a point where I had self-doubt and suicidal thoughts. I felt like a failure as a daughter, as a content creator, as a public figure,\u201d Ms. Santiago said at an interview on May 18 in Makati City. \u201cI\u2019m able to express it in song when I\u2019m in the recording studio. Doon lang ako nagiging totoo sa nararamdaman ko (That\u2019s the only place where I get real about my feelings).\u201d
\nTo further challenge the glamorized narratives often associated with mainstream exposure and music culture, the song is set to be the first single to be released from her upcoming EP, Depresyon.
\n\u201cI used to be scared to express myself as a public figure because people might take my weaknesses against me, but I thought it\u2019s better to be authentic, raw, and vulnerable for people to understand who you are and what you\u2019re going through \u2014 and for others to relate and realize they\u2019re not alone,\u201d the singer said.
\nThe track showcases hazy textures thanks to the mixing and mastering of Icy D. of Got Name? Collective, and the nocturnal beats care of Mark Arganda\u2019s production. Originally titled \u201cMARY1A,\u201d it was later shortened to \u201c1A,\u201d a metaphorical concept representing prioritizing oneself and personal healing.
\nAccording to Ms. Santiago, the number one signifies mental health being first, while the letter A represents beginning. Thus, \u201c1A\u201d openly addresses \u201cthe emotional realities hidden behind the smiles, confidence, and success often projected online.\u201d
\nBeing part of the lesbian, gay, bisexual, trans, queer, intersex, and asexual plus (LGBTQIA+) community also motivates the artist, who identifies as pansexual, or someone attracted to all genders. \u201cI\u2019ve seen hate comments about my identity, about how they think my music is bad, about how I\u2019m just a clout chaser,\u201d she said.
\nMs. Santiago explained that people don\u2019t bother to understand once they\u2019ve made judgments about you, adding that she had become a content creator to help with her mother\u2019s medical bills.
\n\u201cShe passed away two years ago,\u201d she said. \u201cWala man lang akong nagawa. Kaya nagawa ko \u2019yong kanta ngayon na palipat na ako mula sa pamilya papunta sa sarili ko. Kasi pakiramdam ko rin na nagkulang ako (I wasn\u2019t able to do anything. That\u2019s why I made this song, now that I\u2019m shifting from family to myself, because I felt I didn\u2019t do enough).\u201d
\nFor her, the pressure felt among LGBTQIA+ Filipinos who are trying to find themselves while also facing dangerous thoughts of failure and self-doubt, is quite common.
\n\u201cWe can be the most genuine and very happy, but we\u2019re also carrying our own struggles,\u201d she said. \u201cWe have to deal with it alone.\u201d
\nMs. Santiago added that music was the best way she found to tap into these unspoken feelings in the community.
\n\u201cI was 15 years old when I first found out I could compose my own songs. I loved to sing,\u201d she said. \u201cLittle did I know, being a musician could be my profession.\u201d
\n\u201c1A\u201d is out now on digital music streaming platforms. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "New single confronts failure, self-doubt\nFOR Filipino R&B artist Jemay Santiago, who is also a prominent online content creator, making music allows her to reveal a more vulnerable side that is different from her more jovial public persona. So, it is not a surprise that her latest single, \u201c1A,\u201d which was released this month, presents a laidback sound and an inner depth.\n\u201cThe context is that I came to a point where I had self-doubt and suicidal thoughts. I felt like a failure as a daughter, as a content creator, as a public figure,\u201d Ms. Santiago said at an interview on May 18 in Makati City. \u201cI\u2019m able to express it in song when I\u2019m in the recording studio. Doon lang ako nagiging totoo sa nararamdaman ko (That\u2019s the only place where I get real about my feelings).\u201d\nTo further challenge the glamorized narratives often associated with mainstream exposure and music culture, the song is set to be the first single to be released from her upcoming EP, Depresyon. \n\u201cI used to be scared to express myself as a public figure because people might take my weaknesses against me, but I thought it\u2019s better to be authentic, raw, and vulnerable for people to understand who you are and what you\u2019re going through \u2014 and for others to relate and realize they\u2019re not alone,\u201d the singer said.\nThe track showcases hazy textures thanks to the mixing and mastering of Icy D. of Got Name? Collective, and the nocturnal beats care of Mark Arganda\u2019s production. Originally titled \u201cMARY1A,\u201d it was later shortened to \u201c1A,\u201d a metaphorical concept representing prioritizing oneself and personal healing.\nAccording to Ms. Santiago, the number one signifies mental health being first, while the letter A represents beginning. Thus, \u201c1A\u201d openly addresses \u201cthe emotional realities hidden behind the smiles, confidence, and success often projected online.\u201d\nBeing part of the lesbian, gay, bisexual, trans, queer, intersex, and asexual plus (LGBTQIA+) community also motivates the artist, who identifies as pansexual, or someone attracted to all genders. \u201cI\u2019ve seen hate comments about my identity, about how they think my music is bad, about how I\u2019m just a clout chaser,\u201d she said.\nMs. Santiago explained that people don\u2019t bother to understand once they\u2019ve made judgments about you, adding that she had become a content creator to help with her mother\u2019s medical bills.\n\u201cShe passed away two years ago,\u201d she said. \u201cWala man lang akong nagawa. Kaya nagawa ko \u2019yong kanta ngayon na palipat na ako mula sa pamilya papunta sa sarili ko. Kasi pakiramdam ko rin na nagkulang ako (I wasn\u2019t able to do anything. That\u2019s why I made this song, now that I\u2019m shifting from family to myself, because I felt I didn\u2019t do enough).\u201d\nFor her, the pressure felt among LGBTQIA+ Filipinos who are trying to find themselves while also facing dangerous thoughts of failure and self-doubt, is quite common.\n\u201cWe can be the most genuine and very happy, but we\u2019re also carrying our own struggles,\u201d she said. \u201cWe have to deal with it alone.\u201d\nMs. Santiago added that music was the best way she found to tap into these unspoken feelings in the community.\n\u201cI was 15 years old when I first found out I could compose my own songs. I loved to sing,\u201d she said. \u201cLittle did I know, being a musician could be my profession.\u201d\n\u201c1A\u201d is out now on digital music streaming platforms. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-22T00:05:05+08:00", "date_modified": "2026-05-21T19:04:37+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Jemay-Santiago.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ], "summary": "FOR Filipino R&B artist Jemay Santiago, who is also a prominent online content creator, making music allows her to reveal a more vulnerable side that is different from her more jovial public persona. So, it is not a surprise that her latest single, \u201c1A,\u201d which was released this month, presents a laidback sound and an inner depth." }, { "id": "/?p=751290", "url": "/arts-and-leisure/2026/05/22/751290/stuff-to-do-05-22-26/", "title": "Stuff to Do (05/22/26)", "content_html": "\r\n \r\n\r\nTHE FIRST Nintendo Authorized Store in the Philippines is officially open, located on the 2nd floor of SM Makati. Aside from shopping for the latest Nintendo hardware, software, and exclusive merchandise, special meet-and-greets with Mario will also take place from May 22 to 24.
\nTHE virtual reality (VR) concert of K-pop girl group Le Sserafim is coming to Manila from May 22 until 31, exclusively at Gateway Cineplex 18 in Araneta City, Quezon City. Tickets are on sale via Ticketnet.
\nFANS of Donny Pangilinan and Belle Mariano can now purchase advance tickets for their new film Tayo Sa Wakas, coming out May 27, through the official website, tayosawakas.com. The pair will continue their The Road to Wakas mall tour across the country ahead of the movie\u2019s release. The next stops are at KCC Mall of Cotabato on May 22, Ayala Malls Marquee Pampanga on May 23, SM City Bacoor and SM City Dasmari\u00f1as on May 24, Robinsons Galleria Cebu on May 30, SM City Iloilo on June 6, and SM City Bacolod on June 7. The stars are also set to attend several block screenings in Cebu, Iloilo, Davao, and Bacolod.
\nAFTER several performances in April, Studio A Productions once again presents the horror musical Makara The Musical at the Proscenium Theater, Rockwell Center, for two shows only on May 23 and 24 at 7:30 p.m. Based on the legend of Medusa, Makara follows the story of a woman crowned with living serpents whose gaze turns the living into stone. As fear spreads across the town, stories are whispered, courage is tested, and a legend slowly comes to life onstage. This original production is directed by Jef Albea and stars Cherry Morena as Makara. Tickets range in price from P2,000 to P5,000 and are available through the Studio A Productions website.
\nTHE Philippine Opera Company is staging Terrence McNally\u2019s Master Class starring Menchu Lauchengco-Yulo as opera singer Maria Callas. Directed by Jaime del Mundo, the play runs throughout May at the Carlos P. Romulo Auditorium of RCBC Plaza, with Friday and Saturday evening performances and weekend matinees. Set during a series of public master classes at Juilliard in the 1970s, Master Class offers an intimate portrait of Maria Callas at the height of her myth and legacy. As she works with young opera singers, Ms. Callas relives the triumphs and heartbreaks of her storied career. The Philippine Opera Company last staged Master Class in 2010. This weekend\u2019s performances are on Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 3 p.m.
\nTHE Mari Dance Company has restaged its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, with performances running until May 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. This weekend\u2019s performances are on Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at 2 and 7:30 p.m. Tickets are available via maridance.com.
\nTHE Olivier Award-winning production of the 1970s sung-through rock musical Jesus Christ Superstar is now playing at The Theatre at Solaire until May 24 as part of its major international tour. This weekend\u2019s performances are on Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 1:30 and 6:30 p.m. This reimagined staging won the 2017 Olivier Award for Best Musical Revival and the 2016 Evening Standard Award for Best Musical. Featuring lyrics and music by Tim Rice and Andrew Lloyd Webber, the production is directed by Timothy Sheader and choreographed by Drew McOnie. Jesus Christ Superstar recounts the final week leading to the death and resurrection of Jesus Christ through the eyes of Judas.
\n", "content_text": "1 of 4\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nMeet Mario at the new Nintendo Store\nTHE FIRST Nintendo Authorized Store in the Philippines is officially open, located on the 2nd floor of SM Makati. Aside from shopping for the latest Nintendo hardware, software, and exclusive merchandise, special meet-and-greets with Mario will also take place from May 22 to 24.\n\nWatch Le Sserafim concert in VR\nTHE virtual reality (VR) concert of K-pop girl group Le Sserafim is coming to Manila from May 22 until 31, exclusively at Gateway Cineplex 18 in Araneta City, Quezon City. Tickets are on sale via Ticketnet.\n\nSee DonBelle during their mall tour\nFANS of Donny Pangilinan and Belle Mariano can now purchase advance tickets for their new film Tayo Sa Wakas, coming out May 27, through the official website, tayosawakas.com. The pair will continue their The Road to Wakas mall tour across the country ahead of the movie\u2019s release. The next stops are at KCC Mall of Cotabato on May 22, Ayala Malls Marquee Pampanga on May 23, SM City Bacoor and SM City Dasmari\u00f1as on May 24, Robinsons Galleria Cebu on May 30, SM City Iloilo on June 6, and SM City Bacolod on June 7. The stars are also set to attend several block screenings in Cebu, Iloilo, Davao, and Bacolod.\n\nGet scared at the theater\nAFTER several performances in April, Studio A Productions once again presents the horror musical Makara The Musical at the Proscenium Theater, Rockwell Center, for two shows only on May 23 and 24 at 7:30 p.m. Based on the legend of Medusa, Makara follows the story of a woman crowned with living serpents whose gaze turns the living into stone. As fear spreads across the town, stories are whispered, courage is tested, and a legend slowly comes to life onstage. This original production is directed by Jef Albea and stars Cherry Morena as Makara. Tickets range in price from P2,000 to P5,000 and are available through the Studio A Productions website.\n\nBe a voyeur at Maria Callas\u2019 Master Class\nTHE Philippine Opera Company is staging Terrence McNally\u2019s Master Class starring Menchu Lauchengco-Yulo as opera singer Maria Callas. Directed by Jaime del Mundo, the play runs throughout May at the Carlos P. Romulo Auditorium of RCBC Plaza, with Friday and Saturday evening performances and weekend matinees. Set during a series of public master classes at Juilliard in the 1970s, Master Class offers an intimate portrait of Maria Callas at the height of her myth and legacy. As she works with young opera singers, Ms. Callas relives the triumphs and heartbreaks of her storied career. The Philippine Opera Company last staged Master Class in 2010. This weekend\u2019s performances are on Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 3 p.m.\n\nEnjoy a dance concert\nTHE Mari Dance Company has restaged its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, with performances running until May 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. This weekend\u2019s performances are on Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at 2 and 7:30 p.m. Tickets are available via maridance.com.\n\nGet nostalgic with Jesus Christ Superstar\nTHE Olivier Award-winning production of the 1970s sung-through rock musical Jesus Christ Superstar is now playing at The Theatre at Solaire until May 24 as part of its major international tour. This weekend\u2019s performances are on Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 1:30 and 6:30 p.m. This reimagined staging won the 2017 Olivier Award for Best Musical Revival and the 2016 Evening Standard Award for Best Musical. Featuring lyrics and music by Tim Rice and Andrew Lloyd Webber, the production is directed by Timothy Sheader and choreographed by Drew McOnie. Jesus Christ Superstar recounts the final week leading to the death and resurrection of Jesus Christ through the eyes of Judas.", "date_published": "2026-05-22T00:01:03+08:00", "date_modified": "2026-05-21T18:57:18+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/1-Mario.jpg", "tags": [ "Stuff to Do", "Arts & Leisure" ], "summary": "THE FIRST Nintendo Authorized Store in the Philippines is officially open, located on the 2nd floor of SM Makati. Aside from shopping for the latest Nintendo hardware, software, and exclusive merchandise, special meet-and-greets with Mario will also take place from May 22 to 24." }, { "id": "/?p=751007", "url": "/arts-and-leisure/2026/05/21/751007/home-again/", "title": "Home again", "content_html": "\r\n \r\n\r\nTHE house which Pat & Pat has transferred to had been a legend in its own right, with whispered tales of its ownership back in the 1970s and \u201980s. A graceful bungalow with curling grillwork on the arches surrounding the walled garden, it had gone to seed. I would know: I lived in the townhouse block on the same street in Old Balara from grade school to college and saw how much the neighborhood had changed over the years.
\nPat & Pat, built as a concept by the Freedom Hospitality Group of Patrick and Marichele Gregorio, moved from its space up in Capitol Hills and down to Old Balara this month.
\n\u201cMy husband saw this house. It was old,\u201d Ms. Gregorio said over lunch on May 19. So the house has been completely remodeled: the old arches are gone, but the Gregorios kept the ironwork and used it for the ceiling. The old faux-brick facade has been eliminated for something more modern. While we sat at lunch, Ms. Gregorio got up to supervise the installation of a few paintings by a good family friend, a National Artist (for music \u2014 he just happens to do other things). The black walls, the birdcage booths, and the metallic accents may seem a bit imposing compared to the lighthearted menu.
\nA family came by, a clutch of schoolgirls in Mary Janes accompanied by their grandparents \u2014 they seem to be the people who should be in Pat & Pat, with a menu decidedly fit for a nice Sunday lunch with your family.
\nThe restaurant is even named after family members: Pat, as in Patrick, as in Mr. Gregorio, and Patricia, their daughter, who is General Manager for Freedom Hospitality (the two came early to the family meeting that decided the restaurant\u2019s name). Pat & Pat and their other concept, What About Coffee? (with outlets in nearby UP Diliman and Katipunan), was born around 2022. This new Pat & Pat only opened this month, and they will use their old location as their third What About Coffee?.
\nMs. Gregorio said that while they were employed in different industries (hotels, for one), they ventured into entrepreneurship through restaurant franchising (hint: it\u2019s chicken). While they kept their chicken franchises, opening their own food business gave them freedom (hence the group name).
\nFor lunch, we had their Shrimp Tacos (P359 for three pieces, served with salsa, chimichurri, and tartar sauce on the side). It was perfect food for summer: light on the palate and heavy in the belly. I am not a big fan of their Herb Crusted Roast Beef (P999), because while it was flavorful, it was a bit dry, and had more in common with corned beef at that point. I will note that their mashed potatoes are really good, with a little bit of smoke in it (achieved by roasting the potatoes before mashing).
\nThree dishes stood out. First the USDA Prime Grade Ribeye Steak, which feels like it does not belong hidden in suburbia, with the right amount of tenderness and extra juiciness (they have the same meat supplier as a very popular steak chain).
\nMemory plays with my other favorites. The Three-Chorizo pasta (P399), made with an assortment of sausages saut\u00e9ed with garlic and tomatoes, felt like something my mother would make when in the mood for something good, and I\u2019m sure the experience would be shared by others. Dessert felt even more personal: a cake called Capitol Hills (P309). This is a homemade chocolate cake topped with vanilla ice cream, and drizzled with chocolate sauce, its chocolate shavings forming a shell on the ice cream. It felt like something I would have made from things I could find in the fridge, growing up in the townhouse block next to the Balara bungalow. I\u2019m embarrassed to say that I might have shed a tear while eating it.
\nBut that\u2019s the whole point of Pat & Pat: conjuring up memories of suburbia, elevated to a grown-up palate. \u201cIt\u2019s comfort food talaga,\u201d said Ms. Gregorio. \u201cAng gusto ko lang, flavorful (What I really wanted was something flavorful).\u201d
\nThat\u2019s also the market that they\u2019re planning to corner. Ms. Gregorio said, \u201cTaga-QC tayo diba (we\u2019re both from Quezon City, right)? Once you\u2019re from QC, always, dito ka na (you\u2019ll always be here).\u201d
\nShe recalled that one of the reasons they built the restaurant was because while living in Capitol Hills, they wanted somewhere nice to go in their neighborhood instead of having to drive to the malls. Their marketing head, Ogos Aznar, said, \u201cOur vision is really bringing this kind of concept close to the community \u2014 paglabas ng gate nila (once they get out of their gate), we\u2019re there. You won\u2019t see us in the malls.\u201d
\nPat & Pat is at 5 University Valley, Matandang Balara, Diliman, Quezon City. \u2014 Joseph L. Garcia
\n", "content_text": "1 of 2\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n RIBEYE STEAK\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n BACON CHEESE BURGER\r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nPat & Pat conjures memories of suburbia, with a grown-up palate \nTHE house which Pat & Pat has transferred to had been a legend in its own right, with whispered tales of its ownership back in the 1970s and \u201980s. A graceful bungalow with curling grillwork on the arches surrounding the walled garden, it had gone to seed. I would know: I lived in the townhouse block on the same street in Old Balara from grade school to college and saw how much the neighborhood had changed over the years.\nPat & Pat, built as a concept by the Freedom Hospitality Group of Patrick and Marichele Gregorio, moved from its space up in Capitol Hills and down to Old Balara this month. \n\u201cMy husband saw this house. It was old,\u201d Ms. Gregorio said over lunch on May 19. So the house has been completely remodeled: the old arches are gone, but the Gregorios kept the ironwork and used it for the ceiling. The old faux-brick facade has been eliminated for something more modern. While we sat at lunch, Ms. Gregorio got up to supervise the installation of a few paintings by a good family friend, a National Artist (for music \u2014 he just happens to do other things). The black walls, the birdcage booths, and the metallic accents may seem a bit imposing compared to the lighthearted menu.\nA family came by, a clutch of schoolgirls in Mary Janes accompanied by their grandparents \u2014 they seem to be the people who should be in Pat & Pat, with a menu decidedly fit for a nice Sunday lunch with your family. \nThe restaurant is even named after family members: Pat, as in Patrick, as in Mr. Gregorio, and Patricia, their daughter, who is General Manager for Freedom Hospitality (the two came early to the family meeting that decided the restaurant\u2019s name). Pat & Pat and their other concept, What About Coffee? (with outlets in nearby UP Diliman and Katipunan), was born around 2022. This new Pat & Pat only opened this month, and they will use their old location as their third What About Coffee?.\nMs. Gregorio said that while they were employed in different industries (hotels, for one), they ventured into entrepreneurship through restaurant franchising (hint: it\u2019s chicken). While they kept their chicken franchises, opening their own food business gave them freedom (hence the group name).\nFor lunch, we had their Shrimp Tacos (P359 for three pieces, served with salsa, chimichurri, and tartar sauce on the side). It was perfect food for summer: light on the palate and heavy in the belly. I am not a big fan of their Herb Crusted Roast Beef (P999), because while it was flavorful, it was a bit dry, and had more in common with corned beef at that point. I will note that their mashed potatoes are really good, with a little bit of smoke in it (achieved by roasting the potatoes before mashing).\nThree dishes stood out. First the USDA Prime Grade Ribeye Steak, which feels like it does not belong hidden in suburbia, with the right amount of tenderness and extra juiciness (they have the same meat supplier as a very popular steak chain).\nMemory plays with my other favorites. The Three-Chorizo pasta (P399), made with an assortment of sausages saut\u00e9ed with garlic and tomatoes, felt like something my mother would make when in the mood for something good, and I\u2019m sure the experience would be shared by others. Dessert felt even more personal: a cake called Capitol Hills (P309). This is a homemade chocolate cake topped with vanilla ice cream, and drizzled with chocolate sauce, its chocolate shavings forming a shell on the ice cream. It felt like something I would have made from things I could find in the fridge, growing up in the townhouse block next to the Balara bungalow. I\u2019m embarrassed to say that I might have shed a tear while eating it.\nBut that\u2019s the whole point of Pat & Pat: conjuring up memories of suburbia, elevated to a grown-up palate. \u201cIt\u2019s comfort food talaga,\u201d said Ms. Gregorio. \u201cAng gusto ko lang, flavorful (What I really wanted was something flavorful).\u201d\nThat\u2019s also the market that they\u2019re planning to corner. Ms. Gregorio said, \u201cTaga-QC tayo diba (we\u2019re both from Quezon City, right)? Once you\u2019re from QC, always, dito ka na (you\u2019ll always be here).\u201d\nShe recalled that one of the reasons they built the restaurant was because while living in Capitol Hills, they wanted somewhere nice to go in their neighborhood instead of having to drive to the malls. Their marketing head, Ogos Aznar, said, \u201cOur vision is really bringing this kind of concept close to the community \u2014 paglabas ng gate nila (once they get out of their gate), we\u2019re there. You won\u2019t see us in the malls.\u201d\nPat & Pat is at 5 University Valley, Matandang Balara, Diliman, Quezon City. \u2014 Joseph L. Garcia", "date_published": "2026-05-21T00:06:38+08:00", "date_modified": "2026-05-20T19:24:57+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Ribeye-5.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ], "summary": "THE house which Pat & Pat has transferred to had been a legend in its own right, with whispered tales of its ownership back in the 1970s and \u201980s." }, { "id": "/?p=751006", "url": "/arts-and-leisure/2026/05/21/751006/the-unofficial-ambassador-of-mindanao-palm-grill-brings-unfamiliar-flavors-to-the-capital/", "title": "The unofficial ambassador of Mindanao Palm Grill brings unfamiliar flavors to the capital", "content_html": "FOR MANY PEOPLE here up north, when they hear the word \u201cMindanao,\u201d the southernmost island group in the Philippines, they hear gunshots. A restaurant in Quezon City \u2014 one with a Michelin Guide Bib Gourmand recognition, by the way \u2014 is trying to change that, one dish at a time.
\nEarlier this month, we had dinner at Palm Grill, Miguel Cabel Moreno\u2019s paean to Mindanaoan cuisine, with special attention given to Tausug cuisine (the indigenous people from the Sulu archipelago, from whom Mr. Cabel Moreno claims descent).
\nAt Palm Grill, our party of four had the multi-dish Dulang Share (P2,499 for five). It\u2019s a Tausug specialty with Pianggang Manuk, Tiyula Itum, Beef Kurma, Kaliya Puso, and Belachan Manuk.
\nChicken Pianggang is chicken slow cooked in coconut milk, burnt coconut, and spices, then grilled and topped with the same sauce. That sauce is pamapa, a Tausug condiment made from burnt coconut, ginger, turmeric, galangal, and other spices. Tiyula Itum is a black beef soup with burnt coconut, ginger, galangal, and other aromatics. Chicken Belachan is chicken marinated in turmeric and lemon juice, then grilled with belachan shrimp paste. Kaliya Puso is banana heart cooked for a long period, then saut\u00e9ed with aromatics and bubuk (dried coconut, dried fish, chilies, and spices). Beef Kurma, meanwhile, is a beef stew in coconut milk and spices.
\nNo misses: all of it was good, and none of it familiar.
\nImagine a platter of silver, with the colors of its dishes ranging from bright yellows to moody blacks. The chicken dishes were grilled and browned to perfection and had flavor down to the bone. The Tiyula Itum, which we encountered for the first time, was the moody-looking black soup we mentioned: on the palate, however, it\u2019s full of depth and had a comparatively light flavor. We were definitely surprised by the Kaliya Puso, another dish new to us. While we don\u2019t normally like banana hearts or anything else in it, this time the taste was delightfully complex despite its rather humble ingredients, and we found ourselves spooning more onto our plate.
\nBRINGING MINDANAO TO MANILA
\nIn a speech given during the preview for IFEX last week, Mr. Cabel Moreno said that his first memories of the kitchen were at his grandmother\u2019s house in Sulu, then moving to Zamboanga. After moving to Manila, \u201cDining in restaurants that served Filipino food never felt the same,\u201d he said. \u201cNot getting the opportunity to see Mindanaoan specialties on the menu is one of the reasons why I started Palm Grill. I wanted to really advocate for regional cuisines and Southern Mindanaoan specialties.\u201d
The restaurant opened in 2017, and at the Michelin Guide ceremonies last October, the restaurant received a Bib Gourmand recognition (the chef received another such citation for another outlet, Cabel, near Malaca\u00f1ang). In a Viber message to Businessworld, he said, \u201cIt\u2019s been seven months since the recognition, and I don\u2019t think I could ever get used to the extra attention. Don\u2019t get me wrong \u2014 I am so grateful to have been recognized for my work at Palm Grill and Cabel. I feel that the Lord blessed me in return for all the sacrifices, hard work, and roadblocks we had to endure.
\n\u201cRemaining laser-focused and never giving up on the goal, despite not earning for many years, is just one part of the journey. But the Michelin Bib Gourmand is truly the validation we have been waiting for over the past eight years. It magnified our voices and it validated that our food is worth discovering and trying,\u201d he said.
\nTheir restaurants source their main ingredients from Zamboanga and Sulu, he explained. \u201cThis way, we are able to preserve authenticity while also helping local farmers and fisherfolk. This matters deeply to me because I know how it feels to go unseen and unheard. Giving back to the community means giving them importance and opportunities to grow.\u201d
\nHe talked about why he chose to open restaurants in the capital, rather than opening in their home base. It was \u201cThe lack of representation and the absence of Mindanaoan specialties in many Filipino restaurants are among the reasons why I established Palm Grill in Metro Manila. I have always felt that we are more than what we already know. As Filipinos, we need to be proud of our regional dishes \u2014 they are a part of who we are. I also wanted to change perspectives and narratives, especially when people talk about Mindanao or the Sulu Archipelago.\u201d
\nHe added, \u201cI like to believe that through my restaurants and work I have finally broken down barriers and allowed people to discover Tausug culture through food. I always say that the best way to understand people is through their food. For the longest time the Tausug people have been seen stereotyped, and now more and more people are beginning to discover that these are peace-loving people with a vibrant history and culture.\u201d
\nWe go back to associating Mindanao with conflict. While the conflicts caused by regionalism, extremism, and other -isms don\u2019t appear in the news quite as often as they used to, it\u2019s a reputation that is still implanted in the nation\u2019s memory \u2014 that the land, rich and bountiful as it is, is always looked at as a powder keg waiting to explode. Mr. Cabel Moreno has built a place where the memories of Mindanao are of home, and good times, and not what is on the news.
\n\u201cThere is conflict wherever you go in this world. But to label our land and generalize it as unsafe simply because it was once war-torn is where we fail as Filipinos. Mindanao is a beautiful place \u2014 vibrant, rich in history, and full of culture. To dismiss it as an afterthought is like saying we do not care about it,\u201d he told 大象传媒.
\nHe is helping build this reputation through the uniqueness of his home\u2019s food.
\n\u201cThe flavor profile of food in Mindanao takes a completely different direction. This is because of centuries of peaceful trade with Southeast Asian countries that heavily influenced its cuisine. Many people may not know that Basilan, Sulu, and Tawi-Tawi were never colonized by Spain. The pre-colonial cooking methods that have been preserved are part of our identity. To me, they represent the true essence of who we are,\u201d he said in a Viber message. \u201cWe, as Filipinos, should be proud of this,\u201d he added.
\n\u201cIt\u2019s through food that we get to understand people and culture. All these preconceived notions and ideas about Mindanao should be changed,\u201d he said. \u201cConversations should be about flavor, and the stories of the cuisines from there.\u201d
\nPalm Grill is located in 179 Tomas Morato Ave. corner Sct. Castor St. in Quezon City. It will also be opening a larger restaurant in Gateway Mall 2 in Cubao in August. \u2014 Joseph L. Garcia
\n", "content_text": "FOR MANY PEOPLE here up north, when they hear the word \u201cMindanao,\u201d the southernmost island group in the Philippines, they hear gunshots. A restaurant in Quezon City \u2014 one with a Michelin Guide Bib Gourmand recognition, by the way \u2014 is trying to change that, one dish at a time.\nEarlier this month, we had dinner at Palm Grill, Miguel Cabel Moreno\u2019s paean to Mindanaoan cuisine, with special attention given to Tausug cuisine (the indigenous people from the Sulu archipelago, from whom Mr. Cabel Moreno claims descent).\nAt Palm Grill, our party of four had the multi-dish Dulang Share (P2,499 for five). It\u2019s a Tausug specialty with Pianggang Manuk, Tiyula Itum, Beef Kurma, Kaliya Puso, and Belachan Manuk.\nChicken Pianggang is chicken slow cooked in coconut milk, burnt coconut, and spices, then grilled and topped with the same sauce. That sauce is pamapa, a Tausug condiment made from burnt coconut, ginger, turmeric, galangal, and other spices. Tiyula Itum is a black beef soup with burnt coconut, ginger, galangal, and other aromatics. Chicken Belachan is chicken marinated in turmeric and lemon juice, then grilled with belachan shrimp paste. Kaliya Puso is banana heart cooked for a long period, then saut\u00e9ed with aromatics and bubuk (dried coconut, dried fish, chilies, and spices). Beef Kurma, meanwhile, is a beef stew in coconut milk and spices.\nNo misses: all of it was good, and none of it familiar.\nImagine a platter of silver, with the colors of its dishes ranging from bright yellows to moody blacks. The chicken dishes were grilled and browned to perfection and had flavor down to the bone. The Tiyula Itum, which we encountered for the first time, was the moody-looking black soup we mentioned: on the palate, however, it\u2019s full of depth and had a comparatively light flavor. We were definitely surprised by the Kaliya Puso, another dish new to us. While we don\u2019t normally like banana hearts or anything else in it, this time the taste was delightfully complex despite its rather humble ingredients, and we found ourselves spooning more onto our plate.\nBRINGING MINDANAO TO MANILA\nIn a speech given during the preview for IFEX last week, Mr. Cabel Moreno said that his first memories of the kitchen were at his grandmother\u2019s house in Sulu, then moving to Zamboanga. After moving to Manila, \u201cDining in restaurants that served Filipino food never felt the same,\u201d he said. \u201cNot getting the opportunity to see Mindanaoan specialties on the menu is one of the reasons why I started Palm Grill. I wanted to really advocate for regional cuisines and Southern Mindanaoan specialties.\u201d\nThe restaurant opened in 2017, and at the Michelin Guide ceremonies last October, the restaurant received a Bib Gourmand recognition (the chef received another such citation for another outlet, Cabel, near Malaca\u00f1ang). In a Viber message to Businessworld, he said, \u201cIt\u2019s been seven months since the recognition, and I don\u2019t think I could ever get used to the extra attention. Don\u2019t get me wrong \u2014 I am so grateful to have been recognized for my work at Palm Grill and Cabel. I feel that the Lord blessed me in return for all the sacrifices, hard work, and roadblocks we had to endure.\n\u201cRemaining laser-focused and never giving up on the goal, despite not earning for many years, is just one part of the journey. But the Michelin Bib Gourmand is truly the validation we have been waiting for over the past eight years. It magnified our voices and it validated that our food is worth discovering and trying,\u201d he said.\nTheir restaurants source their main ingredients from Zamboanga and Sulu, he explained. \u201cThis way, we are able to preserve authenticity while also helping local farmers and fisherfolk. This matters deeply to me because I know how it feels to go unseen and unheard. Giving back to the community means giving them importance and opportunities to grow.\u201d\nHe talked about why he chose to open restaurants in the capital, rather than opening in their home base. It was \u201cThe lack of representation and the absence of Mindanaoan specialties in many Filipino restaurants are among the reasons why I established Palm Grill in Metro Manila. I have always felt that we are more than what we already know. As Filipinos, we need to be proud of our regional dishes \u2014 they are a part of who we are. I also wanted to change perspectives and narratives, especially when people talk about Mindanao or the Sulu Archipelago.\u201d\nHe added, \u201cI like to believe that through my restaurants and work I have finally broken down barriers and allowed people to discover Tausug culture through food. I always say that the best way to understand people is through their food. For the longest time the Tausug people have been seen stereotyped, and now more and more people are beginning to discover that these are peace-loving people with a vibrant history and culture.\u201d\nWe go back to associating Mindanao with conflict. While the conflicts caused by regionalism, extremism, and other -isms don\u2019t appear in the news quite as often as they used to, it\u2019s a reputation that is still implanted in the nation\u2019s memory \u2014 that the land, rich and bountiful as it is, is always looked at as a powder keg waiting to explode. Mr. Cabel Moreno has built a place where the memories of Mindanao are of home, and good times, and not what is on the news. \n\u201cThere is conflict wherever you go in this world. But to label our land and generalize it as unsafe simply because it was once war-torn is where we fail as Filipinos. Mindanao is a beautiful place \u2014 vibrant, rich in history, and full of culture. To dismiss it as an afterthought is like saying we do not care about it,\u201d he told 大象传媒.\nHe is helping build this reputation through the uniqueness of his home\u2019s food.\n\u201cThe flavor profile of food in Mindanao takes a completely different direction. This is because of centuries of peaceful trade with Southeast Asian countries that heavily influenced its cuisine. Many people may not know that Basilan, Sulu, and Tawi-Tawi were never colonized by Spain. The pre-colonial cooking methods that have been preserved are part of our identity. To me, they represent the true essence of who we are,\u201d he said in a Viber message. \u201cWe, as Filipinos, should be proud of this,\u201d he added.\n\u201cIt\u2019s through food that we get to understand people and culture. All these preconceived notions and ideas about Mindanao should be changed,\u201d he said. \u201cConversations should be about flavor, and the stories of the cuisines from there.\u201d\nPalm Grill is located in 179 Tomas Morato Ave. corner Sct. Castor St. in Quezon City. It will also be opening a larger restaurant in Gateway Mall 2 in Cubao in August. \u2014 Joseph L. Garcia", "date_published": "2026-05-21T00:05:38+08:00", "date_modified": "2026-05-20T19:23:55+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Chicken-Pianggang.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=750907", "url": "/arts-and-leisure/2026/05/21/750907/dining-in-out-05-21-26/", "title": "Dining In/Out (05/21/26)", "content_html": "\r\n \r\n\r\nIN CELEBRATION of its 50th anniversary, The Peninsula Manila presents a two-night culinary collaboration at Old Manila, where Peninsula Manila\u2019s Executive Chef R\u00e9my Carmignani welcomes Senior Chef de Cuisine Yohan Da Costa of The Peninsula Tokyo\u2019s Peter for an exclusive four-hands dinner on May 22 and 23, from 6 to 9:30 p.m. Bringing together two French chefs shaped by distinct geographies, the collaboration reflects a shared philosophy rooted in technique, seasonality, and a deep respect for ingredients. Mr. Carmignani continues to refine Old Manila\u2019s French-inspired culinary identity through expressive cooking grounded in premium local sourcing, while Mr. Da Costa\u2019s Modern French cuisine at Peter has earned acclaim for its elegant interplay between classical French technique and the precision and sensibility of Japanese ingredients. Created exclusively for Manila, the multi-course menu is a dialogue between the two chefs\u2019 culinary perspectives, with courses alternating between Old Manila and Peter. Highlights include Mr. Carmignani\u2019s L\u2019Asperge Blanche, featuring seasonal white asparagus from France with osmanthus, pomelo, hollandaise, and Oscietra caviar, alongside Mr. Da Costa\u2019s L\u2019\u0152uf de Poule, a poached chicken egg with seasonal truffle, mushroom duxelles, yellow wine sauce, and kinome. Other signatures include a bouillabaisse of Atlantic turbot, Hokkaido scallop, and octopus from Old Manila, and roasted Japanese beef with white asparagus, carrot mousseline, yuzu-kosho, and beef jus from Peter. The multi-course dinner is priced at P8,200++. With limited seating available for just two nights, reservations can be made through 8887-2888 (ext. 6694 for Restaurant Reservations), and via e-mail at diningpmn@peninsula.com.
\nRAFFLES MAKATI presents a partnership with La Prairie, bringing together two renowned brands in hospitality and skincare through a celebration that is ongoing until July 15. Guests can experience a special La Prairie Afternoon Tea at the Writers Bar, which is served daily from 2 to 5:30 p.m. and priced at P3,200++ for two persons. This limited-time offering presents a selection of sweet and savory creations inspired by La Prairie\u2019s White Caviar collection. Highlights include Salmon Gravlax and Caviar, Truffle Foie Gras and Smoked Eel, Strawberry Tiramisu Caviar, and the Tropical Exotic Mango Passion, accompanied by the special Luminous Pearl cocktail and the zero-proof Ivory Cloud. Guests are encouraged to reserve their tables in advance. For table reservations at the Writers Bar, contact 8555-9840 or e-mail dining.makati@raffles.co.
\nSIESTA, the brand that redefined the local horchata scene, officially returns to its roots in the South with a dual-impact expansion: the opening of its newest branch in BF Homes, Para\u00f1aque, and the unveiling of its premier concept space, Ola by Siesta, at Alabang West Parade. This two-pronged launch marks a milestone for the brand, bringing Siesta back to the community where it all began while simultaneously pushing the boundaries of the caf\u00e9 experience. The BF Homes branch is designed as a community-focused hub that celebrates the neighborhood siesta culture, from 10 a.m. to 10 p.m. daily. Meanwhile, Ola by Siesta at Alabang West Parade serves as the brand\u2019s new concept space, the centerpiece of which is the Horchata Tasting Flight. By day, Ola operates as a caf\u00e9 with an evolving menu, then transforms into an intimate tasting-menu experience on weekend evenings. Available from Fridays to Sundays, starting at 6 p.m., the Horchata Tasting Flight features five drinks paired with a signature dessert. Each tasting flight is limited to a few guests per session. For updates, events, and exclusive drops, follow @SiestaHorchata and @OlabySiesta on Instagram.
\nTHE MACTAN NEWTOWN will open the week-long Cebu Mangoes Festival 2026: A Sweet Journey on May 22, 6 p.m., at The Mactan Newtown Road 4 Event Grounds. Done in partnership with the Department of Tourism and the Lapu-Lapu City local government, the festival celebrates the heritage, culture, and flavor of Cebu\u2019s prized mangoes through a festive lineup of activities, culinary experiences, and community-centered events, anchored by a 50-meter Mango Graham spectacle. One of the highlights of the festival is The Great Mango Harvest on May 24. Guests can take part in the activity by spending a minimum of P2,000 at any participating establishment in The Mactan Newtown. Single or accumulated receipts dated May 4 to 22, may be submitted at the Mangoes Festival Promo Booth. Qualified participants will have the chance to \u201charvest\u201d fresh mangoes, and bring home all mangoes successfully picked within the allotted time. There will be a Culinary Showdown on May 28, featuring five schools and universities in Cebu. There will also be a Pawty Run on May 23, Cebu Mangoes Festival Queen competition on May 24, Mango Tree Planting on May 27, and the Spicy Dried Mango Eating Battle on May 29. The Cebu Mangoes Food Festival, running until May 31, will feature mango-inspired dishes, desserts, beverages, and local specialties for guests to enjoy.
\nCHAGEE celebrates International Tea Day on May 21 with a new jasmine oolong tea, and a series of experiences designed to bring people closer to tea culture. The BO\u00b7YA Jasmine Tieguanyin Tea series is the newest addition to Chagee\u2019s BO\u00b7YA Jasmine series. The series is made up of BO\u00b7YA Jasmine Tieguanyin Milk Tea and BO\u00b7YA Jasmine Tieguanyin Brewed Tea. Alongside the new drink, Chagee has designed a small collection of tea-inspired merchandise for the season, including a Tea-Scented Charm, a Tea Icons Keychain, and the Tea Roots Tumbler. Selected merchandise will be available bundled with BO\u00b7YA Family drinks in-store during the launch period. Chagee will also be releasing a special publication dedicated to the culture and heritage of tea, available at select stores starting May 21. A Sip and Learn Tea Workshop will be held at SM North EDSA on May 21, and at Robinsons Galleria on June 6. On International Tea Day itself, at 3 p.m., the first 100 customers at every Chagee Philippines store can claim a complimentary Regular BO\u00b7YA Jasmine Tieguanyin Milk Tea.
\nTIONG BAHRU Singapore Flavours introduces Filipino diners to flavors that go beyond the familiar. While its Hainanese Chicken Rice remains a well-loved staple on the menu, the restaurant also highlights specialties that reflect the variety of Singapore\u2019s culinary heritage. The tagline, \u201cTaste Singapore, One Dish at a Time\u201d comes to life through both longtime favorites and underrated gems including Laksa, a rich noodle soup with a creamy coconut-based broth topped with prawns and fish cake; Bak Kut Teh, a pork rib soup features a peppery broth; Fish Curry, inspired by the country\u2019s diverse food traditions; and classic desserts like Chendol which combines shaved ice, coconut milk, pandan jelly, and sweet ingredients, and the colorful Ice Kachang, a mix of textures and flavors topped with finely shaved ice and syrup. Both desserts are available at selected branches, including Robinsons Antipolo, Greenhills Mall in San Juan, TriNoma in Quezon City, UP Town Center in Katipunan, Landmark by the Bay, and Leviste Makati.
\nKOREAN Fried Chicken brand Bonchon goes beyond the usual K-food dining experience with its limited-edition collection with Linya-Linya. The Bonchon x Linya-Linya collection features a graphic shirt and tote bag that plays with the common Filipino pun: \u201cANNYEONGHASEYO, ANO\u2019NG SA\u2019YO?\u201d a mashup of the Korean greeting annyeonghaseyo (\u201chello\u201d) and the classic Filipino line that starts almost every barkada food order: \u201cAno\u2019ng sa\u2019yo?\u201d These limited-edition items include illustrations of Bonchon favorites such as Korean fried chicken and Ultimate Bibimbowl. The shirt is priced at P799, while the tote bag retails for P650. They are available at the following Bonchon branches: Valero One Center, Makati; Shangri-La Plaza, Mandaluyong; Eastwood, Quezon City; UP Town Center, Quezon City; Market! Market!, Taguig; and SM Mall of Asia, Pasay. The tote and tee are also available online at delivery.bonchon.com.ph through the select branches.
\nJOLLIBEE introduces the \u201cJolly Puzzle Adventures,\u201d its latest Kids Meal offering. Available until June 30, the new Kids Meal promotion is offered across all major channels including dine-in, takeout, drive-through, delivery, and big order service. Each Kids Meal purchase of select items such as Yumburger, Burger Steak, Jolly Spaghetti, four-piece Chicken Nuggets, or one-piece Chickenjoy comes with one Jolly Puzzle Adventures toy set. The new collection introduces Jollibee\u2019s first-ever phygital toys, which combine physical figurines, toy accessories, and puzzles with a digital feature. After completing the puzzle, children can scan the QR code using a mobile device to unlock an augmented reality experience that brings Jollibee and Friends and their worlds to life on screen. Each toy set features adventures that include Jollibee\u2019s Dino Discovery, Hetty\u2019s Butterfly Chase, Popo\u2019s Speed Race, Yum\u2019s Space Exploration, and Twirlie\u2019s Deep Sea Quest.
\n", "content_text": "1 of 6\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nThe Pen holds 4-hands dinner at Old Manila\nIN CELEBRATION of its 50th anniversary, The Peninsula Manila presents a two-night culinary collaboration at Old Manila, where Peninsula Manila\u2019s Executive Chef R\u00e9my Carmignani welcomes Senior Chef de Cuisine Yohan Da Costa of The Peninsula Tokyo\u2019s Peter for an exclusive four-hands dinner on May 22 and 23, from 6 to 9:30 p.m. Bringing together two French chefs shaped by distinct geographies, the collaboration reflects a shared philosophy rooted in technique, seasonality, and a deep respect for ingredients. Mr. Carmignani continues to refine Old Manila\u2019s French-inspired culinary identity through expressive cooking grounded in premium local sourcing, while Mr. Da Costa\u2019s Modern French cuisine at Peter has earned acclaim for its elegant interplay between classical French technique and the precision and sensibility of Japanese ingredients. Created exclusively for Manila, the multi-course menu is a dialogue between the two chefs\u2019 culinary perspectives, with courses alternating between Old Manila and Peter. Highlights include Mr. Carmignani\u2019s L\u2019Asperge Blanche, featuring seasonal white asparagus from France with osmanthus, pomelo, hollandaise, and Oscietra caviar, alongside Mr. Da Costa\u2019s L\u2019\u0152uf de Poule, a poached chicken egg with seasonal truffle, mushroom duxelles, yellow wine sauce, and kinome. Other signatures include a bouillabaisse of Atlantic turbot, Hokkaido scallop, and octopus from Old Manila, and roasted Japanese beef with white asparagus, carrot mousseline, yuzu-kosho, and beef jus from Peter. The multi-course dinner is priced at P8,200++. With limited seating available for just two nights, reservations can be made through 8887-2888 (ext. 6694 for Restaurant Reservations), and via e-mail at diningpmn@peninsula.com.\n\nRaffles, La Prairie collaborate for afternoon tea\nRAFFLES MAKATI presents a partnership with La Prairie, bringing together two renowned brands in hospitality and skincare through a celebration that is ongoing until July 15. Guests can experience a special La Prairie Afternoon Tea at the Writers Bar, which is served daily from 2 to 5:30 p.m. and priced at P3,200++ for two persons. This limited-time offering presents a selection of sweet and savory creations inspired by La Prairie\u2019s White Caviar collection. Highlights include Salmon Gravlax and Caviar, Truffle Foie Gras and Smoked Eel, Strawberry Tiramisu Caviar, and the Tropical Exotic Mango Passion, accompanied by the special Luminous Pearl cocktail and the zero-proof Ivory Cloud. Guests are encouraged to reserve their tables in advance. For table reservations at the Writers Bar, contact 8555-9840 or e-mail dining.makati@raffles.co.\n\nSiesta Horchata opens new BF branch, new concept\nSIESTA, the brand that redefined the local horchata scene, officially returns to its roots in the South with a dual-impact expansion: the opening of its newest branch in BF Homes, Para\u00f1aque, and the unveiling of its premier concept space, Ola by Siesta, at Alabang West Parade. This two-pronged launch marks a milestone for the brand, bringing Siesta back to the community where it all began while simultaneously pushing the boundaries of the caf\u00e9 experience. The BF Homes branch is designed as a community-focused hub that celebrates the neighborhood siesta culture, from 10 a.m. to 10 p.m. daily. Meanwhile, Ola by Siesta at Alabang West Parade serves as the brand\u2019s new concept space, the centerpiece of which is the Horchata Tasting Flight. By day, Ola operates as a caf\u00e9 with an evolving menu, then transforms into an intimate tasting-menu experience on weekend evenings. Available from Fridays to Sundays, starting at 6 p.m., the Horchata Tasting Flight features five drinks paired with a signature dessert. Each tasting flight is limited to a few guests per session. For updates, events, and exclusive drops, follow @SiestaHorchata and @OlabySiesta on Instagram.\n\nMactan Newtown holds Mango fest\nTHE MACTAN NEWTOWN will open the week-long Cebu Mangoes Festival 2026: A Sweet Journey on May 22, 6 p.m., at The Mactan Newtown Road 4 Event Grounds. Done in partnership with the Department of Tourism and the Lapu-Lapu City local government, the festival celebrates the heritage, culture, and flavor of Cebu\u2019s prized mangoes through a festive lineup of activities, culinary experiences, and community-centered events, anchored by a 50-meter Mango Graham spectacle. One of the highlights of the festival is The Great Mango Harvest on May 24. Guests can take part in the activity by spending a minimum of P2,000 at any participating establishment in The Mactan Newtown. Single or accumulated receipts dated May 4 to 22, may be submitted at the Mangoes Festival Promo Booth. Qualified participants will have the chance to \u201charvest\u201d fresh mangoes, and bring home all mangoes successfully picked within the allotted time. There will be a Culinary Showdown on May 28, featuring five schools and universities in Cebu. There will also be a Pawty Run on May 23, Cebu Mangoes Festival Queen competition on May 24, Mango Tree Planting on May 27, and the Spicy Dried Mango Eating Battle on May 29. The Cebu Mangoes Food Festival, running until May 31, will feature mango-inspired dishes, desserts, beverages, and local specialties for guests to enjoy.\n\nChagee marks International Tea Day\nCHAGEE celebrates International Tea Day on May 21 with a new jasmine oolong tea, and a series of experiences designed to bring people closer to tea culture. The BO\u00b7YA Jasmine Tieguanyin Tea series is the newest addition to Chagee\u2019s BO\u00b7YA Jasmine series. The series is made up of BO\u00b7YA Jasmine Tieguanyin Milk Tea and BO\u00b7YA Jasmine Tieguanyin Brewed Tea. Alongside the new drink, Chagee has designed a small collection of tea-inspired merchandise for the season, including a Tea-Scented Charm, a Tea Icons Keychain, and the Tea Roots Tumbler. Selected merchandise will be available bundled with BO\u00b7YA Family drinks in-store during the launch period. Chagee will also be releasing a special publication dedicated to the culture and heritage of tea, available at select stores starting May 21. A Sip and Learn Tea Workshop will be held at SM North EDSA on May 21, and at Robinsons Galleria on June 6. On International Tea Day itself, at 3 p.m., the first 100 customers at every Chagee Philippines store can claim a complimentary Regular BO\u00b7YA Jasmine Tieguanyin Milk Tea.\n\nAuthentic flavors at Tiong Bahru\nTIONG BAHRU Singapore Flavours introduces Filipino diners to flavors that go beyond the familiar. While its Hainanese Chicken Rice remains a well-loved staple on the menu, the restaurant also highlights specialties that reflect the variety of Singapore\u2019s culinary heritage. The tagline, \u201cTaste Singapore, One Dish at a Time\u201d comes to life through both longtime favorites and underrated gems including Laksa, a rich noodle soup with a creamy coconut-based broth topped with prawns and fish cake; Bak Kut Teh, a pork rib soup features a peppery broth; Fish Curry, inspired by the country\u2019s diverse food traditions; and classic desserts like Chendol which combines shaved ice, coconut milk, pandan jelly, and sweet ingredients, and the colorful Ice Kachang, a mix of textures and flavors topped with finely shaved ice and syrup. Both desserts are available at selected branches, including Robinsons Antipolo, Greenhills Mall in San Juan, TriNoma in Quezon City, UP Town Center in Katipunan, Landmark by the Bay, and Leviste Makati.\n\nBonchon collaborates with Linya-Linya\nKOREAN Fried Chicken brand Bonchon goes beyond the usual K-food dining experience with its limited-edition collection with Linya-Linya. The Bonchon x Linya-Linya collection features a graphic shirt and tote bag that plays with the common Filipino pun: \u201cANNYEONGHASEYO, ANO\u2019NG SA\u2019YO?\u201d a mashup of the Korean greeting annyeonghaseyo (\u201chello\u201d) and the classic Filipino line that starts almost every barkada food order: \u201cAno\u2019ng sa\u2019yo?\u201d These limited-edition items include illustrations of Bonchon favorites such as Korean fried chicken and Ultimate Bibimbowl. The shirt is priced at P799, while the tote bag retails for P650. They are available at the following Bonchon branches: Valero One Center, Makati; Shangri-La Plaza, Mandaluyong; Eastwood, Quezon City; UP Town Center, Quezon City; Market! Market!, Taguig; and SM Mall of Asia, Pasay. The tote and tee are also available online at delivery.bonchon.com.ph through the select branches.\n\nJollibee launches Jolly Puzzle Adventures Kids Meal\nJOLLIBEE introduces the \u201cJolly Puzzle Adventures,\u201d its latest Kids Meal offering. Available until June 30, the new Kids Meal promotion is offered across all major channels including dine-in, takeout, drive-through, delivery, and big order service. Each Kids Meal purchase of select items such as Yumburger, Burger Steak, Jolly Spaghetti, four-piece Chicken Nuggets, or one-piece Chickenjoy comes with one Jolly Puzzle Adventures toy set. The new collection introduces Jollibee\u2019s first-ever phygital toys, which combine physical figurines, toy accessories, and puzzles with a digital feature. After completing the puzzle, children can scan the QR code using a mobile device to unlock an augmented reality experience that brings Jollibee and Friends and their worlds to life on screen. Each toy set features adventures that include Jollibee\u2019s Dino Discovery, Hetty\u2019s Butterfly Chase, Popo\u2019s Speed Race, Yum\u2019s Space Exploration, and Twirlie\u2019s Deep Sea Quest.", "date_published": "2026-05-21T00:04:24+08:00", "date_modified": "2026-05-20T19:23:18+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/2026_Old-Manila-at-The-Peninsula-Manila.jpg", "tags": [ "Dining In/Out", "Arts & Leisure", "Editors' Picks" ], "summary": "IN CELEBRATION of its 50th anniversary, The Peninsula Manila presents a two-night culinary collaboration at Old Manila, where Peninsula Manila\u2019s Executive Chef R\u00e9my Carmignani welcomes Senior Chef de Cuisine Yohan Da Costa of The Peninsula Tokyo\u2019s Peter for an exclusive four-hands dinner on May 22 and 23, from 6 to 9:30 p.m." }, { "id": "/?p=750896", "url": "/arts-and-leisure/2026/05/20/750896/ofws-to-receive-free-admission-in-intramuros/", "title": "OFWs to receive free admission in Intramuros", "content_html": "![\"\"](\"/wp-content/uploads/2026/05/pasyal-pamilya-dot.jpg\")
The Department of Tourism (DoT) and the Intramuros Administration said on Wednesday that Overseas Filipino Workers (OFWs) will receive free admission to Intramuros next week, in recognition of their \u201cinvaluable contributions and sacrifices\u201d.
\n\u201cWe want to acknowledge the immense hard work our OFWs perform every single day
\nacross the globe,\u201d Tourism Secretary Dita Angara-Mathay said in a statement.
\n\u201cOur goal is to express our gratitude by giving them the time to reconnect with their families and our culture,\u201d she added.
\nThe week-long offerings, which run from May 25 to 31, are under the \u201cPasyal Pamilya: Balik Bayani sa Walled City\u201d initiative.
\nOFWs and returning migrant workers can explore two of Intramuros\u2019 heritage attractions – Fort Santiago and Centro de Turismo Intramuros, free of charge. Guided tours for Fort Santiago will also be available beginning May 25 to 31 at 4:30 p.m., while tours for Centro de Turismo Intramuros begin on May 27 to 31 at 4:00 p.m.
\nQualified visitors must present their valid Overseas Employment Certificate (OEC) and membership card issued by the Overseas Workers Welfare Administration. Eligible tourists could bring four companions each.
\n\u201cWe want to evoke the nostalgia of the days when families routinely took the weekend to walk around Luneta Park,\u201d Ms. Angara-Mathay said.
\n\u201cBringing back those cherished memories and offering a relaxed, meaningful space to bond right next door in the historic heart of Manila,\u201d she added.
\nIntramuros, known as the \u201cWalled City\u201d, is named as one of the historical destinations in the Philippines.
\nDue to its timeless charm, Intramuros was awarded Asia\u2019s Leading Tourist Attraction in the 2024 World Travel Awards. This year, the Walled City was once again nominated for the same award.
\nThe City of San Fernando, Pampanga, was also nominated for Asia\u2019s Leading Cultural City Destination, and Aurora Province for Asia\u2019s Leading Nature Destination. \u2014 Almira Louise S. Martinez
\n", "content_text": "The official Pasyal Pamilya poster. \u2014 DOT\nThe Department of Tourism (DoT) and the Intramuros Administration said on Wednesday that Overseas Filipino Workers (OFWs) will receive free admission to Intramuros next week, in recognition of their \u201cinvaluable contributions and sacrifices\u201d.\n\u201cWe want to acknowledge the immense hard work our OFWs perform every single day\nacross the globe,\u201d Tourism Secretary Dita Angara-Mathay said in a statement.\n\u201cOur goal is to express our gratitude by giving them the time to reconnect with their families and our culture,\u201d she added.\nThe week-long offerings, which run from May 25 to 31, are under the \u201cPasyal Pamilya: Balik Bayani sa Walled City\u201d initiative.\nOFWs and returning migrant workers can explore two of Intramuros\u2019 heritage attractions – Fort Santiago and Centro de Turismo Intramuros, free of charge. Guided tours for Fort Santiago will also be available beginning May 25 to 31 at 4:30 p.m., while tours for Centro de Turismo Intramuros begin on May 27 to 31 at 4:00 p.m.\nQualified visitors must present their valid Overseas Employment Certificate (OEC) and membership card issued by the Overseas Workers Welfare Administration. Eligible tourists could bring four companions each.\n\u201cWe want to evoke the nostalgia of the days when families routinely took the weekend to walk around Luneta Park,\u201d Ms. Angara-Mathay said.\n\u201cBringing back those cherished memories and offering a relaxed, meaningful space to bond right next door in the historic heart of Manila,\u201d she added.\nIntramuros, known as the \u201cWalled City\u201d, is named as one of the historical destinations in the Philippines.\nDue to its timeless charm, Intramuros was awarded Asia\u2019s Leading Tourist Attraction in the 2024 World Travel Awards. This year, the Walled City was once again nominated for the same award.\nThe City of San Fernando, Pampanga, was also nominated for Asia\u2019s Leading Cultural City Destination, and Aurora Province for Asia\u2019s Leading Nature Destination. \u2014 Almira Louise S. Martinez", "date_published": "2026-05-20T17:04:27+08:00", "date_modified": "2026-05-20T17:04:27+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/pasyal-pamilya-dot-thumb.jpg", "tags": [ "almira louise s. martinez", "Arts & Leisure" ] }, { "id": "/?p=750695", "url": "/arts-and-leisure/2026/05/20/750695/revisiting-a-literary-legacy/", "title": "Revisiting a literary legacy", "content_html": "\r\n \r\n\r\nIT ALWAYS began with narratives scribbled down on folded sheets of 8-1/2 by 11 paper, then typed out on a battered old typewriter, said Melissa \u201cMimi\u201d Nolledo, describing how her father, writer Wilfrido D. Nolledo, worked. Now, 16 of the many short stories he created have become accessible to a new generation of readers and writers.
\nRe-published in a collection called Canticles for Dark Lovers by local press Exploding Galaxies, these stories represent Mr. Nolledo\u2019s body of work between 1955 and 1971. After reprinting many forgotten Filipino classics \u2014 the publishing house specializes in out-of-print works by Filipino authors \u2014 this collection holds special meaning for Exploding Galaxies. Mr. Nolledo\u2019s 1970 novel But for the Lovers was Exploding Galaxies\u2019 first project, released in 2023.
\nPublisher Mara Coson explained at the May 9 launch that their goal was to focus on the acclaimed author\u2019s writing in the 15 years leading up to But for the Lovers.
\n\u201cWe went over a year, with \u2018Moratorium est finie\u2019 originally published in 1971, but we noted it as key because it\u2019s such a departure. He did something that was sci-fi,\u201d she said.
\n\u201cIn this short story collection, you\u2019ll discover a lot of characters that will stay with you,\u201d Ms. Coson continued. \u201cThese are characters, or lovers, actually, who lust, who long to find something, and who, I guess, in a way, get so caught up in the hope and heartbreak that these Nolledo stories provide.\u201d
\nAt the launch held at WHYNoT in Karrivin Plaza, Makati, Mr. Nolledo\u2019s writings were displayed in installations that evoked how they once appeared in vintage magazines, while visual timelines and old photos of the writer and his family provided context for his colorful life.
\nUp front was a portrait of Mr. Nolledo painted by his dear friend, artist Danilo Dalena, who later recounted memories they shared in a recorded video message. Toward the back of the space was a projector screening excerpts of films which Mr. Nolledo contributed to as a screenwriter.
\nActors Pablo Fabregas and Miren Alvarez-Fabregas delivered readings of three of the short stories in the collection \u2014 \u201cMoratorium est finie,\u201d \u201cKayumanggi, Mon Amour,\u201d and the titular \u201cCanticle for Dark Lovers.\u201d Sound artist Mudskipper elevated the prose with ambient sonic tracks to accompany the readings.
\nNOLLEDO FAN CLUB
\nFor Exploding Galaxies managing editor Sam Marcelo, publishing Canticles soon after But for the Lovers is their way to grow a fan club of sorts.
\u201cCanticles for Dark Lovers continues our commitment to growing the Nolledo fan club. During the launch of the short story collection, Krip Yuson riffed on how intoxicating Nolledo\u2019s writing is and how it made a huge impact on him when he first read Nolledo when he was young,\u201d she told 大象传媒 via e-mail. \u201cWe hope to provide that same experience to today\u2019s readers.\u201d
\nTo be more precise, in Mr. Yuson\u2019s impromptu message at the launch, he talked about the legacy of \u201clanguage writing\u201d that he was impressed by, but which may or may not resonate with today\u2019s readers.
\n\u201cI wonder if the new generations will also abide by it\u2026 So-called \u2018language writers\u2019 were really looked down upon. There was always a danger with language writing because if you go over the edge, it becomes \u2018purple prose,\u2019\u201d he said. \u201cWe\u2019ll see if the new generation will think that this is \u2018purple prose.\u2019 I don\u2019t think so. I still remain impressed and intoxicated by the prose of Ding Nolledo.\u201d
\nThose who already read But for the Lovers may also find something of interest in the new collection\u2019s first story, \u201cOf Things Guadalupe,\u201d which is actually an early version of the novel.
\n\u201cThat might add an extra layer of interest for those who are curious about the writing process and about form,\u201d Ms. Marcelo said.
\n\u2018SOMETHING ALIVE\u2019
\nMr. Nolledo, born in 1933, was a celebrated novelist, short story writer, playwright, screenwriter, and journalist. For Mimi Nolledo, who could only hear bits of his writing process at home, it remained a mystery to her for much of her life.
\u201cWhen I think of Papa writing, what I hear first is the typewriter. Growing up, we would all hear it throughout our house on Champagne Street in Marikina \u2014 that staccato rhythm, trippingly like music, then moments when you could hear him as he quietly read passages aloud to himself,\u201d she recalled. \u201cLike he was checking for the cadence, the poetry, the heft and feel of a certain word, a certain syllable,\u201d she said.
\n\u201cGrowing up inside that sound, I didn\u2019t always understand what he was building. I just knew something alive was happening in that room. That\u2019s the way literature is, I think. It happens in rooms we don\u2019t fully enter until later,\u201d she continued. \u201cAnd then one day, we walk right in and there it is \u2014 a story, just waiting there for us. Literature is a kind of coming home.\u201d
\nCanticles for Dark Lovers is available in Fully Booked, National Bookstore, and select bookstores including Everything\u2019s Fine in Makati and Mt. Cloud Bookshop in Baguio, as well as in online marketplaces Shopee and Lazada. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "1 of 5\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n EXPLODING GALAXIES has released \na compilation of Wilfrido D. Nolledo\u2019s\nshort stories called Canticles for Dark Lovers (right) as a companion piece to its earlier release of his re-published novel But for the Lovers. \u2013 BRONT\u00cb H. LACSAMANA\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n nolledo portrait by danilo dalena \u2014 BRONT\u00cb H. LACSAMANA\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n nolledo display at whynot \u2014 BRONT\u00cb H. LACSAMANA\r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nIT ALWAYS began with narratives scribbled down on folded sheets of 8-1/2 by 11 paper, then typed out on a battered old typewriter, said Melissa \u201cMimi\u201d Nolledo, describing how her father, writer Wilfrido D. Nolledo, worked. Now, 16 of the many short stories he created have become accessible to a new generation of readers and writers.\nRe-published in a collection called Canticles for Dark Lovers by local press Exploding Galaxies, these stories represent Mr. Nolledo\u2019s body of work between 1955 and 1971. After reprinting many forgotten Filipino classics \u2014 the publishing house specializes in out-of-print works by Filipino authors \u2014 this collection holds special meaning for Exploding Galaxies. Mr. Nolledo\u2019s 1970 novel But for the Lovers was Exploding Galaxies\u2019 first project, released in 2023.\nPublisher Mara Coson explained at the May 9 launch that their goal was to focus on the acclaimed author\u2019s writing in the 15 years leading up to But for the Lovers.\n\u201cWe went over a year, with \u2018Moratorium est finie\u2019 originally published in 1971, but we noted it as key because it\u2019s such a departure. He did something that was sci-fi,\u201d she said.\n\u201cIn this short story collection, you\u2019ll discover a lot of characters that will stay with you,\u201d Ms. Coson continued. \u201cThese are characters, or lovers, actually, who lust, who long to find something, and who, I guess, in a way, get so caught up in the hope and heartbreak that these Nolledo stories provide.\u201d\nAt the launch held at WHYNoT in Karrivin Plaza, Makati, Mr. Nolledo\u2019s writings were displayed in installations that evoked how they once appeared in vintage magazines, while visual timelines and old photos of the writer and his family provided context for his colorful life. \nUp front was a portrait of Mr. Nolledo painted by his dear friend, artist Danilo Dalena, who later recounted memories they shared in a recorded video message. Toward the back of the space was a projector screening excerpts of films which Mr. Nolledo contributed to as a screenwriter. \nActors Pablo Fabregas and Miren Alvarez-Fabregas delivered readings of three of the short stories in the collection \u2014 \u201cMoratorium est finie,\u201d \u201cKayumanggi, Mon Amour,\u201d and the titular \u201cCanticle for Dark Lovers.\u201d Sound artist Mudskipper elevated the prose with ambient sonic tracks to accompany the readings.\nNOLLEDO FAN CLUB\nFor Exploding Galaxies managing editor Sam Marcelo, publishing Canticles soon after But for the Lovers is their way to grow a fan club of sorts.\n\u201cCanticles for Dark Lovers continues our commitment to growing the Nolledo fan club. During the launch of the short story collection, Krip Yuson riffed on how intoxicating Nolledo\u2019s writing is and how it made a huge impact on him when he first read Nolledo when he was young,\u201d she told 大象传媒 via e-mail. \u201cWe hope to provide that same experience to today\u2019s readers.\u201d\nTo be more precise, in Mr. Yuson\u2019s impromptu message at the launch, he talked about the legacy of \u201clanguage writing\u201d that he was impressed by, but which may or may not resonate with today\u2019s readers.\n\u201cI wonder if the new generations will also abide by it\u2026 So-called \u2018language writers\u2019 were really looked down upon. There was always a danger with language writing because if you go over the edge, it becomes \u2018purple prose,\u2019\u201d he said. \u201cWe\u2019ll see if the new generation will think that this is \u2018purple prose.\u2019 I don\u2019t think so. I still remain impressed and intoxicated by the prose of Ding Nolledo.\u201d\nThose who already read But for the Lovers may also find something of interest in the new collection\u2019s first story, \u201cOf Things Guadalupe,\u201d which is actually an early version of the novel.\n\u201cThat might add an extra layer of interest for those who are curious about the writing process and about form,\u201d Ms. Marcelo said.\n\u2018SOMETHING ALIVE\u2019\nMr. Nolledo, born in 1933, was a celebrated novelist, short story writer, playwright, screenwriter, and journalist. For Mimi Nolledo, who could only hear bits of his writing process at home, it remained a mystery to her for much of her life.\n\u201cWhen I think of Papa writing, what I hear first is the typewriter. Growing up, we would all hear it throughout our house on Champagne Street in Marikina \u2014 that staccato rhythm, trippingly like music, then moments when you could hear him as he quietly read passages aloud to himself,\u201d she recalled. \u201cLike he was checking for the cadence, the poetry, the heft and feel of a certain word, a certain syllable,\u201d she said.\n\u201cGrowing up inside that sound, I didn\u2019t always understand what he was building. I just knew something alive was happening in that room. That\u2019s the way literature is, I think. It happens in rooms we don\u2019t fully enter until later,\u201d she continued. \u201cAnd then one day, we walk right in and there it is \u2014 a story, just waiting there for us. Literature is a kind of coming home.\u201d\nCanticles for Dark Lovers is available in Fully Booked, National Bookstore, and select bookstores including Everything\u2019s Fine in Makati and Mt. Cloud Bookshop in Baguio, as well as in online marketplaces Shopee and Lazada. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-20T00:06:17+08:00", "date_modified": "2026-05-19T19:02:11+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/20260509_161249.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=750693", "url": "/arts-and-leisure/2026/05/20/750693/from-french-leave-to-irish-goodbyes-why-you-may-be-right-to-exit-a-party-without-saying-goodbye/", "title": "From \u2018French leave\u2019 to \u2018Irish goodbyes\u2019: Why you may be right to exit a party without saying goodbye", "content_html": "By Trudy Meehan
\nWHETHER you call it an Irish goodbye, French leave, or filer \u00e0 l\u2019anglaise (leave in the English style), as the French prefer, the act of quietly slipping out of a party without fanfare is a familiar social impulse. The Brazilians called it sair \u00e0 francesa (French style) and the Germans a Polnischer Abgang (Polish departure). Whatever name it goes by, the concept is the same: one moment you\u2019re there, the next you\u2019ve vanished into the night without a drawn-out round of explanations, hugs, and promises to catch up soon.
\nThe pattern is telling: every culture has a term for it, and every culture blames someone else. That collective deflection suggests we already know, on some level, that slipping out unannounced is a social transgression.
\n![\"\"](\"/wp-content/uploads/2026/03/Conversation-logo.jpg\"){kind=logo}
But for those of us with anxiety, that silent exit isn\u2019t rudeness. While etiquette traditionalists will probably insist that leaving without saying goodbye is a social no-no, some psychologists argue that it\u2019s a coping strategy. Here\u2019s why sneaking out without saying goodbye might be the healthiest decision you make all evening.
When you break it down \u2014 and let\u2019s be honest, those of us who are anxious, introverted, neurodivergent, or dealing with chronic illness have all broken this down into agonizing detailed steps \u2014 saying goodbye is a loaded cultural ritual. It\u2019s a performance that demands a high degree of social skill, accuracy, and nuance.
\nGoodbyes are high-demand situations and, sadly, by the end of a social occasion, many of us are already depleted and don\u2019t have the energy to handle all the steps involved.
\nFor many of us, socializing can mean feeling overwhelmed, constantly monitoring how we come across, trying to fit into other people\u2019s expectations, comparing ourselves to others, and worrying about rejection. It can be exhausting to feel like you\u2019re constantly trying to act like your best version of normal.
\nWhen socializing means constantly adapting yourself to other people\u2019s expectations, the healthy choice becomes using your last bit of energy to recharge and take care of yourself. Don\u2019t leave the party completely drained with nothing left to recover with.
\nSometimes we want to leave quietly because leaving loudly feels like shouting out: \u201cI matter! Look at me, I\u2019m leaving!\u201d The fact is, many of us sit with the belief that we don\u2019t really matter that much, so we don\u2019t say goodbye because we don\u2019t feel we are worth the performance.
\nSometimes a silent exit is about self-respect, minding your energy reserves, even if you really enjoyed the evening. At other times, though, it\u2019s an act of self-erasure. You leave without saying goodbye because you think no one will care, that you don\u2019t matter enough to make a fuss when leaving.
\nLeaving quietly can become a way to protect yourself from the discomfort of saying goodbye. But the quiet exit cuts both ways. Ask yourself whether leaving without a word made your life bigger \u2014 you conserved enough energy to recover and you\u2019re glad to go back next time \u2014 or whether it shrank it, adding another reason to avoid socializing altogether.
\nIf you are going to pick apart your goodbye and negatively assess it, the next goodbye will feel even harder. Be careful to reality-test your post-event ruminations. It\u2019s usually not as bad as you think, especially if you are assessing your performance through the distorting lens of anxiety.
\nTHE HEALTHIEST CHOICE OF ALL
\nThere is always a tension between wanting to belong and wanting to be yourself. If saying goodbye starts to feel so pressured and so performed that you lose any sense of being authentic, then the connection is starting to cost more than it\u2019s worth.
If you feel like you need to be a chameleon to survive the complexities of socializing, the healthiest choice is to find a way to be who you really are. Find a way to tell your friends and family that leaving quietly is something you need because of how your nervous system and psychology are made, and not a reflection of the relationship. Research shows that being your truest self and having the best social connections go hand in hand.
\nAnd if you are neurodivergent, being open about what you need can feel like a risk, but it can also be a way to find acceptance, support and understanding when you let people know what you need and like.
\nIf you\u2019re anxious, it\u2019s worth letting your host know in advance that you might need to slip away quietly. Otherwise, there\u2019s a risk that people will read it the wrong way, as coldness or indifference, say.
\nGet ahead of it by letting people know you\u2019ll leave without saying goodbye, and that you\u2019re grateful to have been invited. Anxious people aren\u2019t bad at relationships. Relationships just work better when everyone understands the other person\u2019s needs.
\nLESS IS MORE
\nThere\u2019s a growing idea that being choosy about your social life isn\u2019t antisocial \u2014 some psychologists call it \u201cselective sociality.\u201d Picking your moments carefully means you have more to give when it counts. The goal isn\u2019t to retreat, but to invest in deeper relationships and in real presence, rather than the hollow churn of online contact \u2014 unless it supports meaningful connection.
In a world where being seen to do the right thing has begun to outweigh doing the right thing, selective sociality offers a way forward. Knowing our limits and being open about them, when possible, doesn\u2019t weaken connection \u2014 it helps create relationships that feel real and sustainable.
\nIf sneaking out without a fuss makes it more likely you will go to the next party, then it\u2019s a choice for more social connection and therefore your health. \u2014 The Conversation via Reuters Connect
\n\n
Trudy Meehan is a Lecturer at the Centre for Positive Psychology and Health, RCSI University of Medicine and Health Sciences.
\n", "content_text": "By Trudy Meehan\nWHETHER you call it an Irish goodbye, French leave, or filer \u00e0 l\u2019anglaise (leave in the English style), as the French prefer, the act of quietly slipping out of a party without fanfare is a familiar social impulse. The Brazilians called it sair \u00e0 francesa (French style) and the Germans a Polnischer Abgang (Polish departure). Whatever name it goes by, the concept is the same: one moment you\u2019re there, the next you\u2019ve vanished into the night without a drawn-out round of explanations, hugs, and promises to catch up soon.\nThe pattern is telling: every culture has a term for it, and every culture blames someone else. That collective deflection suggests we already know, on some level, that slipping out unannounced is a social transgression.\nBut for those of us with anxiety, that silent exit isn\u2019t rudeness. While etiquette traditionalists will probably insist that leaving without saying goodbye is a social no-no, some psychologists argue that it\u2019s a coping strategy. Here\u2019s why sneaking out without saying goodbye might be the healthiest decision you make all evening.\nWhen you break it down \u2014 and let\u2019s be honest, those of us who are anxious, introverted, neurodivergent, or dealing with chronic illness have all broken this down into agonizing detailed steps \u2014 saying goodbye is a loaded cultural ritual. It\u2019s a performance that demands a high degree of social skill, accuracy, and nuance.\nGoodbyes are high-demand situations and, sadly, by the end of a social occasion, many of us are already depleted and don\u2019t have the energy to handle all the steps involved.\nFor many of us, socializing can mean feeling overwhelmed, constantly monitoring how we come across, trying to fit into other people\u2019s expectations, comparing ourselves to others, and worrying about rejection. It can be exhausting to feel like you\u2019re constantly trying to act like your best version of normal.\nWhen socializing means constantly adapting yourself to other people\u2019s expectations, the healthy choice becomes using your last bit of energy to recharge and take care of yourself. Don\u2019t leave the party completely drained with nothing left to recover with.\nSometimes we want to leave quietly because leaving loudly feels like shouting out: \u201cI matter! Look at me, I\u2019m leaving!\u201d The fact is, many of us sit with the belief that we don\u2019t really matter that much, so we don\u2019t say goodbye because we don\u2019t feel we are worth the performance.\nSometimes a silent exit is about self-respect, minding your energy reserves, even if you really enjoyed the evening. At other times, though, it\u2019s an act of self-erasure. You leave without saying goodbye because you think no one will care, that you don\u2019t matter enough to make a fuss when leaving.\nLeaving quietly can become a way to protect yourself from the discomfort of saying goodbye. But the quiet exit cuts both ways. Ask yourself whether leaving without a word made your life bigger \u2014 you conserved enough energy to recover and you\u2019re glad to go back next time \u2014 or whether it shrank it, adding another reason to avoid socializing altogether.\nIf you are going to pick apart your goodbye and negatively assess it, the next goodbye will feel even harder. Be careful to reality-test your post-event ruminations. It\u2019s usually not as bad as you think, especially if you are assessing your performance through the distorting lens of anxiety.\nTHE HEALTHIEST CHOICE OF ALL\nThere is always a tension between wanting to belong and wanting to be yourself. If saying goodbye starts to feel so pressured and so performed that you lose any sense of being authentic, then the connection is starting to cost more than it\u2019s worth.\nIf you feel like you need to be a chameleon to survive the complexities of socializing, the healthiest choice is to find a way to be who you really are. Find a way to tell your friends and family that leaving quietly is something you need because of how your nervous system and psychology are made, and not a reflection of the relationship. Research shows that being your truest self and having the best social connections go hand in hand.\nAnd if you are neurodivergent, being open about what you need can feel like a risk, but it can also be a way to find acceptance, support and understanding when you let people know what you need and like.\nIf you\u2019re anxious, it\u2019s worth letting your host know in advance that you might need to slip away quietly. Otherwise, there\u2019s a risk that people will read it the wrong way, as coldness or indifference, say.\nGet ahead of it by letting people know you\u2019ll leave without saying goodbye, and that you\u2019re grateful to have been invited. Anxious people aren\u2019t bad at relationships. Relationships just work better when everyone understands the other person\u2019s needs.\nLESS IS MORE\nThere\u2019s a growing idea that being choosy about your social life isn\u2019t antisocial \u2014 some psychologists call it \u201cselective sociality.\u201d Picking your moments carefully means you have more to give when it counts. The goal isn\u2019t to retreat, but to invest in deeper relationships and in real presence, rather than the hollow churn of online contact \u2014 unless it supports meaningful connection.\nIn a world where being seen to do the right thing has begun to outweigh doing the right thing, selective sociality offers a way forward. Knowing our limits and being open about them, when possible, doesn\u2019t weaken connection \u2014 it helps create relationships that feel real and sustainable.\nIf sneaking out without a fuss makes it more likely you will go to the next party, then it\u2019s a choice for more social connection and therefore your health. \u2014 The Conversation via Reuters Connect\n \nTrudy Meehan is a Lecturer at the Centre for Positive Psychology and Health, RCSI University of Medicine and Health Sciences.", "date_published": "2026-05-20T00:04:16+08:00", "date_modified": "2026-05-19T19:03:36+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/people-celebrating-party-A.jpg", "tags": [ "Trudy Meehan", "Arts & Leisure", "Editors' Picks" ], "summary": "WHETHER you call it an Irish goodbye, French leave, or filer \u00e0 l\u2019anglaise (leave in the English style), as the French prefer, the act of quietly slipping out of a party without fanfare is a familiar social impulse." }, { "id": "/?p=750692", "url": "/arts-and-leisure/2026/05/20/750692/arts-culture-05-20-26/", "title": "Arts & Culture (05/20/26)", "content_html": "\r\n \r\n\r\nTHE exhibition Embracing the wind, Cradling the water by Spanish artist Cristina Mej\u00edas will open on May 22, a project done with the support of the Embassy of Spain in the Philippines, AECID, and Instituto Cervantes Manila. The exhibition explores the unseen forces and structures that shape our lives through works that move, resonate, and transform with their surroundings. It will run until Sept. 5 at the Vargas Museum, University of the Philippines Diliman, Quezon City.
\nTHE exhibition The Philosophical Tales Of The Ancient Raconteur: The Steampunk Surrealism Of Nestor Perez Ong is an ongoing one-man exhibit at Gateway Gallery. It showcases the work of Nestor Perez Ong, leader of the Steampunk Indio Collective, who aimed to turn the gallery into a brass-bound archive of dreams. Each piece came to life through the steampunk lens to deliver nostalgic Filipino scenes colliding with industrial futurism in one surrealistic canvas. The show runs until May 22 at the Gateway Gallery\u2019s Small Room in Gateway Tower, Araneta City, Quezon City.
\nTHIS National Heritage Month, the CCP Encyclopedia of Philippine Art is highlighting seven Filipina culture bearers and traditional craft artists whose historic contributions preserve the country\u2019s rich cultural legacy, all awarded the Gawad sa Manlilikha ng Bayan (GAMABA). They are: Lang Dulay, the torchbearer for t\u2019nalak, the sacred textile of the T\u2019boli people of South Cotabato; Magdalena Gamayo, a master weaver of inabel from the Ilocos region; Haja Amina Appi, a Sama mat weaver from Tawi-Tawi; Apuh Ambalang Ausalin, a master Yakan textile weaver from Basilan; Estelita Bantilan of Sarangani, renowned for her vibrant and intricate ig\u0113m; South Cotabato\u2019s Yabing Masalon Dulo, known for her mastery of traditional Blaan textile mabal tabih; and Abina Coguit, master of suyam, the traditional embroidery of the Agusanon Manobo.
\nTHE Carlos Palanca Foundation, Inc. is now accepting entries to the 76th Carlos Palanca Memorial Awards for Literature. The Palanca Awards welcomes Filipino citizens or former Filipino citizens of all ages, whether based locally or abroad, to participate. Authors may submit only one entry per category. Submission must be completed online through the Palanca Awards website at http://www.palancaawards.com.ph. The Carlos Palanca Foundation will not accept printed and e-mail submissions for any category. The deadline for submission is June 30. For the official contest rules and forms, visit the Palanca Awards website.
\nNOMINATIONS for the Gawad CCP Para sa Sining are now open to the public. The Gawad CCP Para Sa Sining is the highest award given by the Cultural Center of the Philippines to artists or groups of artists in architecture, dance, film and broadcast arts, literature, music, theater, and visual arts who have/had consistently produced outstanding works or have/had evolved a distinct style or technique that enriches the development of their particular art form. The deadline for the submission of nominations is July 31. Completed nomination forms should be sent to gawadccp@culturalcenter.gov.ph.
\n", "content_text": "1 of 5\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nSpanish artist Cristina Mej\u00edas exhibits at Vargas Museum\nTHE exhibition Embracing the wind, Cradling the water by Spanish artist Cristina Mej\u00edas will open on May 22, a project done with the support of the Embassy of Spain in the Philippines, AECID, and Instituto Cervantes Manila. The exhibition explores the unseen forces and structures that shape our lives through works that move, resonate, and transform with their surroundings. It will run until Sept. 5 at the Vargas Museum, University of the Philippines Diliman, Quezon City.\n\nNestor Perez Ong mounts exhibit\nTHE exhibition The Philosophical Tales Of The Ancient Raconteur: The Steampunk Surrealism Of Nestor Perez Ong is an ongoing one-man exhibit at Gateway Gallery. It showcases the work of Nestor Perez Ong, leader of the Steampunk Indio Collective, who aimed to turn the gallery into a brass-bound archive of dreams. Each piece came to life through the steampunk lens to deliver nostalgic Filipino scenes colliding with industrial futurism in one surrealistic canvas. The show runs until May 22 at the Gateway Gallery\u2019s Small Room in Gateway Tower, Araneta City, Quezon City.\n\nCCP Encyclopedia spotlights GAMABA awardees\nTHIS National Heritage Month, the CCP Encyclopedia of Philippine Art is highlighting seven Filipina culture bearers and traditional craft artists whose historic contributions preserve the country\u2019s rich cultural legacy, all awarded the Gawad sa Manlilikha ng Bayan (GAMABA). They are: Lang Dulay, the torchbearer for t\u2019nalak, the sacred textile of the T\u2019boli people of South Cotabato; Magdalena Gamayo, a master weaver of inabel from the Ilocos region; Haja Amina Appi, a Sama mat weaver from Tawi-Tawi; Apuh Ambalang Ausalin, a master Yakan textile weaver from Basilan; Estelita Bantilan of Sarangani, renowned for her vibrant and intricate ig\u0113m; South Cotabato\u2019s Yabing Masalon Dulo, known for her mastery of traditional Blaan textile mabal tabih; and Abina Coguit, master of suyam, the traditional embroidery of the Agusanon Manobo.\n\nPalanca Awards issues call for entries\nTHE Carlos Palanca Foundation, Inc. is now accepting entries to the 76th Carlos Palanca Memorial Awards for Literature. The Palanca Awards welcomes Filipino citizens or former Filipino citizens of all ages, whether based locally or abroad, to participate. Authors may submit only one entry per category. Submission must be completed online through the Palanca Awards website at http://www.palancaawards.com.ph. The Carlos Palanca Foundation will not accept printed and e-mail submissions for any category. The deadline for submission is June 30. For the official contest rules and forms, visit the Palanca Awards website.\n\nCCP opens nominations for Gawad CCP Para sa Sining\nNOMINATIONS for the Gawad CCP Para sa Sining are now open to the public. The Gawad CCP Para Sa Sining is the highest award given by the Cultural Center of the Philippines to artists or groups of artists in architecture, dance, film and broadcast arts, literature, music, theater, and visual arts who have/had consistently produced outstanding works or have/had evolved a distinct style or technique that enriches the development of their particular art form. The deadline for the submission of nominations is July 31. Completed nomination forms should be sent to gawadccp@culturalcenter.gov.ph.", "date_published": "2026-05-20T00:03:16+08:00", "date_modified": "2026-05-19T18:57:34+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/img65-thumb.jpg", "tags": [ "Arts & Culture", "Arts & Leisure" ], "summary": "THE exhibition Embracing the wind, Cradling the water by Spanish artist Cristina Mej\u00edas will open on May 22, a project done with the support of the Embassy of Spain in the Philippines, AECID, and Instituto Cervantes Manila." }, { "id": "/?p=750382", "url": "/arts-and-leisure/2026/05/19/750382/cine-europa-screens-full-length-films-documentaries-for-free/", "title": "Cine Europa screens full-length films, documentaries for free", "content_html": "THE 29TH EDITION of Cine Europa is set to kick off on May 28 and will run until July 4 in Metro Manila, Tacloban, and Cagayan de Oro. Twenty European films will be screened for free over the course of the festival.
\nThe festival films are being presented by the embassies and cultural institutes of 18 European Union (EU) member states, organized by the Delegation of the EU to the Philippines.
\n\u201cThese films reflect the richness and diversity of European culture and showcase the strength of European storytelling and filmmaking,\u201d said Agata Nowicka, the EU Delegation\u2019s deputy head of mission to the Philippines, at a press conference on May 14.
\n\u201cWe are also proud that Cine Europa continues its outreach screening beyond Metro Manila, bringing European cinema and cultural exchange to more communities across the whole country,\u201d she added.
\nSeventeen full-length feature films and three documentaries will be screened at Shangri-La Plaza, Mandaluyong City, from May 28 to June 3, and in Rizal Park, Manila, from June 15 to 20.
\nScreenings will also be held at the Eastern Visayas State University in Tacloban from June 11 to 15, and the Liceo Cagayan de Oro University in Cagayan de Oro from June 29 to July 4.
\n\u201cWe don\u2019t need to convince Europeans how great our culture is, so that is why we want to go to the public. We want to engage with Filipinos everywhere and show our culture,\u201d said Ms. Nowicka.
\nThe film lineup covers historical drama, adventure, comedy, and many others. Austria and Poland have two films each in the lineup, while Cyprus offers some resonance with their entry that revolves around a Filipina domestic worker.
\nA change this year is that the EU Delegation is presenting its own film, Norwegian filmmaker Joachim Trier\u2019s family drama Sentimental Value, which had a strong awards season from Cannes to the Oscars.
\nMeanwhile, the festival\u2019s three documentary entries cover a range of realities \u2014 one traces the journey of artist Andy Warhol\u2019s family from Slovakia to the US; another looks into why Romanian tennis player Ilie Nastase rose to fame as \u201cNasty\u201d; and the third presents the struggles of a simple Ukrainian soldier amid the ongoing war.
\n\u201cWe are united in diversity, and this is what we try to show to find a common ground with the Philippines,\u201d said Ms. Nowicka, on whether there was a theme to help each institution pick a film to represent them.
\n\u201cThe goal is to promote our culture through different themes, events, and characters that could be the most interesting for you, that would resonate with you.\u201d
\nFor more information and screening schedules, visit Cine Europa\u2019s social media pages.
\nThe festival films are: Austria\u2019s Sleeping with a Tiger and Peacock; Belgium\u2019s Head or Fails; Cyprus\u2019 Maricel; the Czech Republic\u2019s The Waves; Finland\u2019s Summer is Crazy; France\u2019s Un Ours Dans La Jura; Germany\u2019s Afire; Hungary\u2019s How Can I Live Without You; Ireland\u2019s Four Mothers; Italy\u2019s Gloria; Poland\u2019s Lampo the Travelling Dog and Loss of Balance; Romania\u2019s Nasty; Slovakia\u2019s Andy Warhol: American Dream; Slovenia\u2019s Hidden People; Spain\u2019s Bear Claw Clamp; Sweden\u2019s The Dance Club; Ukraine\u2019s A Simple Soldier; and the EU Delegation\u2019s Sentimental Value. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "20 films to represent European cinema\nTHE 29TH EDITION of Cine Europa is set to kick off on May 28 and will run until July 4 in Metro Manila, Tacloban, and Cagayan de Oro. Twenty European films will be screened for free over the course of the festival.\nThe festival films are being presented by the embassies and cultural institutes of 18 European Union (EU) member states, organized by the Delegation of the EU to the Philippines.\n\u201cThese films reflect the richness and diversity of European culture and showcase the strength of European storytelling and filmmaking,\u201d said Agata Nowicka, the EU Delegation\u2019s deputy head of mission to the Philippines, at a press conference on May 14.\n\u201cWe are also proud that Cine Europa continues its outreach screening beyond Metro Manila, bringing European cinema and cultural exchange to more communities across the whole country,\u201d she added.\nSeventeen full-length feature films and three documentaries will be screened at Shangri-La Plaza, Mandaluyong City, from May 28 to June 3, and in Rizal Park, Manila, from June 15 to 20. \nScreenings will also be held at the Eastern Visayas State University in Tacloban from June 11 to 15, and the Liceo Cagayan de Oro University in Cagayan de Oro from June 29 to July 4.\n\u201cWe don\u2019t need to convince Europeans how great our culture is, so that is why we want to go to the public. We want to engage with Filipinos everywhere and show our culture,\u201d said Ms. Nowicka.\nThe film lineup covers historical drama, adventure, comedy, and many others. Austria and Poland have two films each in the lineup, while Cyprus offers some resonance with their entry that revolves around a Filipina domestic worker.\nA change this year is that the EU Delegation is presenting its own film, Norwegian filmmaker Joachim Trier\u2019s family drama Sentimental Value, which had a strong awards season from Cannes to the Oscars.\nMeanwhile, the festival\u2019s three documentary entries cover a range of realities \u2014 one traces the journey of artist Andy Warhol\u2019s family from Slovakia to the US; another looks into why Romanian tennis player Ilie Nastase rose to fame as \u201cNasty\u201d; and the third presents the struggles of a simple Ukrainian soldier amid the ongoing war.\n\u201cWe are united in diversity, and this is what we try to show to find a common ground with the Philippines,\u201d said Ms. Nowicka, on whether there was a theme to help each institution pick a film to represent them.\n\u201cThe goal is to promote our culture through different themes, events, and characters that could be the most interesting for you, that would resonate with you.\u201d\nFor more information and screening schedules, visit Cine Europa\u2019s social media pages.\nThe festival films are: Austria\u2019s Sleeping with a Tiger and Peacock; Belgium\u2019s Head or Fails; Cyprus\u2019 Maricel; the Czech Republic\u2019s The Waves; Finland\u2019s Summer is Crazy; France\u2019s Un Ours Dans La Jura; Germany\u2019s Afire; Hungary\u2019s How Can I Live Without You; Ireland\u2019s Four Mothers; Italy\u2019s Gloria; Poland\u2019s Lampo the Travelling Dog and Loss of Balance; Romania\u2019s Nasty; Slovakia\u2019s Andy Warhol: American Dream; Slovenia\u2019s Hidden People; Spain\u2019s Bear Claw Clamp; Sweden\u2019s The Dance Club; Ukraine\u2019s A Simple Soldier; and the EU Delegation\u2019s Sentimental Value. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-19T00:08:48+08:00", "date_modified": "2026-05-18T18:19:56+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Cine-Europa-29-documentaries.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ], "summary": "THE 29TH EDITION of Cine Europa is set to kick off on May 28 and will run until July 4 in Metro Manila, Tacloban, and Cagayan de Oro. Twenty European films will be screened for free over the course of the festival." }, { "id": "/?p=750381", "url": "/arts-and-leisure/2026/05/19/750381/pop-band-alyson-releases-sophomore-album/", "title": "Pop band ALYSON releases sophomore album", "content_html": "\r\n \r\n\r\nFILIPINO city pop band ALYSON is set to drop their latest album, AFTER OURS, later this week. It marks their sophomore effort and further blends their major musical influences \u2014 Japanese city pop and the Manila Sound.
\nA week ahead of its release on digital platforms, the group held a listening party and press conference on May 15.
\nWhile their first album, Definitely Love!, is about the enthusiasm and excitement of being in love, the follow-up record \u201ctakes us on a journey to discover what happens after that,\u201d said the members of the five-piece band, composed of Pio Ligot on vocals, Luis Uy on lead guitar, Marcus Mababangloob on drums, Miguel Erfe on bass, and Easel Manes on keyboard.
\nIts first song, \u201cIkaw Lagi,\u201d jumps off from the feeling of the first album, which is festive and reminiscent of \u201cseeing the person that you love on the dancefloor of a tropical club.\u201d Conceptually, it eases the listener into the complexities of the new album.
\n\u201cIt culminates what came before. Then, we move into the second track, \u2018Landi,\u2019 which is less of a 5 p.m. beachside vibe and becoming a 7 to 9 p.m. \u2018the night has begun\u2019 kind of thing,\u201d said drummer Mr. Mababangloob, who was the producer of the album.
\nHe added that this is their \u201cmost ambitious album yet,\u201d with a narrative that threads the eight tracks and very cinematic and vivid scenes inspiring each composition.
\nThe song \u201cBighani\u201d evokes the middle of the night, complete with temptations. The lead single, \u201cKung Sakaling Tanawin,\u201d leans the most into 1970s and \u201980s Manila Sound ballad influences, with trumpeter David Jorvina responsible for the orchestral arrangement befitting a pivotal telenovela moment.
\n\u201cI was inspired by \u2018Tuwing Umuulan at Kapiling Ka\u2019 for the piano part. I channeled Ryan Cayabyab,\u201d said keyboardist Mr. Manes. \u201cSinulat ko ito nang nakadungaw sa labas ng bintana (I wrote it while looking out the window) overlooking Antipolo.\u201d
\nMeanwhile, the track \u201cTalaga\u201d features fellow Filipino city pop artist Paprikka.
\nVocalist and lyricist Mr. Ligot said that, while it\u2019s a playful, \u201clovey-dovey,\u201d and tongue-in-cheek duet, it blends both the \u201cMartin Nievera-Regine Velasquez synthy \u201980s Manila Sound and cutesy Japanese city pop found in vintage anim\u00e9.\u201d
\nThe music video for the song will come out alongside the album\u2019s release. \u201cThis album really is our most ambitious creative effort so far, so we want to get it out both locally and internationally,\u201d he said.
\nIn keeping with the timeline, \u201cGoodbye Summer\u201d takes listeners to 4 a.m. in a brooding mood, supported by a full jazz band with horns. \u201cThe feeling of frustration is very authentic to the sound. We\u2019re excited to play this live because of how big the production is,\u201d Mr. Ligot explained.
\nThe penultimate track, \u201c24/7 Love and Care,\u201d evokes the soft early morning before sunrise and serves as the breather of the album, while the final track, \u201cDi Makapaniwala,\u201d takes place in the movie\u2019s end credits with the characters driving off into the sunrise.
\nMr. Mababangloob said that they wanted the album to showcase \u201cthe direct middle of all of our city pop influences.\u201d
\n\u201cWe wanted to close in the morning after spending a crazy night. It\u2019s the resolute conclusion of love,\u201d he said.
\nHe also noted that, while they\u2019re usually known as a city pop act, it only represents one part of the broad range of music that inspires them.
\n\u201cWe\u2019re influenced by Japanese city pop like ANRI, Tatsuro Yamashita, and Taeko Onuki, but parallel to that are Manila Sound artists like Ryan Cayabyab, Basil Valdez, and Rico J. Puno,\u201d he explained. \u201cThere\u2019s always been a cross-cultural exchange in how music is made. We wanted to draw from that and contribute to that.\u201d
\nThe band even got to work with Eiji Hirano, the music engineer for Japanese city pop band Ryusenkei, with Mr. Mababangloob flying out to Tokyo as the songs were being mastered.
\n\u201cCity pop is seen as a nostalgic, gimmicky thing, but we don\u2019t think it\u2019s a set of clich\u00e9s. We don\u2019t subscribe to making it sound one way or another. Whether it\u2019s city pop or Manila Sound, in our eyes, it\u2019s all the same. It\u2019s a melting pot,\u201d he said, when asked how they view their mix of genres.
\nHe quoted Ryusenkei frontman, Kunimondo Takiguchi, who once said that \u201ccity pop is an approach, combining pop, music, soul, and funk where the lines blur, because that\u2019s what living in a city is like.\u201d
\n\u201cIt\u2019s inevitable that music will come out that way,\u201d Mr. Mababangloob.
\nAFTER OURS will be out on all digital music streaming platforms worldwide on May 22 via Offshore Music, along with the official music video for the song \u201cTalaga\u201d featuring Paprikka. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "1 of 2\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n BRONT\u00cb H. LACSAMANA\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nFILIPINO city pop band ALYSON is set to drop their latest album, AFTER OURS, later this week. It marks their sophomore effort and further blends their major musical influences \u2014 Japanese city pop and the Manila Sound.\nA week ahead of its release on digital platforms, the group held a listening party and press conference on May 15.\nWhile their first album, Definitely Love!, is about the enthusiasm and excitement of being in love, the follow-up record \u201ctakes us on a journey to discover what happens after that,\u201d said the members of the five-piece band, composed of Pio Ligot on vocals, Luis Uy on lead guitar, Marcus Mababangloob on drums, Miguel Erfe on bass, and Easel Manes on keyboard. \nIts first song, \u201cIkaw Lagi,\u201d jumps off from the feeling of the first album, which is festive and reminiscent of \u201cseeing the person that you love on the dancefloor of a tropical club.\u201d Conceptually, it eases the listener into the complexities of the new album.\n\u201cIt culminates what came before. Then, we move into the second track, \u2018Landi,\u2019 which is less of a 5 p.m. beachside vibe and becoming a 7 to 9 p.m. \u2018the night has begun\u2019 kind of thing,\u201d said drummer Mr. Mababangloob, who was the producer of the album.\nHe added that this is their \u201cmost ambitious album yet,\u201d with a narrative that threads the eight tracks and very cinematic and vivid scenes inspiring each composition.\nThe song \u201cBighani\u201d evokes the middle of the night, complete with temptations. The lead single, \u201cKung Sakaling Tanawin,\u201d leans the most into 1970s and \u201980s Manila Sound ballad influences, with trumpeter David Jorvina responsible for the orchestral arrangement befitting a pivotal telenovela moment.\n\u201cI was inspired by \u2018Tuwing Umuulan at Kapiling Ka\u2019 for the piano part. I channeled Ryan Cayabyab,\u201d said keyboardist Mr. Manes. \u201cSinulat ko ito nang nakadungaw sa labas ng bintana (I wrote it while looking out the window) overlooking Antipolo.\u201d\nMeanwhile, the track \u201cTalaga\u201d features fellow Filipino city pop artist Paprikka.\nVocalist and lyricist Mr. Ligot said that, while it\u2019s a playful, \u201clovey-dovey,\u201d and tongue-in-cheek duet, it blends both the \u201cMartin Nievera-Regine Velasquez synthy \u201980s Manila Sound and cutesy Japanese city pop found in vintage anim\u00e9.\u201d\nThe music video for the song will come out alongside the album\u2019s release. \u201cThis album really is our most ambitious creative effort so far, so we want to get it out both locally and internationally,\u201d he said.\nIn keeping with the timeline, \u201cGoodbye Summer\u201d takes listeners to 4 a.m. in a brooding mood, supported by a full jazz band with horns. \u201cThe feeling of frustration is very authentic to the sound. We\u2019re excited to play this live because of how big the production is,\u201d Mr. Ligot explained.\nThe penultimate track, \u201c24/7 Love and Care,\u201d evokes the soft early morning before sunrise and serves as the breather of the album, while the final track, \u201cDi Makapaniwala,\u201d takes place in the movie\u2019s end credits with the characters driving off into the sunrise. \nMr. Mababangloob said that they wanted the album to showcase \u201cthe direct middle of all of our city pop influences.\u201d\n\u201cWe wanted to close in the morning after spending a crazy night. It\u2019s the resolute conclusion of love,\u201d he said. \nHe also noted that, while they\u2019re usually known as a city pop act, it only represents one part of the broad range of music that inspires them.\n\u201cWe\u2019re influenced by Japanese city pop like ANRI, Tatsuro Yamashita, and Taeko Onuki, but parallel to that are Manila Sound artists like Ryan Cayabyab, Basil Valdez, and Rico J. Puno,\u201d he explained. \u201cThere\u2019s always been a cross-cultural exchange in how music is made. We wanted to draw from that and contribute to that.\u201d\nThe band even got to work with Eiji Hirano, the music engineer for Japanese city pop band Ryusenkei, with Mr. Mababangloob flying out to Tokyo as the songs were being mastered.\n\u201cCity pop is seen as a nostalgic, gimmicky thing, but we don\u2019t think it\u2019s a set of clich\u00e9s. We don\u2019t subscribe to making it sound one way or another. Whether it\u2019s city pop or Manila Sound, in our eyes, it\u2019s all the same. It\u2019s a melting pot,\u201d he said, when asked how they view their mix of genres.\nHe quoted Ryusenkei frontman, Kunimondo Takiguchi, who once said that \u201ccity pop is an approach, combining pop, music, soul, and funk where the lines blur, because that\u2019s what living in a city is like.\u201d\n\u201cIt\u2019s inevitable that music will come out that way,\u201d Mr. Mababangloob.\nAFTER OURS will be out on all digital music streaming platforms worldwide on May 22 via Offshore Music, along with the official music video for the song \u201cTalaga\u201d featuring Paprikka. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-19T00:07:48+08:00", "date_modified": "2026-05-18T18:19:10+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/ALYSON-1.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=750380", "url": "/arts-and-leisure/2026/05/19/750380/entertainment-news-05-19-26/", "title": "Entertainment News (05/19/26)", "content_html": "\r\n \r\n\r\n![\"\"](\"/wp-content/uploads/2026/05/1-Jeremy-Pangs-Hong-Kong-Kitchen.jpg\")
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\r\n \r\n \r\n METRO CHANNEL is premiering three new food and travel shows this May, serving up stories of cheesemaking, culinary adventures, and new travel experiences. Cheese: Searching for a Taste of Place is a six-part documentary on the connection between cheese and terroir, the environment where it is produced, led by international cheese specialist Will Studd. Jeremy Pang\u2019s Hong Kong Kitchen features a culinary adventure around the bustling streets of Hong Kong led by British chef Jeremy Pang and his celebrity friends. Meanwhile, chef Brent Owens takes viewers on a 13-episode travelogue around South Africa in Brent Owens: Extreme, Authentic & Unwrapped. All three air new episodes on Sundays via Metro Channel, available on Sky Cable channel 52 (SD) and channel 174 (HD), Cignal channel 69, and GSAT channel 70.
\nTICKET SALES for Star Wars: Return of the Jedi in Concert are officially open today, starting noon. Film Concerts PH is presenting the concert, featuring composer John Williams\u2019 Grammy-winning scores performed live as the film is screened. Audiences will experience the triumphant conclusion of the original Star Wars trilogy performed by the 85-member Filharmonika Orchestra, led by Gerard Salonga, on Sept. 5 and 6 at The Theatre at Solaire. Tickets are available across five categories: Stormtrooper (P1,999), Rebel (P2,999), Jedi (P4,499), Sith (P5,999), and Emperor (P6,999), via TicketWorld.
\nHARD ROCK Cafe Makati is set to launch \u201cUniversiteen 2.0\u201d on May 21, meant to be a stage for rising artists looking to break through. As part of its Support Local campaign, Hard Rock Cafe Makati will hold the live music event from 4 to 8 p.m. on May 21, bringing together seven bands: Waki & The Winstons, The Sonnets, 25 Abbey, Next One, Hey June, Better Days, and Gracenote. There will also be special appearances by OPM acts Kenaniah and Imago.
\nFILIPINO singer-songwriter syd hartha has reunited with TONEEJAY for their latest collaborative single \u201cdito muna tayo,\u201d out now via Sony Music Entertainment. The folk-pop track draws inspiration from syd\u2019s emotional connection to the ocean: a place that she describes as a source of calm and contentment throughout her life. Cushioned on soft instrumentation and understated arrangement, the song blends both artists\u2019 songwriting voices, with a few Cebuano lines in the lyrics to capture syd\u2019s childhood connection with the ocean.
\nP-POP singer KAIA has teamed up with South Korean-based Filipino boyband HORI7ON and Filipino boy group 1st.One for the release of \u201cSulong,\u201d the official theme song of the ASEAN-Korea Music Festival ROUND Philippines 2026. Released under the special collaboration unit Project P-Pop: Rising, the track aims to capture \u201cthe spirit of unity, resilience, and collective ambition.\u201d The title is a Filipino word which means \u201cto move forward\u201d or \u201cto progress.\u201d A live performance will be aired on the Korean Broadcasting System World TV at 9:50 p.m. Korea Standard Time (KST) on May 21 and 22. It will premiere on KBS World\u2019s YouTube channel on May 22, 11 p.m. KST.
\nSTEVEN SPIELBERG\u2019S newest science fiction film, Disclosure Day, is hitting the big screen on June 10. Created and directed by Mr. Spielberg, the screenplay is by his longtime collaborator David Koepp. It stars Emily Blunt, Josh O\u2019Connor, Colin Firth, Eve Hewson, and Colman Domingo. It\u2019s a spiritual successor to Close Encounters of the Third Kind, Mr. Spielberg\u2019s sci-fi hit from 1977 that became a pop-culture mainstay. With Disclosure Day, he aims to create another film that addresses unanswered questions. \u201cDuring Close Encounters of the Third Kind, I would say to myself: \u2018Wouldn\u2019t it be wonderful if all of this turned out to be true?\u2019\u201d Mr. Spielberg said. \u201cAlmost 50 years later, I\u2019m now thinking: \u2018Wouldn\u2019t it be wonderful for us to actually know that all of this is true?\u2019\u201d The film opens in Philippine cinemas on June 10.
\nGRAMMY and Latin Grammy award-winning artists Shakira and Burna Boy have released a new track, \u201cDai Dai,\u201d via Sony Music Latin. With it, Shakira will co-headline the FIFA World Cup 2026 Final Halftime Show on July 19, alongside Madonna and BTS. This will be FIFA\u2019s first halftime show, bringing together global artists, to support the FIFA Global Citizen Education Fund. \u201cDai Dai\u201d is its official anthem, with the goal of raising $100 million by end of this year\u2019s World Cup. Shakira\u2019s royalties from the track will be donated to the Education Fund, and Sony Music will match the first $250,000 raised with a donation.
\nGMA PUBLIC AFFAIRS and GMA Pictures\u2019 animated documentary film 58th continues its international festival run with the 2026 edition of Doc Edge Festival, New Zealand\u2019s premier documentary festival and an Academy Awards-qualifying event. The selection is another milestone for the film, following its earlier selections at the Annecy International Animation Film Festival and International Film Festival Rotterdam earlier this year. The documentary revisits the Maguindanao Massacre, widely regarded as the deadliest attack on journalists in history, honoring the victims while bringing renewed attention to the case of Reynaldo \u201cBebot\u201d Momay, who is still to be recognized as the massacre\u2019s 58th victim. Directed by Carl Joseph Papa and starring Glaiza de Castro, the film combines animation with archival footage. The Doc Edge Festival will take place from June 24 to July 12 in New Zealand, with the film set to screen in Auckland on June 29 and July 2.
\nBRAZILIAN-JAPANESE guitarist Mateus Asato will be performing in the Philippines as part of his world tour. The musician will be holding a special show at the Aster Events Place in Mandala Park, Mandaluyong City, on July 31. Produced and presented by GNN, Mateus Asato Live in Manila will feature performances of songs from his debut solo album, ASATO, as well as fan favorites. His music combines jazz, pop, and R&B influences, and he has collaborated with major pop superstars like Bruno Mars and Selena Gomez. Tickets to the concert are now available via Ticketmelon, priced from P900 to P1,850.
\nDANISH pop artist Maximillian has dropped his third album, I\u2019m Fine, a 13-track pop project exploring anxiety, heartbreak, love, pressure, and the emotions people often struggle to express out loud. Alongside the album release, Maximillian also unveiled the official music video for the title track, a one-take performance piece designed to reflect the emotional tension and vulnerability at the center of the album.
\n", "content_text": "1 of 10\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nMetro Channel offers new food and travel shows\nMETRO CHANNEL is premiering three new food and travel shows this May, serving up stories of cheesemaking, culinary adventures, and new travel experiences. Cheese: Searching for a Taste of Place is a six-part documentary on the connection between cheese and terroir, the environment where it is produced, led by international cheese specialist Will Studd. Jeremy Pang\u2019s Hong Kong Kitchen features a culinary adventure around the bustling streets of Hong Kong led by British chef Jeremy Pang and his celebrity friends. Meanwhile, chef Brent Owens takes viewers on a 13-episode travelogue around South Africa in Brent Owens: Extreme, Authentic & Unwrapped. All three air new episodes on Sundays via Metro Channel, available on Sky Cable channel 52 (SD) and channel 174 (HD), Cignal channel 69, and GSAT channel 70.\n\nFilm Concerts PH presents Star Wars concert\nTICKET SALES for Star Wars: Return of the Jedi in Concert are officially open today, starting noon. Film Concerts PH is presenting the concert, featuring composer John Williams\u2019 Grammy-winning scores performed live as the film is screened. Audiences will experience the triumphant conclusion of the original Star Wars trilogy performed by the 85-member Filharmonika Orchestra, led by Gerard Salonga, on Sept. 5 and 6 at The Theatre at Solaire. Tickets are available across five categories: Stormtrooper (P1,999), Rebel (P2,999), Jedi (P4,499), Sith (P5,999), and Emperor (P6,999), via TicketWorld.\n\nHard Rock Cafe Makati opens launchpad for rising artists\nHARD ROCK Cafe Makati is set to launch \u201cUniversiteen 2.0\u201d on May 21, meant to be a stage for rising artists looking to break through. As part of its Support Local campaign, Hard Rock Cafe Makati will hold the live music event from 4 to 8 p.m. on May 21, bringing together seven bands: Waki & The Winstons, The Sonnets, 25 Abbey, Next One, Hey June, Better Days, and Gracenote. There will also be special appearances by OPM acts Kenaniah and Imago.\n\nSyd hartha, TONEEJAY collaborate on new single\nFILIPINO singer-songwriter syd hartha has reunited with TONEEJAY for their latest collaborative single \u201cdito muna tayo,\u201d out now via Sony Music Entertainment. The folk-pop track draws inspiration from syd\u2019s emotional connection to the ocean: a place that she describes as a source of calm and contentment throughout her life. Cushioned on soft instrumentation and understated arrangement, the song blends both artists\u2019 songwriting voices, with a few Cebuano lines in the lyrics to capture syd\u2019s childhood connection with the ocean.\n\nKAIA, HORI7ON, 1st.One release joint single\nP-POP singer KAIA has teamed up with South Korean-based Filipino boyband HORI7ON and Filipino boy group 1st.One for the release of \u201cSulong,\u201d the official theme song of the ASEAN-Korea Music Festival ROUND Philippines 2026. Released under the special collaboration unit Project P-Pop: Rising, the track aims to capture \u201cthe spirit of unity, resilience, and collective ambition.\u201d The title is a Filipino word which means \u201cto move forward\u201d or \u201cto progress.\u201d A live performance will be aired on the Korean Broadcasting System World TV at 9:50 p.m. Korea Standard Time (KST) on May 21 and 22. It will premiere on KBS World\u2019s YouTube channel on May 22, 11 p.m. KST.\n\nSteven Spielberg returns to big screen sci-fi\nSTEVEN SPIELBERG\u2019S newest science fiction film, Disclosure Day, is hitting the big screen on June 10. Created and directed by Mr. Spielberg, the screenplay is by his longtime collaborator David Koepp. It stars Emily Blunt, Josh O\u2019Connor, Colin Firth, Eve Hewson, and Colman Domingo. It\u2019s a spiritual successor to Close Encounters of the Third Kind, Mr. Spielberg\u2019s sci-fi hit from 1977 that became a pop-culture mainstay. With Disclosure Day, he aims to create another film that addresses unanswered questions. \u201cDuring Close Encounters of the Third Kind, I would say to myself: \u2018Wouldn\u2019t it be wonderful if all of this turned out to be true?\u2019\u201d Mr. Spielberg said. \u201cAlmost 50 years later, I\u2019m now thinking: \u2018Wouldn\u2019t it be wonderful for us to actually know that all of this is true?\u2019\u201d The film opens in Philippine cinemas on June 10.\n\nShakira, Burna Boy release FIFA World Cup official song\nGRAMMY and Latin Grammy award-winning artists Shakira and Burna Boy have released a new track, \u201cDai Dai,\u201d via Sony Music Latin. With it, Shakira will co-headline the FIFA World Cup 2026 Final Halftime Show on July 19, alongside Madonna and BTS. This will be FIFA\u2019s first halftime show, bringing together global artists, to support the FIFA Global Citizen Education Fund. \u201cDai Dai\u201d is its official anthem, with the goal of raising $100 million by end of this year\u2019s World Cup. Shakira\u2019s royalties from the track will be donated to the Education Fund, and Sony Music will match the first $250,000 raised with a donation.\n\nFilipino animated docu competes at Doc Edge Festival\nGMA PUBLIC AFFAIRS and GMA Pictures\u2019 animated documentary film 58th continues its international festival run with the 2026 edition of Doc Edge Festival, New Zealand\u2019s premier documentary festival and an Academy Awards-qualifying event. The selection is another milestone for the film, following its earlier selections at the Annecy International Animation Film Festival and International Film Festival Rotterdam earlier this year. The documentary revisits the Maguindanao Massacre, widely regarded as the deadliest attack on journalists in history, honoring the victims while bringing renewed attention to the case of Reynaldo \u201cBebot\u201d Momay, who is still to be recognized as the massacre\u2019s 58th victim. Directed by Carl Joseph Papa and starring Glaiza de Castro, the film combines animation with archival footage. The Doc Edge Festival will take place from June 24 to July 12 in New Zealand, with the film set to screen in Auckland on June 29 and July 2.\n\nMateus Asato brings world tour to Manila in 2026\nBRAZILIAN-JAPANESE guitarist Mateus Asato will be performing in the Philippines as part of his world tour. The musician will be holding a special show at the Aster Events Place in Mandala Park, Mandaluyong City, on July 31. Produced and presented by GNN, Mateus Asato Live in Manila will feature performances of songs from his debut solo album, ASATO, as well as fan favorites. His music combines jazz, pop, and R&B influences, and he has collaborated with major pop superstars like Bruno Mars and Selena Gomez. Tickets to the concert are now available via Ticketmelon, priced from P900 to P1,850.\n\nMaximillian releases third album\nDANISH pop artist Maximillian has dropped his third album, I\u2019m Fine, a 13-track pop project exploring anxiety, heartbreak, love, pressure, and the emotions people often struggle to express out loud. Alongside the album release, Maximillian also unveiled the official music video for the title track, a one-take performance piece designed to reflect the emotional tension and vulnerability at the center of the album.", "date_published": "2026-05-19T00:05:48+08:00", "date_modified": "2026-05-18T18:17:10+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/1-Jeremy-Pangs-Hong-Kong-Kitchen.jpg", "tags": [ "Entertainment News", "Arts & Leisure" ], "summary": "METRO CHANNEL is premiering three new food and travel shows this May, serving up stories of cheesemaking, culinary adventures, and new travel experiences." }, { "id": "/?p=750132", "url": "/arts-and-leisure/2026/05/18/750132/not-quite-a-wrap-for-this-designer/", "title": "Not quite a wrap for this designer", "content_html": "\r\n \r\n\r\nWHEN we say \u201cit\u2019s a wrap,\u201d it usually means we\u2019re ending something. When Ditta Sandico says that, she\u2019s talking about her continuing work.
\nIt\u2019s A Wrap: Unraveling the Future of Fashion \u2014 published by Far Eastern University, written by Francine Medina Marquez, and edited by Gayle Zialcita \u2014 summarizes the designer\u2019s 40-year journey, beginning in her observation of Mangyan textiles in her girlhood and ending with her 40th anniversary fashion show last year.
\nWhile it is about her life, there\u2019s a wider discussion in the book about Philippine textiles and materials, and the people who made them. Photographs of the designer\u2019s work and as they were shown in magazines and runways give the book color and heft. The book launch was held on May 13 at the Yuchengco Museum, with a fashion show showing off the designer\u2019s work.
\nMs. Sandico, born the daughter of the family behind the COD Department Store, studied at the University of the Philippines and at Tobe-Coburn in New York. She began designing in the mid-1980s. In the late \u201990s and early 2000s, she found her signature: abaca (which she branded as \u201cbanaca\u201d). Working against the material\u2019s stiffness, she manipulated the fibers into wraps used to jazz up outfit bases. One such wrap appeared on the runway during the launch: in a rich bronze color, it appeared first like a cocoon around the model, covering her upper body and face. Unfolding the wrap, she turned it into something shaped like a flower. Wearing a Ditta, every ordinary woman could be someone flamboyant, someone the opposite of invisible.
\nIn an interview while she signed the books, she told us about the sort of person who wears her pieces. \u201cThe first few years were difficult for me. We had to initiate; we had to teach people how to wear the clothes themselves, the wraps. Even the colors. It took time, and it took a lot of courage from the women to be able to get themselves out there.\u201d
\nWe told her a story about a friend of ours who was graduating magna cum laude, and insisted on wearing a white Ditta wrap over her white graduation dress \u2014 this woman wore Ditta in her early 20s. Pointing first to her own wrap, Ms. Sandico then pointed to a loyal customer who is 90 years old. \u201cShe\u2019s wearing the same wrap,\u201d she explained. \u201cBut it\u2019s worn differently. I guess it\u2019s really the manipulation. The way things are reimagined and reinvented.\u201d
\nThe wraps seem almost amorphous, taking shape as a partnership between herself and a customer. Asked what other shapes she can still do, she said, \u201cIt\u2019s always a work in progress. Every time I wake up in the morning, I look forward to a new day. All these inspirations just come, through dreams.\u201d She corrected herself, saying, \u201cI do a little research here and there to find out what\u2019s going on in the malls and in the retail market. It just grows from that.\u201d
\n\u201cIt\u2019s going to be clich\u00e9 to say everything is divine inspiration. But it does come from there.\u201d
\nWhile today we take for granted the mainstreaming of Filipino textiles, she was one of the first to use them in her collections, opting to work directly with indigenous weaving communities. \u201cThere seems to be such a redeeming factor,\u201d she told 大象传媒. \u201cI feel so validated, every time I think that I was one of the first, and I didn\u2019t give up,\u201d she said.
\n\u201cI\u2019ve always kept that in my vocabulary \u2014 in the things that I do and the things that I come up with. There\u2019s got to be a progression in things and it just doesn\u2019t come easy.\u201d
\nHer clothes have been shown around the world \u2014 in Helsinki, Paris, Rome, Dubai, Los Angeles, New York, Moscow, Amsterdam, Tokyo, and Kuala Lumpur, among others.
\nShe talked about her 40 years in fashion, and how she measures her own success. \u201cI think the 40 years speak for itself. I don\u2019t really have to shout it out. I was always: what\u2019s going to happen to me next? I was always kind of insecure about things. \u2018Is this enough?\u2019
\n\u201cBut now, I can\u2019t look back. I just have to keep moving forward. There\u2019s nothing to stop me now.\u201d
\nThe book is partly titled \u201cThe Future of Fashion,\u201d and on her own future, she says, \u201cI still have to think about that. I\u2019m learning to really appreciate my individuality. I\u2019m learning to appreciate being myself, and being out there in the world seems a bit daunting.
\n\u201cMany things can come.\u201d
\nIt\u2019s a Wrap is available for purchase through TAMS Bookstore at TamsBookstore@feu.edu.ph. \u2014 Joseph L. Garcia
\n", "content_text": "1 of 2\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n GOLD UNFURLS against black checkered folds, framed by the Capa La Reyna.\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n It\u2019s a Wrap is centered on the 40-year journey of designer Ditta Sandico.\r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nDitta Sandico never gives up\nWHEN we say \u201cit\u2019s a wrap,\u201d it usually means we\u2019re ending something. When Ditta Sandico says that, she\u2019s talking about her continuing work.\nIt\u2019s A Wrap: Unraveling the Future of Fashion \u2014 published by Far Eastern University, written by Francine Medina Marquez, and edited by Gayle Zialcita \u2014 summarizes the designer\u2019s 40-year journey, beginning in her observation of Mangyan textiles in her girlhood and ending with her 40th anniversary fashion show last year.\nWhile it is about her life, there\u2019s a wider discussion in the book about Philippine textiles and materials, and the people who made them. Photographs of the designer\u2019s work and as they were shown in magazines and runways give the book color and heft. The book launch was held on May 13 at the Yuchengco Museum, with a fashion show showing off the designer\u2019s work.\nMs. Sandico, born the daughter of the family behind the COD Department Store, studied at the University of the Philippines and at Tobe-Coburn in New York. She began designing in the mid-1980s. In the late \u201990s and early 2000s, she found her signature: abaca (which she branded as \u201cbanaca\u201d). Working against the material\u2019s stiffness, she manipulated the fibers into wraps used to jazz up outfit bases. One such wrap appeared on the runway during the launch: in a rich bronze color, it appeared first like a cocoon around the model, covering her upper body and face. Unfolding the wrap, she turned it into something shaped like a flower. Wearing a Ditta, every ordinary woman could be someone flamboyant, someone the opposite of invisible.\nIn an interview while she signed the books, she told us about the sort of person who wears her pieces. \u201cThe first few years were difficult for me. We had to initiate; we had to teach people how to wear the clothes themselves, the wraps. Even the colors. It took time, and it took a lot of courage from the women to be able to get themselves out there.\u201d\nWe told her a story about a friend of ours who was graduating magna cum laude, and insisted on wearing a white Ditta wrap over her white graduation dress \u2014 this woman wore Ditta in her early 20s. Pointing first to her own wrap, Ms. Sandico then pointed to a loyal customer who is 90 years old. \u201cShe\u2019s wearing the same wrap,\u201d she explained. \u201cBut it\u2019s worn differently. I guess it\u2019s really the manipulation. The way things are reimagined and reinvented.\u201d\nThe wraps seem almost amorphous, taking shape as a partnership between herself and a customer. Asked what other shapes she can still do, she said, \u201cIt\u2019s always a work in progress. Every time I wake up in the morning, I look forward to a new day. All these inspirations just come, through dreams.\u201d She corrected herself, saying, \u201cI do a little research here and there to find out what\u2019s going on in the malls and in the retail market. It just grows from that.\u201d\n\u201cIt\u2019s going to be clich\u00e9 to say everything is divine inspiration. But it does come from there.\u201d\nWhile today we take for granted the mainstreaming of Filipino textiles, she was one of the first to use them in her collections, opting to work directly with indigenous weaving communities. \u201cThere seems to be such a redeeming factor,\u201d she told 大象传媒. \u201cI feel so validated, every time I think that I was one of the first, and I didn\u2019t give up,\u201d she said.\n\u201cI\u2019ve always kept that in my vocabulary \u2014 in the things that I do and the things that I come up with. There\u2019s got to be a progression in things and it just doesn\u2019t come easy.\u201d\nHer clothes have been shown around the world \u2014 in Helsinki, Paris, Rome, Dubai, Los Angeles, New York, Moscow, Amsterdam, Tokyo, and Kuala Lumpur, among others. \nShe talked about her 40 years in fashion, and how she measures her own success. \u201cI think the 40 years speak for itself. I don\u2019t really have to shout it out. I was always: what\u2019s going to happen to me next? I was always kind of insecure about things. \u2018Is this enough?\u2019\n\u201cBut now, I can\u2019t look back. I just have to keep moving forward. There\u2019s nothing to stop me now.\u201d\nThe book is partly titled \u201cThe Future of Fashion,\u201d and on her own future, she says, \u201cI still have to think about that. I\u2019m learning to really appreciate my individuality. I\u2019m learning to appreciate being myself, and being out there in the world seems a bit daunting.\n\u201cMany things can come.\u201d\nIt\u2019s a Wrap is available for purchase through TAMS Bookstore at TamsBookstore@feu.edu.ph. \u2014 Joseph L. Garcia", "date_published": "2026-05-18T00:07:03+08:00", "date_modified": "2026-05-17T17:41:18+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Its-A-Wrap-thumb.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ], "summary": "WHEN we say \u201cit\u2019s a wrap,\u201d it usually means we\u2019re ending something. When Ditta Sandico says that, she\u2019s talking about her continuing work." }, { "id": "/?p=750131", "url": "/arts-and-leisure/2026/05/18/750131/weaving-theres-an-app-for-that/", "title": "Weaving? There\u2019s an app for that", "content_html": "IF ALL goes well, in a span of a few years, a person will be able access an entire library of Philippine textiles right from their phone.
\nThe Department of Science and Technology – Philippine Textile Research Institute (DoST-PTRI) talked about its new app, SalinHABI, at the J. Amado Araneta Foundation\u2019s (JAAF) traditional weaving fair \u201cHibla: Tradition Woven Forward.\u201d The fair was held from May 15 to 17 at Araneta City\u2019s Gateway Mall 2.
\nJennelu Caya, supervising science research specialist at the DoST-PTRI, estimates that the institute has been working on the digitalization project since 2022. Since that year, PTRI has been tracking down weavers and weaves. The project\u2019s goal is twofold: while onboarding, filing, and uploading the works of the weavers (and allowing them to be contacted for business and research purposes), they are also saving the work for future use.
\nThe weaves are preserved using high-resolution images. These are fed to software that analyzes color, thread counts, thickness, and other variables, and it is then recreated using PTRI\u2019s digital looms, allowing the manufacture of what Ms. Caya calls \u201cdigital twins.\u201d From this process, the method and matrices of the woven products are saved and can be recreated once again. She likens this to making sheet music: \u201cSa piano piece, meron ka nang notes (you\u2019ll already have the notes).\u201d
\nAccess, however, is restricted, and the public can view only the finished product through the app. As for weavers, \u201cIf the community is the original weaver of that pattern, we will share it with them.\u201d
\nMs. Caya shared the successes of the digitalization project. Since 2022, they have scoped and identified about 5,000 weavers from all across the country. They are still working on getting them all on the app, however: \u201cWe are now able to commit 1,400 plus, plus weavers in the platform.\u201d They have also managed to preserve woven works that have become extinct: there are some samples of Philippine textiles in the Field Museum in Chicago which are the only ones left of that specific pattern. After feeding images of these to their software, they have managed to recreate the patterns again using the digital looms, and their matrices can be made available again to the communities that had once woven them.
\nBeing on the app can also help in weeding out the fakes that have proliferated: machine-woven textiles using indigenous patterns have been spreading in the market and being passed off as the real thing. \u201cKapag nakita mo iyong community sa SalinHABI, 100%, alam mo na producers sila ng handloom wovens,\u201d she said.
\nInterested parties can download the SalinHABI app from Google Play and the App Store. \u2014 Joseph L. Garcia
\n", "content_text": "PTRI is saving designs for weaving communities and posterity\nIF ALL goes well, in a span of a few years, a person will be able access an entire library of Philippine textiles right from their phone.\nThe Department of Science and Technology – Philippine Textile Research Institute (DoST-PTRI) talked about its new app, SalinHABI, at the J. Amado Araneta Foundation\u2019s (JAAF) traditional weaving fair \u201cHibla: Tradition Woven Forward.\u201d The fair was held from May 15 to 17 at Araneta City\u2019s Gateway Mall 2.\nJennelu Caya, supervising science research specialist at the DoST-PTRI, estimates that the institute has been working on the digitalization project since 2022. Since that year, PTRI has been tracking down weavers and weaves. The project\u2019s goal is twofold: while onboarding, filing, and uploading the works of the weavers (and allowing them to be contacted for business and research purposes), they are also saving the work for future use.\nThe weaves are preserved using high-resolution images. These are fed to software that analyzes color, thread counts, thickness, and other variables, and it is then recreated using PTRI\u2019s digital looms, allowing the manufacture of what Ms. Caya calls \u201cdigital twins.\u201d From this process, the method and matrices of the woven products are saved and can be recreated once again. She likens this to making sheet music: \u201cSa piano piece, meron ka nang notes (you\u2019ll already have the notes).\u201d\nAccess, however, is restricted, and the public can view only the finished product through the app. As for weavers, \u201cIf the community is the original weaver of that pattern, we will share it with them.\u201d\nMs. Caya shared the successes of the digitalization project. Since 2022, they have scoped and identified about 5,000 weavers from all across the country. They are still working on getting them all on the app, however: \u201cWe are now able to commit 1,400 plus, plus weavers in the platform.\u201d They have also managed to preserve woven works that have become extinct: there are some samples of Philippine textiles in the Field Museum in Chicago which are the only ones left of that specific pattern. After feeding images of these to their software, they have managed to recreate the patterns again using the digital looms, and their matrices can be made available again to the communities that had once woven them.\nBeing on the app can also help in weeding out the fakes that have proliferated: machine-woven textiles using indigenous patterns have been spreading in the market and being passed off as the real thing. \u201cKapag nakita mo iyong community sa SalinHABI, 100%, alam mo na producers sila ng handloom wovens,\u201d she said.\nInterested parties can download the SalinHABI app from Google Play and the App Store. \u2014 Joseph L. Garcia", "date_published": "2026-05-18T00:06:03+08:00", "date_modified": "2026-05-17T17:41:16+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/SalinHABI.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ], "summary": "IF ALL goes well, in a span of a few years, a person will be able access an entire library of Philippine textiles right from their phone." }, { "id": "/?p=750130", "url": "/arts-and-leisure/2026/05/18/750130/style-05-18-26/", "title": "Style (05/18/26)", "content_html": "\r\n \r\n\r\nIKEA Pasay City was named IKEA Store of the Year 2025, a recognition enjoyed by very few IKEA stores in the world. In celebration of this achievement, IKEA Pasay will have a \u201cWinning Offer\u201d promo from May 14 to 31, where customers can get discounts on select pieces of furniture and decor. IKEA Pasay City received recognition for its exceptional retail performance. This was driven by a deep understanding of the Filipino home, allowing the team to create an engaging store experience that resonated with the customers\u2019 lifestyles. \u201cWhen we won Store of the Year, we were speechless in the best possible way,\u201d said Daniel Rivero, IKEA Pasay store manager. \u201cThis is an incredible achievement for the team in the Philippines. Their passion, commitment, and togetherness truly shine through. The recognition is both affirming and emotionally rewarding for us all.\u201d IKEA Pasay City has now earned a permanent place in the Store of the Year Hall of Fame. IKEA Philippines will send 12 of its co-workers on a learning journey to IKEA Headquarters in \u00c4lmhult to deepen their connection to the brand\u2019s culture and values. For more information on the \u201cWinning Offer\u201d promo, visit IKEA.ph and follow IKEA Philippines on Facebook and Instagram.
\nNEW BALANCE has opened its first new retail concept in the Philippines at SM Podium. Designed around central seating that encourages community, movement, and self-expression, the refreshed space invites consumers to come together. The concept features an edited assortment of footwear and apparel alongside display elements accompanying select products, highlighting the makers, craftsmanship, and culture behind them. Moreover, in line with New Balance\u2019s global Grey Days celebration this May, the SM Podium store features a dedicated Grey Days store display spotlighting the brand\u2019s most iconic color \u2014 gray. Through the featured products and in-store experience throughout the month, Grey Days celebrates the role of the brand across sport, fashion, and everyday style. \u201cThis store represents a step forward in the way we think about our retail environment that features a more focused and curated collection, alongside an experience designed for today\u2019s consumer,\u201d said Ian Fitzpatrick, senior director of global brand strategy and operations at New Balance. The SM Podium location\u2019s store hours are 11 a.m. to 10 p.m. on weekdays and 10 a.m. to 10 p.m. on weekends. Expanding the concept further, New Balance also recently opened its second store featuring the new retail experience at SM Baguio on May 8. For more information or to find a store near you, visit newbalance.com.
\nIN CELEBRATION of National Heritage Month this May, Slim\u2019s Fashion & Arts School, an institution of the De La Salle-College of Saint Benilde (DLS-CSB), is launching a series of Saturday workshops on couture Filipiniana techniques. The initiative is organized in partnership with Technical Education and Skills Development Authority (TESDA) through Juana Creatives, an inclusive co-working and skill-building hub for women freelancers, hobbyists, cultural practitioners, and design entrepreneurs. \u201cArt of Embellishments\u201d will explore traditional and contemporary artisanal methodologies, and guide participants in transforming garments into statement pieces with texture, depth, and individuality. All works will be completed entirely by hand. It will be facilitated by Aan Pineda, a fashion designer for Dar Noor Designs in Saudi Arabia, Fanny Serrano Couture, and Dakenson Corporate, and technical fashion design manager for Golden ABC. It will run for four Saturdays \u2014 May 23 and 30, and June 6 and 13. Registration fee is P12,500. Then there is \u201cPa\u00f1uelo-making,\u201d which will immerse students in the cultural significance of the Filipino neck scarf as a functional accessory and artistic expression. Attendees will be guided through fabric preparation, color application, and design techniques as they blend traditional textile approaches with contemporary fabric painting to craft their unique pieces. It will be conducted by visual artist and costume designer Edgar San Diego. It will run for two Saturdays, June 20 and 27. Registration fee is P7,500. The third of the series, \u201cCrafting the Filipiniana Butterfly Sleeve,\u201d will equip participants with technical skills, from pattern drafting, cutting, hand-sewing, and finishing methods. By the end of the course, they will be able to create their own well-structured, fully handmade butterfly sleeve without the use of machine stitching. It will be guided by award-winning fashion practitioner and educator Joseph Richard Papa. It will run for two Saturdays, July 4 and 11. Registration fee is P7,500. The three classes are open to the public and will be conducted from 1 to 6 p.m. on their scheduled dates. Classes will be held at the Juana Creatives Hub at the TESDA Complex, East Service Road, South Superhighway, Taguig City. Materials will be provided at the venue. For more information, visit facebook.com/SlimsFashionSchool or e-mail admissions.slims@benilde.edu.ph.
\n", "content_text": "1 of 3\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nIKEA Philippines celebrates Store of the Year win\nIKEA Pasay City was named IKEA Store of the Year 2025, a recognition enjoyed by very few IKEA stores in the world. In celebration of this achievement, IKEA Pasay will have a \u201cWinning Offer\u201d promo from May 14 to 31, where customers can get discounts on select pieces of furniture and decor. IKEA Pasay City received recognition for its exceptional retail performance. This was driven by a deep understanding of the Filipino home, allowing the team to create an engaging store experience that resonated with the customers\u2019 lifestyles. \u201cWhen we won Store of the Year, we were speechless in the best possible way,\u201d said Daniel Rivero, IKEA Pasay store manager. \u201cThis is an incredible achievement for the team in the Philippines. Their passion, commitment, and togetherness truly shine through. The recognition is both affirming and emotionally rewarding for us all.\u201d IKEA Pasay City has now earned a permanent place in the Store of the Year Hall of Fame. IKEA Philippines will send 12 of its co-workers on a learning journey to IKEA Headquarters in \u00c4lmhult to deepen their connection to the brand\u2019s culture and values. For more information on the \u201cWinning Offer\u201d promo, visit IKEA.ph and follow IKEA Philippines on Facebook and Instagram.\n\nNew Balance opens new retail concept\nNEW BALANCE has opened its first new retail concept in the Philippines at SM Podium. Designed around central seating that encourages community, movement, and self-expression, the refreshed space invites consumers to come together. The concept features an edited assortment of footwear and apparel alongside display elements accompanying select products, highlighting the makers, craftsmanship, and culture behind them. Moreover, in line with New Balance\u2019s global Grey Days celebration this May, the SM Podium store features a dedicated Grey Days store display spotlighting the brand\u2019s most iconic color \u2014 gray. Through the featured products and in-store experience throughout the month, Grey Days celebrates the role of the brand across sport, fashion, and everyday style. \u201cThis store represents a step forward in the way we think about our retail environment that features a more focused and curated collection, alongside an experience designed for today\u2019s consumer,\u201d said Ian Fitzpatrick, senior director of global brand strategy and operations at New Balance. The SM Podium location\u2019s store hours are 11 a.m. to 10 p.m. on weekdays and 10 a.m. to 10 p.m. on weekends. Expanding the concept further, New Balance also recently opened its second store featuring the new retail experience at SM Baguio on May 8. For more information or to find a store near you, visit newbalance.com.\n\nSlim\u2019s hosts couture Filipiniana workshops\nIN CELEBRATION of National Heritage Month this May, Slim\u2019s Fashion & Arts School, an institution of the De La Salle-College of Saint Benilde (DLS-CSB), is launching a series of Saturday workshops on couture Filipiniana techniques. The initiative is organized in partnership with Technical Education and Skills Development Authority (TESDA) through Juana Creatives, an inclusive co-working and skill-building hub for women freelancers, hobbyists, cultural practitioners, and design entrepreneurs. \u201cArt of Embellishments\u201d will explore traditional and contemporary artisanal methodologies, and guide participants in transforming garments into statement pieces with texture, depth, and individuality. All works will be completed entirely by hand. It will be facilitated by Aan Pineda, a fashion designer for Dar Noor Designs in Saudi Arabia, Fanny Serrano Couture, and Dakenson Corporate, and technical fashion design manager for Golden ABC. It will run for four Saturdays \u2014 May 23 and 30, and June 6 and 13. Registration fee is P12,500. Then there is \u201cPa\u00f1uelo-making,\u201d which will immerse students in the cultural significance of the Filipino neck scarf as a functional accessory and artistic expression. Attendees will be guided through fabric preparation, color application, and design techniques as they blend traditional textile approaches with contemporary fabric painting to craft their unique pieces. It will be conducted by visual artist and costume designer Edgar San Diego. It will run for two Saturdays, June 20 and 27. Registration fee is P7,500. The third of the series, \u201cCrafting the Filipiniana Butterfly Sleeve,\u201d will equip participants with technical skills, from pattern drafting, cutting, hand-sewing, and finishing methods. By the end of the course, they will be able to create their own well-structured, fully handmade butterfly sleeve without the use of machine stitching. It will be guided by award-winning fashion practitioner and educator Joseph Richard Papa. It will run for two Saturdays, July 4 and 11. Registration fee is P7,500. The three classes are open to the public and will be conducted from 1 to 6 p.m. on their scheduled dates. Classes will be held at the Juana Creatives Hub at the TESDA Complex, East Service Road, South Superhighway, Taguig City. Materials will be provided at the venue. For more information, visit facebook.com/SlimsFashionSchool or e-mail admissions.slims@benilde.edu.ph.", "date_published": "2026-05-18T00:05:03+08:00", "date_modified": "2026-05-17T17:41:13+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/IKEA-Store-of-the-Year-Amb-Anna-Ferry-Daniel-Rivero-Ricardo-Pinheiro-and-Mayor-Emi-Calixto.jpg", "tags": [ "Style", "Arts & Leisure", "Editors' Picks" ], "summary": "IKEA Pasay City was named IKEA Store of the Year 2025, a recognition enjoyed by very few IKEA stores in the world." }, { "id": "/?p=749690", "url": "/arts-and-leisure/2026/05/15/749690/jessica-sanchez-returns-home/", "title": "Jessica Sanchez returns home", "content_html": "![\"\"](\"/wp-content/uploads/2026/05/Jessica-Sanchez-concert.jpg\")
AFTER winning America\u2019s Got Talent season 20 last year, it\u2019s time for US-born Filipino-Mexican singer Jessica Sanchez to return home to the Philippines, where she seeks to give back to the Filipinos who supported her throughout her journey.
With a concert slated for May 16 at the Smart Araneta Coliseum, Ms. Sanchez is looking forward to revisiting key songs in her career and performing with a slew of major Filipino artists.
\nGuests to look out for are Vice Ganda, Morrissette, Darren Espanto, James Reid, Gary Valenciano, Martin Nievera, and Regine Velasquez.
\n\u201cTo come back and do this kind of homecoming concert, this big solo concert with so many amazing artists, it\u2019s really special to me. It\u2019s going to be a very special night,\u201d said Ms. Sanchez during a press conference in Quezon City on May 11.
\n\u201cIt\u2019s an opportunity to give back to everybody that has supported me throughout the years. I feel just kind of on cloud nine,\u201d she added.
\nMs. Sanchez said that the setlist would highlight her journey \u2014 from being a runner-up in American Idol in 2012 to last year\u2019s big win in America\u2019s Got Talent. There will also be songs from her recently released album titled Season (stylized as SZN) and a performance of \u201cStronger Than Before,\u201d her new collaboration single with Morrissette.
\nBecause she is also a new mother, Ms. Sanchez said she\u2019s looking forward to introducing her child, Eliana, to the Philippine side of her heritage.
\nAccording to her, people can expect a shift in her music direction because of all the recent life changes. Her album, for example, navigates genres like soulful pop and R&B.
\n\u201cI feel like I really truly understand who I am, what I want. I\u2019m more confident as a woman, [after] becoming a new mom, and Eliana is just my biggest inspiration,\u201d she said. \u201cI\u2019m very excited that I have released my new album and I really hope you guys enjoy it, but I\u2019m also excited to release so much more music. I\u2019m also working on releasing a Tagalog EP.\u201d
\nThough she couldn\u2019t spoil any more details about the EP, Ms. Sanchez told the press that it\u2019s easy to have love for the Filipino audience.
\n\u201cWhen people approach me and say I represent Pinoy pride, it really overwhelms me and shocks me because sometimes I feel like I\u2019m just a girl from Texas, now a mom,\u201d she said. \u201cWhat people haven\u2019t seen is the phone calls and behind-the-scenes over the years of people telling me I couldn\u2019t do things because I was Filipino-Mexican.\u201d
\nThese days, Filipino talent can fare better on the global stage, she explained, with \u201cmore chances in every area, like singing, dancing, acting, and sports.\u201d
\n\u201cIt makes me proud of my culture and my people,\u201d she said.
\nMs. Sanchez added that she has explored a lot of genres, ranging from country to pop to ballads.
\n\u201cNow, I\u2019m into the soulful R&B vibe, but please stay tuned for more because I love to experiment!\u201d she said.
\nJessica Sanchez Live in Manila is presented by Wilbros Live. Tickets are available via Ticketnet. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "Holding concert this weekend to thank her fans\nAFTER winning America\u2019s Got Talent season 20 last year, it\u2019s time for US-born Filipino-Mexican singer Jessica Sanchez to return home to the Philippines, where she seeks to give back to the Filipinos who supported her throughout her journey.\nWith a concert slated for May 16 at the Smart Araneta Coliseum, Ms. Sanchez is looking forward to revisiting key songs in her career and performing with a slew of major Filipino artists.\nGuests to look out for are Vice Ganda, Morrissette, Darren Espanto, James Reid, Gary Valenciano, Martin Nievera, and Regine Velasquez.\n\u201cTo come back and do this kind of homecoming concert, this big solo concert with so many amazing artists, it\u2019s really special to me. It\u2019s going to be a very special night,\u201d said Ms. Sanchez during a press conference in Quezon City on May 11.\n\u201cIt\u2019s an opportunity to give back to everybody that has supported me throughout the years. I feel just kind of on cloud nine,\u201d she added.\nMs. Sanchez said that the setlist would highlight her journey \u2014 from being a runner-up in American Idol in 2012 to last year\u2019s big win in America\u2019s Got Talent. There will also be songs from her recently released album titled Season (stylized as SZN) and a performance of \u201cStronger Than Before,\u201d her new collaboration single with Morrissette.\nBecause she is also a new mother, Ms. Sanchez said she\u2019s looking forward to introducing her child, Eliana, to the Philippine side of her heritage.\nAccording to her, people can expect a shift in her music direction because of all the recent life changes. Her album, for example, navigates genres like soulful pop and R&B.\n\u201cI feel like I really truly understand who I am, what I want. I\u2019m more confident as a woman, [after] becoming a new mom, and Eliana is just my biggest inspiration,\u201d she said. \u201cI\u2019m very excited that I have released my new album and I really hope you guys enjoy it, but I\u2019m also excited to release so much more music. I\u2019m also working on releasing a Tagalog EP.\u201d\nThough she couldn\u2019t spoil any more details about the EP, Ms. Sanchez told the press that it\u2019s easy to have love for the Filipino audience.\n\u201cWhen people approach me and say I represent Pinoy pride, it really overwhelms me and shocks me because sometimes I feel like I\u2019m just a girl from Texas, now a mom,\u201d she said. \u201cWhat people haven\u2019t seen is the phone calls and behind-the-scenes over the years of people telling me I couldn\u2019t do things because I was Filipino-Mexican.\u201d\nThese days, Filipino talent can fare better on the global stage, she explained, with \u201cmore chances in every area, like singing, dancing, acting, and sports.\u201d\n\u201cIt makes me proud of my culture and my people,\u201d she said.\nMs. Sanchez added that she has explored a lot of genres, ranging from country to pop to ballads.\n\u201cNow, I\u2019m into the soulful R&B vibe, but please stay tuned for more because I love to experiment!\u201d she said.\nJessica Sanchez Live in Manila is presented by Wilbros Live. Tickets are available via Ticketnet. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-15T00:06:11+08:00", "date_modified": "2026-05-14T17:27:25+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Jessica-Sanchez-concert-thumb.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ], "summary": "AFTER winning America\u2019s Got Talent season 20 last year, it\u2019s time for US-born Filipino-Mexican singer Jessica Sanchez to return home to the Philippines, where she seeks to give back to the Filipinos who supported her throughout her journey." }, { "id": "/?p=749689", "url": "/arts-and-leisure/2026/05/15/749689/pig-hunt/", "title": "Pig hunt", "content_html": "Television Review
\nLord of the Flies
\nNetflix
(Warning: plot and surprise twists in book and TV series discussed in explicit detail.)
\nI REMEMBER reading William Golding\u2019s 1954 debut novel as a teen and having nightmares about running through the jungle with other boys in pursuit, waving sticks sharpened at both ends \u2014 it did not help the development of my socialization skills, lemme tell you.
\nThe book comes off as a fable, the premise just this side of credible, the characters barely sketched-in symbols, the theme clear enough for literature majors to chew over and write lengthy theses over: humans have this ingrown tendency to violence, and we flirt with or ignore it at our peril. It\u2019s really that simple, the novel\u2019s chief virtue and key weakness, and folks who seek to adapt it flirt with this fact or ignore it at their peril.
\nTake Netflix\u2019s 2026 miniseries, where writer Jack Thorne (Adolescence) reconceived the book in four chapters, taking up the points of view of different characters: Piggy (David McKenna), Jack (Lox Pratt), Simon (Ike Talbut), Ralph (Winston Sawyers). Thorne gives each a backstory: Jack is ignored by his parents and fears being seen as weak; Simon has a bond of loneliness with Jack who ignores him when with others, in which case he spends the rest of his time hearing voices; Ralph\u2019s mother was sickly and died not long ago.
\nRight off Jack is a problem. That innate savagery hiding in all of us is actually \u2014 fear of abandonment by parents? Simon, the mystic who hears otherworldly voices is really \u2014 insane? Everything that happened might have been prevented by therapy, maybe some Thorazine? Odd that Piggy has no backstory, save for the constant tales of his aunt \u2014 if you can believe he has one, if his stories aren\u2019t made up on the fly (possibly Thorne felt Piggy was too valuable a plot function to fiddle with).
\nI understand the desire to cast Ralph as mixed-race and Sawyers is a charismatic talent no doubt about it… but I\u2019ve always thought of Golding\u2019s fable as a warning directed at the ascendant race on this planet, the European Caucasian (and his wealthier more powerful cousin, the American Caucasian); warning people who are already aware of said Caucasians\u2019 barbarism (having often been at receiving end) is \u2014 well, a waste of good platform.
\nBut my biggest problem with the miniseries is Marc Munden\u2019s direction. I understand the temptation to digitally turn the island into a rainbow of colors, from brilliant lemon green to deep fire-blood red to bleak ashy grey… but Golding\u2019s novel is already an abstracted fable with huge improbabilities. Pigs on an uninhabited island? Boys who learn to build a fire and kill a pig in so many days? In 1965, six Tongan boys from 13 to 19 years old survived on their own for over a year on an island, they ate wild chicken and, when desperate, bird\u2019s blood) \u2014 can\u2019t 30 British boarding school students? (\u201cWell,\u201d a sly voice whispers in my ear as I write this, \u201cthat\u2019s because they\u2019re Caucasian…\u201d). Trying to sell the book\u2019s contrived premise as being halfway plausible is already an uphill task, do we need the bells and whistles of a digital paint job to make matters harder?
\nThrow in a few other minor details that irked: learning to make flint spearheads and mounting them on wooden shafts isn\u2019t an easy skill to master (in the novel they used sharpened sticks) \u2014 and after all that trouble, they swing the spears instead of stabbing? And succeed at killing their prey? Wild boars, incidentally, don\u2019t give up just like that; they can outrun any human, no matter how young or healthy, and they will kill anyone who comes between them and their babies. But okay, okay, a fable.
\nTo be fair, Munden does offer effective moments \u2014 the tenderness between Jack and Simon is moving (even if I feel the idea of their having this hidden friendship feels wrong \u2014 Simon the mystic needs to be isolated, if not mysterious); of the cast I\u2019d cite not just Sawyers and McKenna (who was nominated for a Gotham Award) but Pratt as the volatile self-doubting Jack \u2014 though again while you\u2019re moved by his predicament, the fact that he harbors doubts tends to flatten the threat of his presence.
\nPiggy\u2019s lingering end as opposed to the sudden one in Golding\u2019s novel does result in more quality time between him and Ralph, and I appreciate all the Groucho Marx quotes, but watching Ralph drag a barely conscious Piggy away from Jack\u2019s spear-waving boys, to successfully escape and hide \u2014 at some point your willingness to believe seizes up and you\u2019ve got to laugh at the visual idiocy. Couldn\u2019t Jack order his boys to stand back and let the two walk? Couldn\u2019t Thorne and Munden just stick to the book?
\nFor all the flaws, I prefer this to the 1990 version which couldn\u2019t overcome the gimmick of turning the kids American (with British boarding schools you appreciate the shock value of watching the kids be corrupted; with American schools… well let\u2019s just say I\u2019ve seen things that make William Golding\u2019s novel feel like a chess tournament).
\nEven more bizarre is Lupita Aquino-Kashiwahara\u2019s 1975 Alkitrang Dugo (Clotted Blood, 1975) which transposes the story to a Filipino island. Again, my thesis: didn\u2019t Golding direct this fable towards white folks (And again, that sly voice: \u201cBut upper-class Filipinos think they\u2019re white\u2014!\u201d)? Aquino-Kashiwahara does well enough with a tiny budget and her jungle (basically the rain forests of Quezon Province) is more lush and claustrophobic than anything seen onscreen so far; in the film\u2019s final moments she pivots and turns the tale into an allegory about strongman rule, and I can actually buy her variation of Golding\u2019s basic message: hidden inside all of us is an embryonic fascist, ready to emerge.
\nFinally there\u2019s Peter Brook\u2019s 1963 black-and-white version, where the director takes on the problem of 30 inexperienced kids and how to make a screen adaptation from their collective performances: he simply shoots them over and over again, 60 hours\u2019 worth of footage, then trims that enormous pile of improvised material down to a viewable 90-minute feature.
\nI think it works: the stark black-and-white, the unaffected performances, the young voices that shout and shriek the way British boys do, in a weekend adventure gone horribly wrong, on an island blessedly free of digital manipulation. Yes, Golding has done better (he\u2019s said his favorite among his books is The Inheritors, I say his best is the surreally perverse Darkness Visible); arguably this was the perfect choice to adapt to the big screen, its crude schema lending to easy translation, Brook\u2019s severe approach pruning in turn the book\u2019s more self-absorbed self-indulgent passages.
\nIs it possible to adapt Golding\u2019s most famous novel to the big screen? I think so: a simplistic message but one too important not to deliver at least once, loud and clear, and Brook pulled it off a mere nine years after the book\u2019s publication. I submit we didn\u2019t need any other.
\n", "content_text": "Television Review\nLord of the Flies\nNetflix\n(Warning: plot and surprise twists in book and TV series discussed in explicit detail.)\nI REMEMBER reading William Golding\u2019s 1954 debut novel as a teen and having nightmares about running through the jungle with other boys in pursuit, waving sticks sharpened at both ends \u2014 it did not help the development of my socialization skills, lemme tell you.\nThe book comes off as a fable, the premise just this side of credible, the characters barely sketched-in symbols, the theme clear enough for literature majors to chew over and write lengthy theses over: humans have this ingrown tendency to violence, and we flirt with or ignore it at our peril. It\u2019s really that simple, the novel\u2019s chief virtue and key weakness, and folks who seek to adapt it flirt with this fact or ignore it at their peril.\nTake Netflix\u2019s 2026 miniseries, where writer Jack Thorne (Adolescence) reconceived the book in four chapters, taking up the points of view of different characters: Piggy (David McKenna), Jack (Lox Pratt), Simon (Ike Talbut), Ralph (Winston Sawyers). Thorne gives each a backstory: Jack is ignored by his parents and fears being seen as weak; Simon has a bond of loneliness with Jack who ignores him when with others, in which case he spends the rest of his time hearing voices; Ralph\u2019s mother was sickly and died not long ago.\nRight off Jack is a problem. That innate savagery hiding in all of us is actually \u2014 fear of abandonment by parents? Simon, the mystic who hears otherworldly voices is really \u2014 insane? Everything that happened might have been prevented by therapy, maybe some Thorazine? Odd that Piggy has no backstory, save for the constant tales of his aunt \u2014 if you can believe he has one, if his stories aren\u2019t made up on the fly (possibly Thorne felt Piggy was too valuable a plot function to fiddle with).\nI understand the desire to cast Ralph as mixed-race and Sawyers is a charismatic talent no doubt about it… but I\u2019ve always thought of Golding\u2019s fable as a warning directed at the ascendant race on this planet, the European Caucasian (and his wealthier more powerful cousin, the American Caucasian); warning people who are already aware of said Caucasians\u2019 barbarism (having often been at receiving end) is \u2014 well, a waste of good platform. \nBut my biggest problem with the miniseries is Marc Munden\u2019s direction. I understand the temptation to digitally turn the island into a rainbow of colors, from brilliant lemon green to deep fire-blood red to bleak ashy grey… but Golding\u2019s novel is already an abstracted fable with huge improbabilities. Pigs on an uninhabited island? Boys who learn to build a fire and kill a pig in so many days? In 1965, six Tongan boys from 13 to 19 years old survived on their own for over a year on an island, they ate wild chicken and, when desperate, bird\u2019s blood) \u2014 can\u2019t 30 British boarding school students? (\u201cWell,\u201d a sly voice whispers in my ear as I write this, \u201cthat\u2019s because they\u2019re Caucasian…\u201d). Trying to sell the book\u2019s contrived premise as being halfway plausible is already an uphill task, do we need the bells and whistles of a digital paint job to make matters harder?\nThrow in a few other minor details that irked: learning to make flint spearheads and mounting them on wooden shafts isn\u2019t an easy skill to master (in the novel they used sharpened sticks) \u2014 and after all that trouble, they swing the spears instead of stabbing? And succeed at killing their prey? Wild boars, incidentally, don\u2019t give up just like that; they can outrun any human, no matter how young or healthy, and they will kill anyone who comes between them and their babies. But okay, okay, a fable.\nTo be fair, Munden does offer effective moments \u2014 the tenderness between Jack and Simon is moving (even if I feel the idea of their having this hidden friendship feels wrong \u2014 Simon the mystic needs to be isolated, if not mysterious); of the cast I\u2019d cite not just Sawyers and McKenna (who was nominated for a Gotham Award) but Pratt as the volatile self-doubting Jack \u2014 though again while you\u2019re moved by his predicament, the fact that he harbors doubts tends to flatten the threat of his presence.\nPiggy\u2019s lingering end as opposed to the sudden one in Golding\u2019s novel does result in more quality time between him and Ralph, and I appreciate all the Groucho Marx quotes, but watching Ralph drag a barely conscious Piggy away from Jack\u2019s spear-waving boys, to successfully escape and hide \u2014 at some point your willingness to believe seizes up and you\u2019ve got to laugh at the visual idiocy. Couldn\u2019t Jack order his boys to stand back and let the two walk? Couldn\u2019t Thorne and Munden just stick to the book?\nFor all the flaws, I prefer this to the 1990 version which couldn\u2019t overcome the gimmick of turning the kids American (with British boarding schools you appreciate the shock value of watching the kids be corrupted; with American schools… well let\u2019s just say I\u2019ve seen things that make William Golding\u2019s novel feel like a chess tournament).\nEven more bizarre is Lupita Aquino-Kashiwahara\u2019s 1975 Alkitrang Dugo (Clotted Blood, 1975) which transposes the story to a Filipino island. Again, my thesis: didn\u2019t Golding direct this fable towards white folks (And again, that sly voice: \u201cBut upper-class Filipinos think they\u2019re white\u2014!\u201d)? Aquino-Kashiwahara does well enough with a tiny budget and her jungle (basically the rain forests of Quezon Province) is more lush and claustrophobic than anything seen onscreen so far; in the film\u2019s final moments she pivots and turns the tale into an allegory about strongman rule, and I can actually buy her variation of Golding\u2019s basic message: hidden inside all of us is an embryonic fascist, ready to emerge.\nFinally there\u2019s Peter Brook\u2019s 1963 black-and-white version, where the director takes on the problem of 30 inexperienced kids and how to make a screen adaptation from their collective performances: he simply shoots them over and over again, 60 hours\u2019 worth of footage, then trims that enormous pile of improvised material down to a viewable 90-minute feature.\nI think it works: the stark black-and-white, the unaffected performances, the young voices that shout and shriek the way British boys do, in a weekend adventure gone horribly wrong, on an island blessedly free of digital manipulation. Yes, Golding has done better (he\u2019s said his favorite among his books is The Inheritors, I say his best is the surreally perverse Darkness Visible); arguably this was the perfect choice to adapt to the big screen, its crude schema lending to easy translation, Brook\u2019s severe approach pruning in turn the book\u2019s more self-absorbed self-indulgent passages.\nIs it possible to adapt Golding\u2019s most famous novel to the big screen? I think so: a simplistic message but one too important not to deliver at least once, loud and clear, and Brook pulled it off a mere nine years after the book\u2019s publication. I submit we didn\u2019t need any other.", "date_published": "2026-05-15T00:05:10+08:00", "date_modified": "2026-05-14T17:26:35+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Lord-of-the-Flies-2026-2.jpg", "tags": [ "Critic After Dark", "Noel Vera", "Arts & Leisure", "Editors' Picks" ], "summary": "I REMEMBER reading William Golding\u2019s 1954 debut novel as a teen and having nightmares about running through the jungle with other boys in pursuit, waving sticks sharpened at both ends \u2014 it did not help the development of my socialization skills, lemme tell you." }, { "id": "/?p=749687", "url": "/arts-and-leisure/2026/05/15/749687/stuff-to-do-05-15-26/", "title": "Stuff to Do (05/15/26)", "content_html": "\r\n \r\n\r\nAYALA MALLS CINEMAS\u2019 \u201cA Rewind\u201d initiative with Viva Films gives audiences a chance to relive the ultimate barkada film Bagets, starring Aga Muhlach, William Martinez, Herbert Bautista, JC Bonnin, and Raymond Lauchengco. One of Philippines\u2019 most beloved coming-of-age films, Bagets is perfect for longtime fans of the \u201980s matinee idols and for the Gen Z moviegoers discovering them for the first time. Bagets is now showing in select Ayala Malls Cinemas branches, with special ticket rates available at P180 and as low as P99 in Ayala Malls Legazpi and Ayala Malls Harbor Point. Patrons can also enjoy the Red Carpet Mondays Buy 1 Get 1 ticket promo for Bagets and another film, The Demon Prince, which is showing until May 19. A Vietnamese period horror-thriller, The Demon Prince is directed by Tran Huu Tan and stars Anh Tu Atus, Luong The Thanh, Hoang Linh Chi, and Rima Thanh Vy. Produced by CJ HK Entertainment in partnership with ProductionQ, and distributed by Viva Films, the movie follows Prince Th\u00e2n \u0110\u1ee9c, a mysterious figure born of forbidden sorcery, who arrives in a secluded village under the guise of a healer, only to reveal a far more sinister purpose tied to the resurrection of a powerful demon and the fate of the villagers.
\nTO HELP KEEP heritage alive, over 15 Filipino weavers from all over the country are showcasing their craftsmanship at HIBLA: Weavers\u2019 Fair. Running from May 15 to 17 at the Quantum Skyview of Gateway Mall 2, at the Araneta City, Cubao, Quezon City, people can come watch weavers in action, discover new weaving technologies, and hear the stories of the weavers. There will also be talks on topics such as the use of various handloom weaving machines, apps for digitalization, and indigo dyeing. The fair is a project of Araneta City through the J. Amado Araneta Foundation and co-presented by the Department of Science and Technology-Philippine Textile Research Institute. It will support the public programs of Gateway Gallery, Araneta City\u2019s Museum. Register for free via https://forms.gle/WfLjhzKi5mi4ErU97.
\nTHE Philippine Opera Company is staging Terrence McNally\u2019s Master Class starring Menchu Lauchengco-Yulo as opera singer Maria Callas. Directed by Jaime del Mundo, the play opens on May 15 and will run throughout May at the Carlos P. Romulo Auditorium of RCBC Plaza, with Friday and Saturday evening performances and weekend matinees. Set during a series of public master classes at Juilliard in the 1970s, Master Class offers an intimate portrait of Maria Callas at the height of her myth and legacy. As she works with young opera singers, Ms. Callas relives the triumphs and heartbreaks of her storied career. The Philippine Opera Company last staged Master Class in 2010.
\nFILIPINO rapper WAIIAN is celebrating the success of his 2025 album with the staging of BACKSHOW, co-presented by Sony Music Entertainment and Lightning in a Bottle Studios (LIAB Studios). The concert serves as an anniversary celebration of his full-length album BACKSHOTS. The show will also feature performances by Karmela Roxy, Bad Indie Eye, Nicole Anjela, SHNTI, Yorko, DJ MILKY, Kartell\u2019em, DJ Bebi Keychain, Alisson Shore, and La Mave. It will take place at 123 Block in Mandaluyong City on May 15. Tickets are available via https://docs.google.com/forms/d/e/1FAIpQLSc_wNrZJBQYD-UFahUbE0yteO2YlxuB6Dbl9ql_gSsQs5L_AA/viewform.
\nTHE Go\u00fbt de France, an annual gastronomic festival focusing on French cuisine, returns from May 16 to 17 at the Makati Street Meet along Paseo de Roxas, Ayala Center, Makati. Presented by the French Embassy, Ayala Land, and Taste of France, visitors to the event will find French street food, crepes, pastries, wine, liqueurs, coffee, and other beverages. In addition to the street market, there will be an open-air film screening at the Ayala Triangle Gardens. On Saturday, there will be a live cooking demonstration of French dishes, while Sunday will see the Waiters Race, in which waiters race to see who can deliver a bottle of Evian on a tray fastest without spilling. There will be accordion music, jazz, and a DJ set. From May 16-31, French restaurants in the metro will offer special French menus. For the complete listing, visit the Facebook page of the Embassy of France to the Philippines and Micronesia.
\nSILVERLENS is holding a special book signing with artist Marina Cruz and photographer Jake Verzosa, celebrating the release of their latest monographs. Ms. Cruz\u2019s Fractured Fabric offers an intimate look at her investigation into family archives, spanning over two decades of practice, from photorealistic paintings of maternal relics to more evocative shifts into abstraction. Meanwhile, Mr. Verzosa\u2019s Basketball Landscapes presents a decade-long photographic survey of makeshift hoops and improvised courts across the Philippine archipelago. The event will take place on May 16, 3 p.m., at the Silverlens Den at Silverlens Gallery, Chino Roces Ext., Makati.
\nTHE Sprite Ultimate Sunset Summer Party will take place on May 16 at SM Mall of Asia By the Bay, from 3 to 7 p.m. This is part of Sprite\u2019s \u201c\u2019Yan ang Refreshing\u201d campaign.\u201d The event will feature live performances by acts like BGYO, Illest Morena, Shanti Dope, Maxie Anderson, and fitterkarma, with free-flowing ice-cold Sprite and exclusive Sprite merch available throughout the event.
\nTHE Act Avenue Theater Festival returns with 22 original short plays from university-based and independent theater groups across Metro Manila, alongside select regional collectives. For its 2026 edition, the festival adopts the theme \u201cMulat: Awakening from Apathy.\u201d The festival, held at the Tanghalang Leandro V. Locsin NCCA, Intramuros, Manila, is divided into four sets of plays which will be presented over two days, May 16 and 17, with performances at 2 and 6 p.m.
\nTHE Mari Dance Company is set to restage its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, from May 16 to 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. Tickets are available via maridance.com.
\nAN ADJUNCT activity of the ongoing exhibit Omocha | Japanese Toys Today at The M., there will be a \u201cCraft Your Character – Cardboard Figure Crafting\u201d workshop on May 17, 2-5 p.m. The activity is a free Toy Studio program for the exhibition, facilitated by artist Baste Cacho. Omocha | Japanese Toys Today \u2014 a traveling exhibition that offers a wide-ranging introduction to toys (omocha in Japanese), from the history of toys, to the latest toys infused with modern technologies and ideas \u2014 runs until May 31. This is held in partnership with the Japan Foundation Manila. As part of the exhibit, Gashapon Philippines is bringing the toy capsule craze to The M all month long. The Metropolitan Museum Of Manila is at the MK Tan Centre, 30th St., BGC, Taguig City
\nTHE Olivier Award-winning production of the 1970s sung-through rock musical Jesus Christ Superstar is now playing at The Theatre at Solaire until May 24 as part of its major international tour. This weekend\u2019s performances are on May 8 at 8 p.m., May 9 at 3 and 8 p.m., and May 10 at 1:30 and 6:30 p.m. This reimagined staging won the 2017 Olivier Award for Best Musical Revival and the 2016 Evening Standard Award for Best Musical.\u00a0 Featuring lyrics and music by Tim Rice and Andrew Lloyd Webber, the production is directed by Timothy Sheader and choreographed by Drew McOnie. Jesus Christ Superstar recounts the final week leading to the death and resurrection of Jesus Christ through the eyes of Judas.
\nBIDA SA BANTAYOG is offering a workshop on illustrating for anim\u00e9 for teens aged 15 to 18. It will take place over five days, from May 18 to 22, 8:30 a.m. to noon, at the Bantayog ng mga Bayani\u2019s Balay Events Place along Quezon Ave. in Quezon City. It is facilitated by animation artist Xavier \u201cSpike\u201d Ruiz and is the first in a series of creative, artistic, as well as fun learning activities to help the public to know more about the Bantayog. The workshop registration fee is P4,000, not inclusive of workshop materials. For inquiries, contact Dawn or CJ at (02)-82982298 or send an e-mail to bantayogbayani@gmail.com.
\nTO MARK 20 years of music discovery, Spotify is giving every listener a full look back at their music journey, from the very first track streamed to all-time most-streamed artists. \u201cSpotify 20: Your Party of the Year(s)\u201d is a new in-app experience that surfaces never-before-shared personal listening data, including the exact date they first joined Spotify and the total number of unique songs listened to since then. It also provides users with their All-Time Top Songs playlist consisting of 120 tracks with total play counts attached. It can be found on the Spotify home page on the app or via the link spotify.com/20.
\n", "content_text": "1 of 5\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nGo on a nostalgia trip at the movies\nAYALA MALLS CINEMAS\u2019 \u201cA Rewind\u201d initiative with Viva Films gives audiences a chance to relive the ultimate barkada film Bagets, starring Aga Muhlach, William Martinez, Herbert Bautista, JC Bonnin, and Raymond Lauchengco. One of Philippines\u2019 most beloved coming-of-age films, Bagets is perfect for longtime fans of the \u201980s matinee idols and for the Gen Z moviegoers discovering them for the first time. Bagets is now showing in select Ayala Malls Cinemas branches, with special ticket rates available at P180 and as low as P99 in Ayala Malls Legazpi and Ayala Malls Harbor Point. Patrons can also enjoy the Red Carpet Mondays Buy 1 Get 1 ticket promo for Bagets and another film, The Demon Prince, which is showing until May 19. A Vietnamese period horror-thriller, The Demon Prince is directed by Tran Huu Tan and stars Anh Tu Atus, Luong The Thanh, Hoang Linh Chi, and Rima Thanh Vy. Produced by CJ HK Entertainment in partnership with ProductionQ, and distributed by Viva Films, the movie follows Prince Th\u00e2n \u0110\u1ee9c, a mysterious figure born of forbidden sorcery, who arrives in a secluded village under the guise of a healer, only to reveal a far more sinister purpose tied to the resurrection of a powerful demon and the fate of the villagers.\n\nSupport local weavers at HIBLA\nTO HELP KEEP heritage alive, over 15 Filipino weavers from all over the country are showcasing their craftsmanship at HIBLA: Weavers\u2019 Fair. Running from May 15 to 17 at the Quantum Skyview of Gateway Mall 2, at the Araneta City, Cubao, Quezon City, people can come watch weavers in action, discover new weaving technologies, and hear the stories of the weavers. There will also be talks on topics such as the use of various handloom weaving machines, apps for digitalization, and indigo dyeing. The fair is a project of Araneta City through the J. Amado Araneta Foundation and co-presented by the Department of Science and Technology-Philippine Textile Research Institute. It will support the public programs of Gateway Gallery, Araneta City\u2019s Museum. Register for free via https://forms.gle/WfLjhzKi5mi4ErU97.\n\nBe a voyeur at Maria Callas\u2019 Master Class\nTHE Philippine Opera Company is staging Terrence McNally\u2019s Master Class starring Menchu Lauchengco-Yulo as opera singer Maria Callas. Directed by Jaime del Mundo, the play opens on May 15 and will run throughout May at the Carlos P. Romulo Auditorium of RCBC Plaza, with Friday and Saturday evening performances and weekend matinees. Set during a series of public master classes at Juilliard in the 1970s, Master Class offers an intimate portrait of Maria Callas at the height of her myth and legacy. As she works with young opera singers, Ms. Callas relives the triumphs and heartbreaks of her storied career. The Philippine Opera Company last staged Master Class in 2010.\n\nCatch WAIIAN\u2019s anniversary show\nFILIPINO rapper WAIIAN is celebrating the success of his 2025 album with the staging of BACKSHOW, co-presented by Sony Music Entertainment and Lightning in a Bottle Studios (LIAB Studios). The concert serves as an anniversary celebration of his full-length album BACKSHOTS. The show will also feature performances by Karmela Roxy, Bad Indie Eye, Nicole Anjela, SHNTI, Yorko, DJ MILKY, Kartell\u2019em, DJ Bebi Keychain, Alisson Shore, and La Mave. It will take place at 123 Block in Mandaluyong City on May 15. Tickets are available via https://docs.google.com/forms/d/e/1FAIpQLSc_wNrZJBQYD-UFahUbE0yteO2YlxuB6Dbl9ql_gSsQs5L_AA/viewform.\n\nEat good French food\nTHE Go\u00fbt de France, an annual gastronomic festival focusing on French cuisine, returns from May 16 to 17 at the Makati Street Meet along Paseo de Roxas, Ayala Center, Makati. Presented by the French Embassy, Ayala Land, and Taste of France, visitors to the event will find French street food, crepes, pastries, wine, liqueurs, coffee, and other beverages. In addition to the street market, there will be an open-air film screening at the Ayala Triangle Gardens. On Saturday, there will be a live cooking demonstration of French dishes, while Sunday will see the Waiters Race, in which waiters race to see who can deliver a bottle of Evian on a tray fastest without spilling. There will be accordion music, jazz, and a DJ set. From May 16-31, French restaurants in the metro will offer special French menus. For the complete listing, visit the Facebook page of the Embassy of France to the Philippines and Micronesia.\n\nGet artist monographs of Marina Cruz, Jake Verzosa\nSILVERLENS is holding a special book signing with artist Marina Cruz and photographer Jake Verzosa, celebrating the release of their latest monographs. Ms. Cruz\u2019s Fractured Fabric offers an intimate look at her investigation into family archives, spanning over two decades of practice, from photorealistic paintings of maternal relics to more evocative shifts into abstraction. Meanwhile, Mr. Verzosa\u2019s Basketball Landscapes presents a decade-long photographic survey of makeshift hoops and improvised courts across the Philippine archipelago. The event will take place on May 16, 3 p.m., at the Silverlens Den at Silverlens Gallery, Chino Roces Ext., Makati.\n\nAttend Sprite\u2019s summer party\nTHE Sprite Ultimate Sunset Summer Party will take place on May 16 at SM Mall of Asia By the Bay, from 3 to 7 p.m. This is part of Sprite\u2019s \u201c\u2019Yan ang Refreshing\u201d campaign.\u201d The event will feature live performances by acts like BGYO, Illest Morena, Shanti Dope, Maxie Anderson, and fitterkarma, with free-flowing ice-cold Sprite and exclusive Sprite merch available throughout the event.\n\nCatch the Act Avenue Theater Fest\nTHE Act Avenue Theater Festival returns with 22 original short plays from university-based and independent theater groups across Metro Manila, alongside select regional collectives. For its 2026 edition, the festival adopts the theme \u201cMulat: Awakening from Apathy.\u201d The festival, held at the Tanghalang Leandro V. Locsin NCCA, Intramuros, Manila, is divided into four sets of plays which will be presented over two days, May 16 and 17, with performances at 2 and 6 p.m.\n\nEnjoy a dance concert\nTHE Mari Dance Company is set to restage its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, from May 16 to 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. Tickets are available via maridance.com.\n\nCraft your character at The M\nAN ADJUNCT activity of the ongoing exhibit Omocha | Japanese Toys Today at The M., there will be a \u201cCraft Your Character – Cardboard Figure Crafting\u201d workshop on May 17, 2-5 p.m. The activity is a free Toy Studio program for the exhibition, facilitated by artist Baste Cacho. Omocha | Japanese Toys Today \u2014 a traveling exhibition that offers a wide-ranging introduction to toys (omocha in Japanese), from the history of toys, to the latest toys infused with modern technologies and ideas \u2014 runs until May 31. This is held in partnership with the Japan Foundation Manila. As part of the exhibit, Gashapon Philippines is bringing the toy capsule craze to The M all month long. The Metropolitan Museum Of Manila is at the MK Tan Centre, 30th St., BGC, Taguig City\n\nGet nostalgic with Jesus Christ Superstar\nTHE Olivier Award-winning production of the 1970s sung-through rock musical Jesus Christ Superstar is now playing at The Theatre at Solaire until May 24 as part of its major international tour. This weekend\u2019s performances are on May 8 at 8 p.m., May 9 at 3 and 8 p.m., and May 10 at 1:30 and 6:30 p.m. This reimagined staging won the 2017 Olivier Award for Best Musical Revival and the 2016 Evening Standard Award for Best Musical.\u00a0 Featuring lyrics and music by Tim Rice and Andrew Lloyd Webber, the production is directed by Timothy Sheader and choreographed by Drew McOnie. Jesus Christ Superstar recounts the final week leading to the death and resurrection of Jesus Christ through the eyes of Judas.\n\nLearn to illustrate for anim\u00e9\nBIDA SA BANTAYOG is offering a workshop on illustrating for anim\u00e9 for teens aged 15 to 18. It will take place over five days, from May 18 to 22, 8:30 a.m. to noon, at the Bantayog ng mga Bayani\u2019s Balay Events Place along Quezon Ave. in Quezon City. It is facilitated by animation artist Xavier \u201cSpike\u201d Ruiz and is the first in a series of creative, artistic, as well as fun learning activities to help the public to know more about the Bantayog. The workshop registration fee is P4,000, not inclusive of workshop materials. For inquiries, contact Dawn or CJ at (02)-82982298 or send an e-mail to bantayogbayani@gmail.com.\n\nLook back at your Spotify history\nTO MARK 20 years of music discovery, Spotify is giving every listener a full look back at their music journey, from the very first track streamed to all-time most-streamed artists. \u201cSpotify 20: Your Party of the Year(s)\u201d is a new in-app experience that surfaces never-before-shared personal listening data, including the exact date they first joined Spotify and the total number of unique songs listened to since then. It also provides users with their All-Time Top Songs playlist consisting of 120 tracks with total play counts attached. It can be found on the Spotify home page on the app or via the link spotify.com/20.", "date_published": "2026-05-15T00:03:10+08:00", "date_modified": "2026-05-14T17:24:59+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Ayala-Malls-Cinemas-Exclusive_The-Demon-Prince-thumb.jpg", "tags": [ "Stuff to Do", "Arts & Leisure" ], "summary": "AYALA MALLS CINEMAS\u2019 \u201cA Rewind\u201d initiative with Viva Films gives audiences a chance to relive the ultimate barkada film Bagets, starring Aga Muhlach, William Martinez, Herbert Bautista, JC Bonnin, and Raymond Lauchengco." }, { "id": "/?p=749445", "url": "/arts-and-leisure/2026/05/14/749445/having-some-wine-in-a-food-court/", "title": "Having some wine in a food court", "content_html": "\r\n \r\n\r\nWHILE we\u2019ve written before about how much fun we\u2019d had at Araneta City\u2019s World Kitchens, which opened last year, a new addition to the \u201cfancy food court\u201d makes the trip to Cubao a bit more exciting.
\nEnter World Cellar, which opened in January this year, where diners can choose from about 400 available wines, either by the glass or by the bottle.
\nFood columnist and consultant for World Cellar CJ Juntereal told 大象传媒 at a pairing lunch on April 24 about how World Cellar went about selecting these 400 wines, more than there are days in a year. Aside from a division in price tiers (more on that later), she said, \u201cWe wanted a representation of all wine regions. All grapes; as many grapes as we could do.
\n\u201cThe wines are a mixture of large established wineries and smaller boutique wineries,\u201d she said. We saw some wines from established Old World estates, from Spain and France, but then she pointed out, for example, the presence of bottles by female winemakers. There are also wines from Japan and Israel. \u201cThese are the new wine regions,\u201d she said of those countries.
\n\u201cIt\u2019s just a range of interesting wines: safe choices, and choices that you can discover,\u201d she said of the cellar\u2019s offerings.
\nWINE PAIRING OVER LUNCH
\nPart of the joy of dining at World Kitchens is the large amount of food choices (https://tinyurl.com/yb6cah48). Since it is still part of World Kitchens even though it is physically separated from it, we ordered dishes freely from the establishments outside the (climate-controlled at 18\u00b0C to 20\u00b0C) cellar to pair with the wines.
The wines we had for lunch were chosen by their in-house sommelier, Benedict Tan. Just in his 20s, he has a Wine and Spirit Education Trust (WSET) level 3 certificate in wines. After hearing our choices for lunch (which mostly veered Asian), he picked out a Clos de Centenaires Art 2020, and a Les Pensees de Pallus Chinon 2019. He said that the wine choices he made were centered on right levels of acidity and a certain level of minerality, to complement the rich appetizers and the sweetish mains.
\nHere\u2019s what we had: the Clos was paired with the Otoro Rolls from Kuro Maguro. The fresh, juicy, mineral scent of the Clos cut through the very fatty and thick tuna belly. We also had tuna sashimi, a leaner cut compared to the otoro. With the Clos, the tuna was given some spice and liveliness.
\nWe also had Chinese selections from 18 Jade and HK Ma, as well as the Beef Cheeks Adobo from Chef Jessie\u2019s. These we paired with the Chinon. The Chinon had a very tannic-forward scent, smelling almost like tea, and made our mouth water. With the adobo, it added some spice but cut through the fat and the gelatin. With a ubiquitous Sweet and Sour Pork, the wine added some gravitas. For Prawn Noodles from HK Ma, it added some liveliness to the seafood and starch.
\nA surprising dish from 18 Jade was deep-fried eggplant served with pork floss and, get this: condensed milk. It\u2019s a confusing dish that surprisingly works, balancing all the tastes with texture. This must have been a challenge to find a pairing for, but the Chinon added a fruitiness that was welcome.
\nREASONABLY PRICED
\nThe wines have a surprising markup: the most affordable ones in their selection are priced at P800 a bottle, which Ms. Juntereal estimates would cost about P2,500 somewhere else. Wines by the glass start at P200. The explanation is delightfully elegant: this is a pet project of Jorge Araneta, the Araneta Group\u2019s chair, and bon vivant.
Of course, they have other choices for the more discerning buyer: we saw bottles going up to P30,000, from his personal collection on site. One section of World Cellar is devoted to his collection, which you might be able to tour if you ask nicely (and promise to keep your elbows in check).
\n\u201cMr. Araneta wants to build a wine culture here,\u201d said Ms. Juntereal. \u201cHe wants to introduce wine to more people.\u201d
\nFor a lot of people there are two big barriers to drinking wine, said Ms. Juntereal. \u201cOne, the price. Two, it\u2019s seen as something difficult, complicated, or kind of snobby and sosyal. We want to take that away,\u201d she said. \u201cThe price barrier is gone.\u201d
\nWINE CLASS
\nNot only is the price barrier lowered, World Cellar is promoting the joy of drinking wine through education.
Every Friday from 6 to 7:30 p.m., Mr. Tan holds a wine class called Wine 101. The guided tasting costs P999 per person. \u201cBy making wine education accessible and engaging, the program encourages a broader audience to appreciate the craftsmanship, stories, and traditions behind every bottle,\u201d says a statement from the cellar.
\nAs limited slots are available per session, interested parties ought to register in advance via https://qrco.de/wine101atWK or via the QR code on the official social media pages of World Kitchens.
\nWorld Cellar is located inside World Kitchens, at Level 4 of Gateway Mall 2 in Araneta City, Cubao, Quezon City. For inquiries and reservations, contact 0918-939-4537 or e-mail wk.reservations.aranetagrp@gmail.com. \u2014 Joseph L. Garcia
\n", "content_text": "1 of 3\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n ALICIA A. HERRERA\r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nChoose a reasonably priced glass at World Cellar inside Gateway\u2019s upscale World Kitchen\nWHILE we\u2019ve written before about how much fun we\u2019d had at Araneta City\u2019s World Kitchens, which opened last year, a new addition to the \u201cfancy food court\u201d makes the trip to Cubao a bit more exciting.\nEnter World Cellar, which opened in January this year, where diners can choose from about 400 available wines, either by the glass or by the bottle.\nFood columnist and consultant for World Cellar CJ Juntereal told 大象传媒 at a pairing lunch on April 24 about how World Cellar went about selecting these 400 wines, more than there are days in a year. Aside from a division in price tiers (more on that later), she said, \u201cWe wanted a representation of all wine regions. All grapes; as many grapes as we could do.\n\u201cThe wines are a mixture of large established wineries and smaller boutique wineries,\u201d she said. We saw some wines from established Old World estates, from Spain and France, but then she pointed out, for example, the presence of bottles by female winemakers. There are also wines from Japan and Israel. \u201cThese are the new wine regions,\u201d she said of those countries. \n\u201cIt\u2019s just a range of interesting wines: safe choices, and choices that you can discover,\u201d she said of the cellar\u2019s offerings.\nWINE PAIRING OVER LUNCH\nPart of the joy of dining at World Kitchens is the large amount of food choices (https://tinyurl.com/yb6cah48). Since it is still part of World Kitchens even though it is physically separated from it, we ordered dishes freely from the establishments outside the (climate-controlled at 18\u00b0C to 20\u00b0C) cellar to pair with the wines. \nThe wines we had for lunch were chosen by their in-house sommelier, Benedict Tan. Just in his 20s, he has a Wine and Spirit Education Trust (WSET) level 3 certificate in wines. After hearing our choices for lunch (which mostly veered Asian), he picked out a Clos de Centenaires Art 2020, and a Les Pensees de Pallus Chinon 2019. He said that the wine choices he made were centered on right levels of acidity and a certain level of minerality, to complement the rich appetizers and the sweetish mains.\nHere\u2019s what we had: the Clos was paired with the Otoro Rolls from Kuro Maguro. The fresh, juicy, mineral scent of the Clos cut through the very fatty and thick tuna belly. We also had tuna sashimi, a leaner cut compared to the otoro. With the Clos, the tuna was given some spice and liveliness.\nWe also had Chinese selections from 18 Jade and HK Ma, as well as the Beef Cheeks Adobo from Chef Jessie\u2019s. These we paired with the Chinon. The Chinon had a very tannic-forward scent, smelling almost like tea, and made our mouth water. With the adobo, it added some spice but cut through the fat and the gelatin. With a ubiquitous Sweet and Sour Pork, the wine added some gravitas. For Prawn Noodles from HK Ma, it added some liveliness to the seafood and starch.\nA surprising dish from 18 Jade was deep-fried eggplant served with pork floss and, get this: condensed milk. It\u2019s a confusing dish that surprisingly works, balancing all the tastes with texture. This must have been a challenge to find a pairing for, but the Chinon added a fruitiness that was welcome.\nREASONABLY PRICED\nThe wines have a surprising markup: the most affordable ones in their selection are priced at P800 a bottle, which Ms. Juntereal estimates would cost about P2,500 somewhere else. Wines by the glass start at P200. The explanation is delightfully elegant: this is a pet project of Jorge Araneta, the Araneta Group\u2019s chair, and bon vivant.\nOf course, they have other choices for the more discerning buyer: we saw bottles going up to P30,000, from his personal collection on site. One section of World Cellar is devoted to his collection, which you might be able to tour if you ask nicely (and promise to keep your elbows in check).\n\u201cMr. Araneta wants to build a wine culture here,\u201d said Ms. Juntereal. \u201cHe wants to introduce wine to more people.\u201d\nFor a lot of people there are two big barriers to drinking wine, said Ms. Juntereal. \u201cOne, the price. Two, it\u2019s seen as something difficult, complicated, or kind of snobby and sosyal. We want to take that away,\u201d she said. \u201cThe price barrier is gone.\u201d\nWINE CLASS\nNot only is the price barrier lowered, World Cellar is promoting the joy of drinking wine through education.\nEvery Friday from 6 to 7:30 p.m., Mr. Tan holds a wine class called Wine 101. The guided tasting costs P999 per person. \u201cBy making wine education accessible and engaging, the program encourages a broader audience to appreciate the craftsmanship, stories, and traditions behind every bottle,\u201d says a statement from the cellar.\nAs limited slots are available per session, interested parties ought to register in advance via https://qrco.de/wine101atWK or via the QR code on the official social media pages of World Kitchens.\nWorld Cellar is located inside World Kitchens, at Level 4 of Gateway Mall 2 in Araneta City, Cubao, Quezon City. For inquiries and reservations, contact 0918-939-4537 or e-mail wk.reservations.aranetagrp@gmail.com. \u2014 Joseph L. Garcia", "date_published": "2026-05-14T00:08:26+08:00", "date_modified": "2026-05-13T18:28:19+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/WIne-4.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ], "summary": "WHILE we\u2019ve written before about how much fun we\u2019d had at Araneta City\u2019s World Kitchens, which opened last year, a new addition to the \u201cfancy food court\u201d makes the trip to Cubao a bit more exciting." }, { "id": "/?p=749444", "url": "/arts-and-leisure/2026/05/14/749444/ifex-highlights-tropical-flavors/", "title": "IFEX highlights tropical flavors", "content_html": "THE International Food, Beverage, and Ingredients Trade Show (IFEX), which will be held on May 21 to 23 at the World Trade Center in Pasay City, carries the theme \u201cTropical Flavors for the World\u201d this year.
\nA preview of what is in store was held at the Likhang Filipino Exhibition Halls, refurbished earlier from the former PhilTrade Center. Since Likhang Filipino\u2019s selling point is that it is like having the Center for International Trade Expositions and Missions\u2019 (CITEM) annual trade fairs extended for the whole year, we asked CITEM Executive Director Leah Pulido Ocampo why IFEX was being held elsewhere. It is all a matter of space \u2014 though that will change.
\n\u201cWe have a very small space, she told 大象传媒. \u201cWe need at least 16,000 square meters (sq.m.) [for IFEX]. We only have 8,000 sq.m. here,\u201d she pointed out. \u201cWe\u2019re actually planning to do that: expand the entire facility, and hopefully, maybe in two to three years (we can hold IFEX here).\u201d
\nBy her count, there are already more than 400 exhibitors for IFEX. Last year, according to a release, IFEX Philippines 2025 welcomed over 10,000 buyers and visitors from more than 50 countries, generating $80 million in export sales.
\n\u201cThat\u2019s our positioning as a country,\u201d she said about the tropical theme. \u201cOur target markets are Europeans, the Americans, the Middle East. These are countries that do not have what we have.\u201d
\n\u201cNot everybody has ube (purple yam), or mango. Pinag-aawayan talaga (they fight over it),\u201d she said.
\nKITCHENS, SUSTAINABILITY
\nThe preview earlier this week showed off the plans for this year\u2019s IFEX. This includes IFEX Kitchen, which invites Filipino chefs from here and abroad to cook and talk about Philippine cuisine.
There will also be the Sustainability Solutions Exchange (SSX), the country\u2019s first sourcing platform dedicated to a more resilient food ecosystem, featuring eco-friendly packaging, green technologies, and waste management solutions across sectors, such as agriculture, home and fashion, manufacturing, and technology. SSX will also introduce the Start-up Pitching Competition and Networking, an avenue connecting sustainable innovations from micro, small and medium enterprises (MSMEs) and startups to key partners for capital and collaboration.
\nThe FOODPhilippines Trade Hall will serve as the hub for top Philippine brands. It will also feature a Business Solutions Zone, as well as regional brands showcasing heritage crops and regional specialties through their respective pavilions.
\nThere will also be foreign participants reflecting global flavors and industry trends at the International Hall.
\nFinally, the Marketplace provides a designated area for direct retail.
\nKATHA AWARDS
\nA highlight of the preview was the awarding of the Katha Awards for food. Organized by CITEM, the award champions creativity and excellence in the industry, furthering the global competitiveness of Philippine food MSMEs, including emerging export players.
The Power of Slow Carbonated Coconut Flower Nectar Drink won the Beverage category, while Golden Flavours Shortcakes (using jackfruit, durian, and pineapple) won the award for Bakery Products and Confectioneries. Munggo!, an instant porridge made from mung beans, won the award for Functional, Healthy and Alternative Foods.
\nCocoes Coconut Aminos Crema Balsamico (resembling balsamic vinegar) won the award for Processed Fruits and Vegetables, including Sauces and Condiments. Gourmet Tahong (a preserve made of mussels) won the award in Seafood, while Kangkong Chips in Sinigang Flavor by Kangkong King won in Snacks and Ready-to-Eat award. Marcelo\u2019s Microcreamery took the award for Specialty Gourmet for their coconut-based ice creams.
\nMs. Pulido Ocampo said of the winners, in relation to their future exportability, \u201cBuyers would always say that our products have a unique taste. Even if it\u2019s more expensive compared to, for example,\u201d and here she gave a list of our Southeast Asian neighbors. \u201cOur products seem to be preferred.\u201d
\n\u201cWe have volcanic soil and sea breeze. All of these contribute to the unique taste,\u201d she said.
\nVisit ifexconnect.com to join or know more about IFEX Philippines. \u2014 Joseph L. Garcia
\n", "content_text": "THE International Food, Beverage, and Ingredients Trade Show (IFEX), which will be held on May 21 to 23 at the World Trade Center in Pasay City, carries the theme \u201cTropical Flavors for the World\u201d this year.\nA preview of what is in store was held at the Likhang Filipino Exhibition Halls, refurbished earlier from the former PhilTrade Center. Since Likhang Filipino\u2019s selling point is that it is like having the Center for International Trade Expositions and Missions\u2019 (CITEM) annual trade fairs extended for the whole year, we asked CITEM Executive Director Leah Pulido Ocampo why IFEX was being held elsewhere. It is all a matter of space \u2014 though that will change. \n\u201cWe have a very small space, she told 大象传媒. \u201cWe need at least 16,000 square meters (sq.m.) [for IFEX]. We only have 8,000 sq.m. here,\u201d she pointed out. \u201cWe\u2019re actually planning to do that: expand the entire facility, and hopefully, maybe in two to three years (we can hold IFEX here).\u201d\nBy her count, there are already more than 400 exhibitors for IFEX. Last year, according to a release, IFEX Philippines 2025 welcomed over 10,000 buyers and visitors from more than 50 countries, generating $80 million in export sales.\n\u201cThat\u2019s our positioning as a country,\u201d she said about the tropical theme. \u201cOur target markets are Europeans, the Americans, the Middle East. These are countries that do not have what we have.\u201d\n\u201cNot everybody has ube (purple yam), or mango. Pinag-aawayan talaga (they fight over it),\u201d she said.\nKITCHENS, SUSTAINABILITY\nThe preview earlier this week showed off the plans for this year\u2019s IFEX. This includes IFEX Kitchen, which invites Filipino chefs from here and abroad to cook and talk about Philippine cuisine.\nThere will also be the Sustainability Solutions Exchange (SSX), the country\u2019s first sourcing platform dedicated to a more resilient food ecosystem, featuring eco-friendly packaging, green technologies, and waste management solutions across sectors, such as agriculture, home and fashion, manufacturing, and technology. SSX will also introduce the Start-up Pitching Competition and Networking, an avenue connecting sustainable innovations from micro, small and medium enterprises (MSMEs) and startups to key partners for capital and collaboration.\nThe FOODPhilippines Trade Hall will serve as the hub for top Philippine brands. It will also feature a Business Solutions Zone, as well as regional brands showcasing heritage crops and regional specialties through their respective pavilions.\nThere will also be foreign participants reflecting global flavors and industry trends at the International Hall.\nFinally, the Marketplace provides a designated area for direct retail.\nKATHA AWARDS\nA highlight of the preview was the awarding of the Katha Awards for food. Organized by CITEM, the award champions creativity and excellence in the industry, furthering the global competitiveness of Philippine food MSMEs, including emerging export players.\nThe Power of Slow Carbonated Coconut Flower Nectar Drink won the Beverage category, while Golden Flavours Shortcakes (using jackfruit, durian, and pineapple) won the award for Bakery Products and Confectioneries. Munggo!, an instant porridge made from mung beans, won the award for Functional, Healthy and Alternative Foods.\nCocoes Coconut Aminos Crema Balsamico (resembling balsamic vinegar) won the award for Processed Fruits and Vegetables, including Sauces and Condiments. Gourmet Tahong (a preserve made of mussels) won the award in Seafood, while Kangkong Chips in Sinigang Flavor by Kangkong King won in Snacks and Ready-to-Eat award. Marcelo\u2019s Microcreamery took the award for Specialty Gourmet for their coconut-based ice creams.\nMs. Pulido Ocampo said of the winners, in relation to their future exportability, \u201cBuyers would always say that our products have a unique taste. Even if it\u2019s more expensive compared to, for example,\u201d and here she gave a list of our Southeast Asian neighbors. \u201cOur products seem to be preferred.\u201d\n\u201cWe have volcanic soil and sea breeze. All of these contribute to the unique taste,\u201d she said.\nVisit ifexconnect.com to join or know more about IFEX Philippines. \u2014 Joseph L. Garcia", "date_published": "2026-05-14T00:07:25+08:00", "date_modified": "2026-05-13T18:26:33+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Main-Poster.jpg", "tags": [ "Joseph L. Garcia", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=749441", "url": "/arts-and-leisure/2026/05/14/749441/dining-in-out-05-14-26/", "title": "Dining In/Out (05/14/26)", "content_html": "\r\n \r\n\r\nJOHNNIE WALKER Ruby Nights, a series of nightlife experiences, will be kicking off at The Spirits Library in Poblacion, Makati. These evenings will feature Johnnie Walker Black Ruby as a centerpiece. It is the sweetest expression yet of Johnnie Walker Black Label. Crafted by Master Blender Emma Walker, it brings forward vibrant, fruit-led notes with a smooth finish designed for cocktails, while carrying the signature smoky depth and smooth finish of Johnnie Walker Black Label. Every bar will offer Johnnie Walker Black Ruby cocktails, each crafted as a signature serve per venue. At The Spirits Library, guests can experience the Librarian\u2019s Julep, made with Johnnie Walker Black Ruby, spiced raspberry shrub, creole bitters, and strawberry popping pearls. Meanwhile, Medusa serves up Ruby Reverie, made with cherry liqueur, amaretto, Earl Grey syrup, and orange bitters, all blended in with Johnnie Walker Black Ruby. These limited-edition cocktails are just some of the available options across Ruby Nights to reflect the character of each venue. As guests enjoy their drinks, there will be live sets from top DJs. Catch the first Ruby Night at The Spirits Library, Makati on May 16, then on May 23, 30 and June 6, 13, 20, and 27. They\u2019ll be at Medusa at The Palace, BGC on June 13, then at Grasshopper Bar, Makati on May 20 and June 17. Bar 10-4, Makati will have them on May 28 and June 25, then they move to Velveteen Bar, Makati on May 15 and June 15. Opal Bar will have one every third week of the month. They\u2019re also in Ugly Bar in La Union, every 15th of the month. Follow @johnniewalkerph for updates on more stops and upcoming Johnnie Walker Ruby Nights.
\nGET YOURSELF inside Newport World Resorts from May 13 (World Whisky Day) to May 16 (World Cocktail Day). Inside The Whisky Library on May 13 to May 16, The Dalmore Constellation Collection leads the celebration with the 1971 Cask No. 2 valued at P3.4 million, the 1973 Cask No. 10 at P2.9 million, and the 1991 Cask No. 27 at P1,550,000, each shaped by decades of aging and quiet precision. For World Cocktail Day, the Fab Four, featured in the bar\u2019s third volume of its cocktail collection, brings a shift in tempo, layering single malt with honey, lemon, vanilla, aromatic bitters, and egg white into a smooth, structured cocktail. The same space opens the experience to a wider range of preferences. Zero-Proof classics such as Amaretto Sour, Daiquiri, Gin Basil, and Whiskey Sour are crafted with Sober Spirits at P530. Sparkling tea selections, including Noble Truth Cranberry Rose and Mindful Sparks Dragon Pearl Jasmine at P3,400, introduce an alternative. Over at Gordon Ramsay Bar & Grill Philippines, The Old Man serves as the house\u2019s signature for the occasion, featuring Maker\u2019s Mark bourbon, Hennessy VSOP cognac, Americano Rosa and Manzana apple liqueur, with Peychaud\u2019s and Angostura bitters rounding out the finish. At Hotel Okura Manila, SORA Pool Bar, Yawaragi, and Yamazato will serve the Smoked Godfather which brings together smoked Tamnavulin whisky and amaretto, stirred over ice and finished with a cherry. The celebration continues through its Cocktails of the Season, with the Sakura Aperol Spritz and the Dirty Negroni. Over at Manila Marriott Hotel, The Charles & James Highball Unlimited offers a two-hour session at P400 net per person. Alongside it, the Rising Star Cocktail series features Mulat, Lakbay, and Siklab at P488 net each, all shaped by emerging Filipino bartenders. At The Grand Bar & Lounge, the Sweet Escape blends white rum with orange, kiwi, and citrus. A few steps away at Bar360, the Manila Colada brings together Flor de Ca\u00f1a white rum, mango, coconut, lime, and cinnamon, with both cocktails available at P400 net until June 30. For more information on Newport World Resorts, visit www.newportworldresorts.com and follow @newportworldresorts on Facebook, Instagram, and TikTok.
\nTACO BELL Philippines sees the return of two favorites \u2014 the Chalupa and Gordita Supreme. The Beef Chalupa (P199) is made with beef, fresh lettuce, diced tomatoes, mozzarella cheese, cheddar cheese, and spicy ranch, all packed in a golden flatbread shell. There\u2019s also the Beef Gordita Supreme (P199), a warm flatbread filled with beef, fresh veggies, melted cheeses, and sour cream. Chicken lovers can choose the Crispy Chicken Chalupa (P229), with a crunchy shell paired with chicken strips, fresh lettuce, tomatoes, mozzarella cheese, cheddar cheese, and spicy ranch, or keep things soft with the Crispy Chicken Gordita Supreme (P229), filled with chicken strips, fresh toppings, melted cheeses, and a dollop of sour cream. There is also the Chalupa and Gordita Supreme as part of a Combo Meal, which includes a Beef Chalupa or Beef Gordita Supreme, Nacho Sprinkle, and a 12oz soda for P269. For something more filling, the Big Bell Meal comes with a Beef Chalupa or Beef Gordita Supreme, Burrito Beef, Cinnamon Twists, and a 12oz soda for P399. Add P30 to any meal to switch the Chalupa or Gordita Supreme protein to crispy chicken. Available at Taco Bell stores for dine-in and take-out orders, and for delivery via the 8911-1111 hotline, Taco Bell Philippines\u2019 official website, or through official delivery partners Grabfood, foodpanda, and Pickaroo.
\n", "content_text": "1 of 3\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nJohnnie Walker steps out\nJOHNNIE WALKER Ruby Nights, a series of nightlife experiences, will be kicking off at The Spirits Library in Poblacion, Makati. These evenings will feature Johnnie Walker Black Ruby as a centerpiece. It is the sweetest expression yet of Johnnie Walker Black Label. Crafted by Master Blender Emma Walker, it brings forward vibrant, fruit-led notes with a smooth finish designed for cocktails, while carrying the signature smoky depth and smooth finish of Johnnie Walker Black Label. Every bar will offer Johnnie Walker Black Ruby cocktails, each crafted as a signature serve per venue. At The Spirits Library, guests can experience the Librarian\u2019s Julep, made with Johnnie Walker Black Ruby, spiced raspberry shrub, creole bitters, and strawberry popping pearls. Meanwhile, Medusa serves up Ruby Reverie, made with cherry liqueur, amaretto, Earl Grey syrup, and orange bitters, all blended in with Johnnie Walker Black Ruby. These limited-edition cocktails are just some of the available options across Ruby Nights to reflect the character of each venue. As guests enjoy their drinks, there will be live sets from top DJs. Catch the first Ruby Night at The Spirits Library, Makati on May 16, then on May 23, 30 and June 6, 13, 20, and 27. They\u2019ll be at Medusa at The Palace, BGC on June 13, then at Grasshopper Bar, Makati on May 20 and June 17. Bar 10-4, Makati will have them on May 28 and June 25, then they move to Velveteen Bar, Makati on May 15 and June 15. Opal Bar will have one every third week of the month. They\u2019re also in Ugly Bar in La Union, every 15th of the month. Follow @johnniewalkerph for updates on more stops and upcoming Johnnie Walker Ruby Nights.\n\nNewport celebrates World Whisky Day, World Cocktail Day\nGET YOURSELF inside Newport World Resorts from May 13 (World Whisky Day) to May 16 (World Cocktail Day). Inside The Whisky Library on May 13 to May 16, The Dalmore Constellation Collection leads the celebration with the 1971 Cask No. 2 valued at P3.4 million, the 1973 Cask No. 10 at P2.9 million, and the 1991 Cask No. 27 at P1,550,000, each shaped by decades of aging and quiet precision. For World Cocktail Day, the Fab Four, featured in the bar\u2019s third volume of its cocktail collection, brings a shift in tempo, layering single malt with honey, lemon, vanilla, aromatic bitters, and egg white into a smooth, structured cocktail. The same space opens the experience to a wider range of preferences. Zero-Proof classics such as Amaretto Sour, Daiquiri, Gin Basil, and Whiskey Sour are crafted with Sober Spirits at P530. Sparkling tea selections, including Noble Truth Cranberry Rose and Mindful Sparks Dragon Pearl Jasmine at P3,400, introduce an alternative. Over at Gordon Ramsay Bar & Grill Philippines, The Old Man serves as the house\u2019s signature for the occasion, featuring Maker\u2019s Mark bourbon, Hennessy VSOP cognac, Americano Rosa and Manzana apple liqueur, with Peychaud\u2019s and Angostura bitters rounding out the finish. At Hotel Okura Manila, SORA Pool Bar, Yawaragi, and Yamazato will serve the Smoked Godfather which brings together smoked Tamnavulin whisky and amaretto, stirred over ice and finished with a cherry. The celebration continues through its Cocktails of the Season, with the Sakura Aperol Spritz and the Dirty Negroni. Over at Manila Marriott Hotel, The Charles & James Highball Unlimited offers a two-hour session at P400 net per person. Alongside it, the Rising Star Cocktail series features Mulat, Lakbay, and Siklab at P488 net each, all shaped by emerging Filipino bartenders. At The Grand Bar & Lounge, the Sweet Escape blends white rum with orange, kiwi, and citrus. A few steps away at Bar360, the Manila Colada brings together Flor de Ca\u00f1a white rum, mango, coconut, lime, and cinnamon, with both cocktails available at P400 net until June 30. For more information on Newport World Resorts, visit www.newportworldresorts.com and follow @newportworldresorts on Facebook, Instagram, and TikTok.\n\nTaco Bell sees comeback\nTACO BELL Philippines sees the return of two favorites \u2014 the Chalupa and Gordita Supreme. The Beef Chalupa (P199) is made with beef, fresh lettuce, diced tomatoes, mozzarella cheese, cheddar cheese, and spicy ranch, all packed in a golden flatbread shell. There\u2019s also the Beef Gordita Supreme (P199), a warm flatbread filled with beef, fresh veggies, melted cheeses, and sour cream. Chicken lovers can choose the Crispy Chicken Chalupa (P229), with a crunchy shell paired with chicken strips, fresh lettuce, tomatoes, mozzarella cheese, cheddar cheese, and spicy ranch, or keep things soft with the Crispy Chicken Gordita Supreme (P229), filled with chicken strips, fresh toppings, melted cheeses, and a dollop of sour cream. There is also the Chalupa and Gordita Supreme as part of a Combo Meal, which includes a Beef Chalupa or Beef Gordita Supreme, Nacho Sprinkle, and a 12oz soda for P269. For something more filling, the Big Bell Meal comes with a Beef Chalupa or Beef Gordita Supreme, Burrito Beef, Cinnamon Twists, and a 12oz soda for P399. Add P30 to any meal to switch the Chalupa or Gordita Supreme protein to crispy chicken. Available at Taco Bell stores for dine-in and take-out orders, and for delivery via the 8911-1111 hotline, Taco Bell Philippines\u2019 official website, or through official delivery partners Grabfood, foodpanda, and Pickaroo.", "date_published": "2026-05-14T00:05:56+08:00", "date_modified": "2026-05-13T18:24:55+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Johnnie-Walker-Black-Ruby-Nights.jpg", "tags": [ "Dining In/Out", "Arts & Leisure" ], "summary": "JOHNNIE WALKER Ruby Nights, a series of nightlife experiences, will be kicking off at The Spirits Library in Poblacion, Makati. These evenings will feature Johnnie Walker Black Ruby as a centerpiece." }, { "id": "/?p=749113", "url": "/arts-and-leisure/2026/05/13/749113/self-reflexive-theater-ang-babae-sa-septic-tank-hits-the-stage/", "title": "Self-reflexive theater: Ang Babae Sa Septic Tank hits the stage", "content_html": "\r\n \r\n\r\nFIFTEEN YEARS after the film Ang Babae Sa Septic Tank took the indie film landscape by storm with its satire of the industry\u2019s fixation on poverty-centered cinema, a theatrical adaptation marks the razor-sharp franchise\u2019s fourth installation. Now in the form of a play, it is set to run at the PETA Theater Center from June 19 to Aug. 16.
\nThe 2011 film starred Eugene Domingo as a histrionic version of herself, an ambitious actress determined to win awards by playing a poor woman in an indie film. The 2016 sequel saw her take on mainstream romantic comedy drivel, then the third iteration in 2019 \u2014 a seven-episode digital series \u2014 illustrated the absurdity of historical revisionism.
\nLike the previous installations of this multi-platform franchise, the play will be a satire with a purpose, this time turning its focus to the Philippines\u2019 active theater scene.
\nTitled Ang Babae Sa Septic Tank 4: Oh Sh*t! It\u2019s Live Sa Cheter!, it is helmed by the Philippine Educational Theater Association (PETA).
\n\u201cThis \u2018golden age\u2019 of theater is really quite interesting. From the pandemic, all of a sudden, it boomed. The ticket prices are so high, but people are buying,\u201d said director Maribel Legarda, at a press conference in Quezon City on May 4. \u201cWe\u2019re happy but it also has its own set of challenges and problems. Maybe it\u2019s also a cautionary tale \u2014 just because we\u2019re in a golden age doesn\u2019t mean everything\u2019s okay. We have to keep on reflecting and seeing ourselves in larger contexts so that we keep growing.\u201d
\nShe added that Septic Tank 4 will have an \u201cintergenerational quality\u201d appealing to theatergoers both young and old, seasoned and new. \u201cWe should be able to poke fun at ourselves, be self-reflexive, and laugh, especially because we have a lively scene,\u201d she said.
\nSupporting Ms. Legarda in the creative team are writer Chris Martinez, assistant director Johnnie Moran, set and costume designer Gino Gonzales, lighting designer Barbie Tan-Tiongco, choreographer Raflesia Bravo, and video designer Bene Manaois, with sound and music by Angel Dayao and lyrics by Michelle Ngu Nario.
\nReturning as herself is Eugene Domingo, a non-negotiable presence since she has been the anchor of the entire franchise.
\nThis time, she is accompanied by a lineup of theater practitioners playing both \u201carchetypes and hyper-real versions of themselves\u201d: Melvin Lee, Andoy Ranay, Meann Espinosa, JC Santos, Stella Ca\u00f1ete-Mendoza, Joshua Lim So, and Marlon Rivera.
\nEVOLUTION OF SATIRE
\nStructured as a \u201cplay within a play,\u201d Septic Tank 4 will explore \u201cthe process of theater-making \u2026 blurring the line between reality and performance.\u201d Audiences can expect an irreverent tone and a meta narrative filled with humor, spectacle, and social commentary, which are the bread and butter of PETA productions.
For Mr. Rivera, who directed the indie cult classic and its two sequels crossing film to digital, it was only right that he join the project as an actor this time, since he is not a theater director.
\n\u201cThis is supposed to be fun and a love letter to the Philippine theater. I know there\u2019s a lot of vitriol, but it\u2019s really a love letter to everyone,\u201d he said.
\nHe and writer Chris Martinez, who was the screenwriter for all the previous installments and is the playwright for this one, agreed that Septic Tank has always been about \u201csatirizing institutions.\u201d
\n\u201cIn spirit it has always been self-referential. It has always referred to what is happening at the moment so, for me, the most exciting part is that we know all these people,\u201d Mr. Rivera added. \u201cI have been off theater for the longest time, since the \u201990s. It\u2019s my first time back and I\u2019m just excited to be here, to perform and namedrop all our friends in theater.\u201d
\nAs for Ms. Domingo, as the star of the show, a major hurdle is that they will mount 50 shows in total over the play\u2019s run \u2014 and she and the other leads have no alternates.
\n\u201cWe need vitamins, supplements, prayers,\u201d she said, \u201cAnd we are studying each other\u2019s parts.\u201d
\nShe explained that while she is best known for her film work, she does theater every few years and makes sure each play is totally different \u2014 and this one is possibly the most challenging so far.
\n\u201cWe\u2019re going to show you what, how, to be a theater person. So, everybody\u2019s required to be a triple threat,\u201d she said. \u201cWe\u2019re going to sing, we\u2019re going to dance, we\u2019re going to act. We\u2019re fighting, we\u2019re making you laugh, we\u2019re making you cry, and most of all, you get out of the theater a little smarter, a little prouder, and a little more nationalistic.\u201d
\nSeptic Tank 4 will be both a celebration and a commentary. The excerpt shown to the press early in May offered theater insider jokes. There were jabs at jukebox musicals being mounted left, right, and center; at playwright Rody Vera not being available; at distinct schools of acting ranging from Dulaang UP to Repertory Philippines to PETA itself; and at new theater audience members watching shows just to look sophisticated.
\nTHE FUTURE OF THEATER
\nMr. Rivera pointed out that poking fun doesn\u2019t have to be malicious, as it can lead to more meaningful discussions.
\u201cAudience development is critical. The audiences now came from so many places, like Ang Huling El Bimbo and recently One More Chance the Musical with Ben&Ben,\u201d he said. \u201cIt brought in new audiences to the theater. The point is to grow as a community as much as we can.\u201d
\nThe process they underwent to choose which theater-makers would appear as themselves was rigorous, said playwright Mr. Martinez.
\nHe conducted in-depth interviews, asking questions like \u201cWhat does theater really mean for you? Why are you still in the theater when you already have all these options in front of you?\u201d
\nPETA artistic director J-Mee Katanyag added that doing it helped them \u201cask questions about where today\u2019s theater landscape will go.\u201d
\n\u201cBecause it\u2019s a contemporary or new work, it will be constantly updated throughout the run,\u201d she explained, on whether the material will shift depending on what\u2019s happening in the real world of theater. \u201cMore seasoning will be added, but of course we\u2019ll have to make sure each issue is put in responsibly.\u201d
\nFor Mr. Rivera, even the choice of Aurelio Tolentino\u2019s Kahapon, Ngayon, at Bukas as the \u201cplay within a play\u201d that the characters will mount is relevant.
\n\u201cThat\u2019s a very important choice done for this production because if you read it, it\u2019s a very seditious play. It should remind us that theater has always been at the forefront of protest,\u201d he said.
\nSeptic Tank 4 will not provide answers, said Ms. Katanyag, but it will hopefully give everyone ideas that may inform future actions regarding Philippine theater, \u201cwhether as actors, creators, reviewers, or audience.\u201d
\nAng Babae Sa Septic Tank 4: Oh Sh*t! It\u2019s Live Sa Cheter! is set to run from June 19 to Aug. 16 at the PETA Theater Center, Eyrnard Drive, in Quezon City. Tickets, ranging in price from P1,800 to P3,500, are now available via TicketWorld. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "1 of 2\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n THE CAST of Ang Babae Sa Septic Tank 4\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nFIFTEEN YEARS after the film Ang Babae Sa Septic Tank took the indie film landscape by storm with its satire of the industry\u2019s fixation on poverty-centered cinema, a theatrical adaptation marks the razor-sharp franchise\u2019s fourth installation. Now in the form of a play, it is set to run at the PETA Theater Center from June 19 to Aug. 16.\nThe 2011 film starred Eugene Domingo as a histrionic version of herself, an ambitious actress determined to win awards by playing a poor woman in an indie film. The 2016 sequel saw her take on mainstream romantic comedy drivel, then the third iteration in 2019 \u2014 a seven-episode digital series \u2014 illustrated the absurdity of historical revisionism.\nLike the previous installations of this multi-platform franchise, the play will be a satire with a purpose, this time turning its focus to the Philippines\u2019 active theater scene. \nTitled Ang Babae Sa Septic Tank 4: Oh Sh*t! It\u2019s Live Sa Cheter!, it is helmed by the Philippine Educational Theater Association (PETA).\n\u201cThis \u2018golden age\u2019 of theater is really quite interesting. From the pandemic, all of a sudden, it boomed. The ticket prices are so high, but people are buying,\u201d said director Maribel Legarda, at a press conference in Quezon City on May 4. \u201cWe\u2019re happy but it also has its own set of challenges and problems. Maybe it\u2019s also a cautionary tale \u2014 just because we\u2019re in a golden age doesn\u2019t mean everything\u2019s okay. We have to keep on reflecting and seeing ourselves in larger contexts so that we keep growing.\u201d\nShe added that Septic Tank 4 will have an \u201cintergenerational quality\u201d appealing to theatergoers both young and old, seasoned and new. \u201cWe should be able to poke fun at ourselves, be self-reflexive, and laugh, especially because we have a lively scene,\u201d she said.\nSupporting Ms. Legarda in the creative team are writer Chris Martinez, assistant director Johnnie Moran, set and costume designer Gino Gonzales, lighting designer Barbie Tan-Tiongco, choreographer Raflesia Bravo, and video designer Bene Manaois, with sound and music by Angel Dayao and lyrics by Michelle Ngu Nario.\nReturning as herself is Eugene Domingo, a non-negotiable presence since she has been the anchor of the entire franchise.\nThis time, she is accompanied by a lineup of theater practitioners playing both \u201carchetypes and hyper-real versions of themselves\u201d: Melvin Lee, Andoy Ranay, Meann Espinosa, JC Santos, Stella Ca\u00f1ete-Mendoza, Joshua Lim So, and Marlon Rivera.\nEVOLUTION OF SATIRE\nStructured as a \u201cplay within a play,\u201d Septic Tank 4 will explore \u201cthe process of theater-making \u2026 blurring the line between reality and performance.\u201d Audiences can expect an irreverent tone and a meta narrative filled with humor, spectacle, and social commentary, which are the bread and butter of PETA productions.\nFor Mr. Rivera, who directed the indie cult classic and its two sequels crossing film to digital, it was only right that he join the project as an actor this time, since he is not a theater director.\n\u201cThis is supposed to be fun and a love letter to the Philippine theater. I know there\u2019s a lot of vitriol, but it\u2019s really a love letter to everyone,\u201d he said.\nHe and writer Chris Martinez, who was the screenwriter for all the previous installments and is the playwright for this one, agreed that Septic Tank has always been about \u201csatirizing institutions.\u201d\n\u201cIn spirit it has always been self-referential. It has always referred to what is happening at the moment so, for me, the most exciting part is that we know all these people,\u201d Mr. Rivera added. \u201cI have been off theater for the longest time, since the \u201990s. It\u2019s my first time back and I\u2019m just excited to be here, to perform and namedrop all our friends in theater.\u201d\nAs for Ms. Domingo, as the star of the show, a major hurdle is that they will mount 50 shows in total over the play\u2019s run \u2014 and she and the other leads have no alternates.\n\u201cWe need vitamins, supplements, prayers,\u201d she said, \u201cAnd we are studying each other\u2019s parts.\u201d\nShe explained that while she is best known for her film work, she does theater every few years and makes sure each play is totally different \u2014 and this one is possibly the most challenging so far.\n\u201cWe\u2019re going to show you what, how, to be a theater person. So, everybody\u2019s required to be a triple threat,\u201d she said. \u201cWe\u2019re going to sing, we\u2019re going to dance, we\u2019re going to act. We\u2019re fighting, we\u2019re making you laugh, we\u2019re making you cry, and most of all, you get out of the theater a little smarter, a little prouder, and a little more nationalistic.\u201d\nSeptic Tank 4 will be both a celebration and a commentary. The excerpt shown to the press early in May offered theater insider jokes. There were jabs at jukebox musicals being mounted left, right, and center; at playwright Rody Vera not being available; at distinct schools of acting ranging from Dulaang UP to Repertory Philippines to PETA itself; and at new theater audience members watching shows just to look sophisticated.\nTHE FUTURE OF THEATER\nMr. Rivera pointed out that poking fun doesn\u2019t have to be malicious, as it can lead to more meaningful discussions.\n\u201cAudience development is critical. The audiences now came from so many places, like Ang Huling El Bimbo and recently One More Chance the Musical with Ben&Ben,\u201d he said. \u201cIt brought in new audiences to the theater. The point is to grow as a community as much as we can.\u201d\nThe process they underwent to choose which theater-makers would appear as themselves was rigorous, said playwright Mr. Martinez.\nHe conducted in-depth interviews, asking questions like \u201cWhat does theater really mean for you? Why are you still in the theater when you already have all these options in front of you?\u201d\nPETA artistic director J-Mee Katanyag added that doing it helped them \u201cask questions about where today\u2019s theater landscape will go.\u201d\n\u201cBecause it\u2019s a contemporary or new work, it will be constantly updated throughout the run,\u201d she explained, on whether the material will shift depending on what\u2019s happening in the real world of theater. \u201cMore seasoning will be added, but of course we\u2019ll have to make sure each issue is put in responsibly.\u201d\nFor Mr. Rivera, even the choice of Aurelio Tolentino\u2019s Kahapon, Ngayon, at Bukas as the \u201cplay within a play\u201d that the characters will mount is relevant.\n\u201cThat\u2019s a very important choice done for this production because if you read it, it\u2019s a very seditious play. It should remind us that theater has always been at the forefront of protest,\u201d he said.\nSeptic Tank 4 will not provide answers, said Ms. Katanyag, but it will hopefully give everyone ideas that may inform future actions regarding Philippine theater, \u201cwhether as actors, creators, reviewers, or audience.\u201d\nAng Babae Sa Septic Tank 4: Oh Sh*t! It\u2019s Live Sa Cheter! is set to run from June 19 to Aug. 16 at the PETA Theater Center, Eyrnard Drive, in Quezon City. Tickets, ranging in price from P1,800 to P3,500, are now available via TicketWorld. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-13T00:10:21+08:00", "date_modified": "2026-05-12T19:21:00+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Septic-Tank-4-Cast-1.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=749112", "url": "/arts-and-leisure/2026/05/13/749112/a-jcs-newbies-first-view-of-the-superstar/", "title": "A JCS newbie\u2019s first view of the Superstar", "content_html": "By Bront\u00eb H. Lacsamana, Reporter
\nTheater Review
\nJesus Christ Superstar
\nPerformances run until May 31
\nThe Theatre at Solaire in Para\u00f1aque City
![\"\"](\"/wp-content/uploads/2026/05/jcs-poster.jpg\")
JESUS CHRIST SUPERSTAR explores the events in the final week leading to the death and resurrection of Jesus Christ as seen through the eyes of his betrayer, Judas Iscariot.
Told entirely through song, it\u2019s the personal relationships and struggles among Jesus, Judas, Mary Magdalene, Jesus\u2019 disciples, his followers, and the Roman Empire that make this musical particularly interesting.
\nDisclosure: I approach this review as a JCS newbie, never having seen it in full before.
\nLike this international touring production\u2019s resident director Richard Pitt said (See the sidebar. – Ed.), the unique combination of talents for this Manila stop resulted in a completely different flavor of the show. This one was mostly clean and sharp, with key moments of impact, though ultimately it played things safe.
\nThe vocals were great, electrifying in parts and accompanied by a solid live band, led by musical director Harry Haden Brown. Meanwhile, the ensemble choreography let the material live and breathe in its own world filled with both worship and unrest.
\nThe costuming was interesting, with everyone in modern active wear save for the eye-catching Sanhedrin, dressed in their sweeping robes and holding imposing staffs, which also doubled as microphones. Another awesome detail is in the staging, with a cross-shaped runway which the actors walked on, and used again later as the Last Supper table in a picture-perfect moment.
\nAmong the cast, understudy Joshua Bess (subbing for Luke Street who had not arrived in Manila yet) and Javon King\u2019s rapport as Jesus and Judas was electric. At times it may have seemed like King edged out in terms of vocals and depth of emotion, as he bared his soul and stained his hands with silver, but Bess\u2019 rocker wailing came through at the height of certain showstoppers, namely \u201cGethsemane.\u201d
\nThe angelic voice of Gab Pangilinan, who plays Mary Magdalene in the Manila leg of the tour, made \u201cEverything\u2019s Alright\u201d quite memorable and tinged her rendition of \u201cI Don\u2019t Know How to Love Him\u201d with bittersweet emotion. Her addition was a source of vocal stability in a rock opera filled with such contrasting voices.
\nThe most striking contrast would be within the Sanhedrin troupe, with Grant Hodges\u2019 Caiaphas in a bass baritone and Kodiak Thompson\u2019s Annas in a countertenor. Every scene with them in it held people\u2019s attention.
\nTwo powerful scenes that left an impact were the scourging of Jesus, with Hardy Benson\u2019s Pilate counting down the lashes laid on Jesus\u2019 back in an explosive buildup of energy; and Erich Schleck\u2019s campy song and dance number as the drag queen-ified King Herod strutting in high heels around a beaten Jesus.
\nThe final number, the titular \u201cJesus Christ Superstar,\u201d ends in a triumphant, tragic, and thought-provoking note, all rolled in one, and it\u2019s a good introduction for those who aren\u2019t huge fans of the show and only know some of the songs.
\nChalk it up to personal preference, but some people may be underwhelmed, especially those who prefer their rock musicals rawer and grittier than the clean look, sound, and feel of this production. But this iteration of Jesus Christ Superstar deserves a warm welcome, with a strong cast and crew that have imbued the material with their own identity.
\n", "content_text": "By Bront\u00eb H. Lacsamana, Reporter\nTheater Review\nJesus Christ Superstar\nPerformances run until May 31\nThe Theatre at Solaire in Para\u00f1aque City\nJESUS CHRIST SUPERSTAR explores the events in the final week leading to the death and resurrection of Jesus Christ as seen through the eyes of his betrayer, Judas Iscariot.\nTold entirely through song, it\u2019s the personal relationships and struggles among Jesus, Judas, Mary Magdalene, Jesus\u2019 disciples, his followers, and the Roman Empire that make this musical particularly interesting.\nDisclosure: I approach this review as a JCS newbie, never having seen it in full before.\nLike this international touring production\u2019s resident director Richard Pitt said (See the sidebar. – Ed.), the unique combination of talents for this Manila stop resulted in a completely different flavor of the show. This one was mostly clean and sharp, with key moments of impact, though ultimately it played things safe. \nThe vocals were great, electrifying in parts and accompanied by a solid live band, led by musical director Harry Haden Brown. Meanwhile, the ensemble choreography let the material live and breathe in its own world filled with both worship and unrest.\nThe costuming was interesting, with everyone in modern active wear save for the eye-catching Sanhedrin, dressed in their sweeping robes and holding imposing staffs, which also doubled as microphones. Another awesome detail is in the staging, with a cross-shaped runway which the actors walked on, and used again later as the Last Supper table in a picture-perfect moment.\nAmong the cast, understudy Joshua Bess (subbing for Luke Street who had not arrived in Manila yet) and Javon King\u2019s rapport as Jesus and Judas was electric. At times it may have seemed like King edged out in terms of vocals and depth of emotion, as he bared his soul and stained his hands with silver, but Bess\u2019 rocker wailing came through at the height of certain showstoppers, namely \u201cGethsemane.\u201d\nThe angelic voice of Gab Pangilinan, who plays Mary Magdalene in the Manila leg of the tour, made \u201cEverything\u2019s Alright\u201d quite memorable and tinged her rendition of \u201cI Don\u2019t Know How to Love Him\u201d with bittersweet emotion. Her addition was a source of vocal stability in a rock opera filled with such contrasting voices.\nThe most striking contrast would be within the Sanhedrin troupe, with Grant Hodges\u2019 Caiaphas in a bass baritone and Kodiak Thompson\u2019s Annas in a countertenor. Every scene with them in it held people\u2019s attention.\nTwo powerful scenes that left an impact were the scourging of Jesus, with Hardy Benson\u2019s Pilate counting down the lashes laid on Jesus\u2019 back in an explosive buildup of energy; and Erich Schleck\u2019s campy song and dance number as the drag queen-ified King Herod strutting in high heels around a beaten Jesus.\nThe final number, the titular \u201cJesus Christ Superstar,\u201d ends in a triumphant, tragic, and thought-provoking note, all rolled in one, and it\u2019s a good introduction for those who aren\u2019t huge fans of the show and only know some of the songs.\nChalk it up to personal preference, but some people may be underwhelmed, especially those who prefer their rock musicals rawer and grittier than the clean look, sound, and feel of this production. But this iteration of Jesus Christ Superstar deserves a warm welcome, with a strong cast and crew that have imbued the material with their own identity.", "date_published": "2026-05-13T00:09:21+08:00", "date_modified": "2026-05-12T19:20:06+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/jcs-poster-thumb.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ], "summary": "JESUS CHRIST SUPERSTAR explores the events in the final week leading to the death and resurrection of Jesus Christ as seen through the eyes of his betrayer, Judas Iscariot." }, { "id": "/?p=749111", "url": "/arts-and-leisure/2026/05/13/749111/whats-the-buzz-tell-me-whats-a-happening/", "title": "What\u2019s the buzz, tell me what\u2019s a-happening", "content_html": "IT WAS the first time in a long time that Gab Pangilinan got to enter a rehearsal room knowing absolutely no one inside, which set up the Manila leg of Jesus Christ Superstar\u2019s world tour as her reintroduction to her love for theater.
\n\u201cThe Philippine theater industry is small and we know everyone. Every single time I enter a room, there\u2019s someone to latch on to, so this was very different. It took a lot of mental preparation,\u201d Ms. Pangilinan told the media during a press conference preceding the Manila premiere of Jesus Christ Superstar in the Theatre at Solaire in Para\u00f1aque City on May 5.
\n\u201cYou have to be open and vulnerable, and it\u2019s been great and wonderful,\u201d she said. \u201cThis production is reintroducing me to my love for theater. Every time we step on stage, it feels like home even though I just met these people.\u201d
\nAndrew Lloyd Webber and Tim Rice\u2019s Jesus Christ Superstar is a worldwide phenomenon, first staged on Broadway in 1971. This time, as an international production, its cast features actors from the US, the UK, and Australia. Just for the Manila stop, there\u2019s Ms. Pangilinan taking on the role of Mary Magdalene.
\nFor a nation whose traditions include dramatizations of the Passion of Jesus Christ, the rock opera is a familiar one. What makes it unique in comparison, aside from the obvious musical, cultural, and aesthetic upgrades from the typical Passion play, are the humanized characters.
\n\u201cI try to remove the pressure of having to fill in the shoes of an iconic role,\u201d Ms. Pangilinan said. \u201cWe approach any role as the truth of that character, so it\u2019s about what she stands for, what she believes in, which is Jesus.\u201d
\nThe principal cast members come from previous tours of the production: Luke Street (Jesus), Javon King (Judas), Ethan Hardy Benson (Pilate), Grant Hodges (Caiaphas), Kodiak Thompson (Annas), and Erich Schleck (King Herod).
\nBecause Mr. Street is not yet in Manila, his understudy Joshua Bess filled in for the time being. Not a stranger to the role, he explained that the key to playing it is to not think about the history.
\n\u201cI try not to think of him as the religious figure, but as the man. It keeps me grounded,\u201d he said.
\nFor Mr. King, who steps into the role of Judas, the goal is to humanize the characters so that audiences \u201clet go of all their preconceived notions.\u201d
\n\u201c[Judas] is misunderstood. The thing I always try to do with him is to lead with love because, if I don\u2019t do that, it\u2019s easy for the audience not to like him,\u201d he said. \u201cI want them to think a little bit harder about him.\u201d
\nRichard Pitt, resident director for this production, added that \u201ceach individual brings their personality,\u201d which in turn gives the overall show its own personality as well compared to previous iterations.
\n\u201cWe\u2019ve got people from different countries, so we have different cultures coming in. But when you watch, you won\u2019t recognize who\u2019s from where. They\u2019re all just people,\u201d he said. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "IT WAS the first time in a long time that Gab Pangilinan got to enter a rehearsal room knowing absolutely no one inside, which set up the Manila leg of Jesus Christ Superstar\u2019s world tour as her reintroduction to her love for theater.\n\u201cThe Philippine theater industry is small and we know everyone. Every single time I enter a room, there\u2019s someone to latch on to, so this was very different. It took a lot of mental preparation,\u201d Ms. Pangilinan told the media during a press conference preceding the Manila premiere of Jesus Christ Superstar in the Theatre at Solaire in Para\u00f1aque City on May 5.\n\u201cYou have to be open and vulnerable, and it\u2019s been great and wonderful,\u201d she said. \u201cThis production is reintroducing me to my love for theater. Every time we step on stage, it feels like home even though I just met these people.\u201d\nAndrew Lloyd Webber and Tim Rice\u2019s Jesus Christ Superstar is a worldwide phenomenon, first staged on Broadway in 1971. This time, as an international production, its cast features actors from the US, the UK, and Australia. Just for the Manila stop, there\u2019s Ms. Pangilinan taking on the role of Mary Magdalene.\nFor a nation whose traditions include dramatizations of the Passion of Jesus Christ, the rock opera is a familiar one. What makes it unique in comparison, aside from the obvious musical, cultural, and aesthetic upgrades from the typical Passion play, are the humanized characters.\n\u201cI try to remove the pressure of having to fill in the shoes of an iconic role,\u201d Ms. Pangilinan said. \u201cWe approach any role as the truth of that character, so it\u2019s about what she stands for, what she believes in, which is Jesus.\u201d\nThe principal cast members come from previous tours of the production: Luke Street (Jesus), Javon King (Judas), Ethan Hardy Benson (Pilate), Grant Hodges (Caiaphas), Kodiak Thompson (Annas), and Erich Schleck (King Herod).\nBecause Mr. Street is not yet in Manila, his understudy Joshua Bess filled in for the time being. Not a stranger to the role, he explained that the key to playing it is to not think about the history.\n\u201cI try not to think of him as the religious figure, but as the man. It keeps me grounded,\u201d he said.\nFor Mr. King, who steps into the role of Judas, the goal is to humanize the characters so that audiences \u201clet go of all their preconceived notions.\u201d\n\u201c[Judas] is misunderstood. The thing I always try to do with him is to lead with love because, if I don\u2019t do that, it\u2019s easy for the audience not to like him,\u201d he said. \u201cI want them to think a little bit harder about him.\u201d\nRichard Pitt, resident director for this production, added that \u201ceach individual brings their personality,\u201d which in turn gives the overall show its own personality as well compared to previous iterations.\n\u201cWe\u2019ve got people from different countries, so we have different cultures coming in. But when you watch, you won\u2019t recognize who\u2019s from where. They\u2019re all just people,\u201d he said. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-13T00:08:20+08:00", "date_modified": "2026-05-12T19:19:36+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/jcs-cast-press-con.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=749110", "url": "/arts-and-leisure/2026/05/13/749110/the-six-best-shakespeare-adaptations-that-arent-in-english/", "title": "The six best Shakespeare adaptations that aren\u2019t in English", "content_html": "\r\n \r\n\r\nTHE future of Shakespeare may well lie beyond the English language. That was the striking message I took away from a talk by translation studies scholar Professor Susan Bassnett at the British Shakespeare Conference in Hull in 2016.
\nHer point was simple but powerful: Shakespeare\u2019s works are likely to survive and flourish not only in English, but through translation, adaptation, and reinvention across the world. Inspired by this, I asked six of my colleagues from around the globe to share some Shakespeare adaptations in other languages that you might enjoy.
\n1. Goliyon Ki Raasleela Ram-Leela (2013)
\nHindi, based on Romeo and Juliet
Ram-Leela is as heady a mix as Shakespeare\u2019s own play, in equal parts comic and tragic, tender and flamboyant. Director Sanjay Leela Bhansali relocates the action of Verona to an Indian town riven by two criminal clans: Rajadis and Sanedas. Violence saturates daily life. Bullets spill from spice jars and a Rajadi child urinating on Saneda territory ignites a vicious brawl.
\nIn such a world, can love bring peace? The leads\u2019 scorching chemistry makes us hope. My students practically swooned during a screening. At the end, soulful lyrics such as \u201cTera naam ishq / Mera naam ishq\u201d (\u201cYour name is love / My name is love\u201d) frame the film\u2019s Romeo and Juliet \u2014 Ram and Leela \u2014 through love rather than their hate-fueled lineage.
\nThe film also gives depth to its Lady Capulet and nurse figures, while Leela is sensual, witty and brave. Juliet exactly as Shakespeare imagined her.
\nVarsha Panjwani teaches at New York University, London, and is the creator and host of the podcast Women and Shakespeare.
\n2. Otel\u00b7lo (2012)
\nCatalan, based on Othello
An award-winning work of Catalan cinema, Otel\u00b7lo transposes Shakespeare\u2019s play to a contemporary film studio. Such a meta-narrative approach feels in line with the play\u2019s focus on the enticing power of storytelling \u2013 famously embodied in the character of Iago as its arch-villain.
\nBlending documentary, mockumentary, and thriller aesthetics, the film turns Iago into an unscrupulous filmmaker willing to cross every boundary in the name of art. With his role played by the actual director of the film (Hammudi Al-Rahmoun Font), the adaptation skillfully integrates form and content. We are, like Othello, manipulated into thinking that the fiction he has created is reality.
\nThe film asks: To what extent are the images we absorb real? What purpose do they serve? And how do they affect our views on gendered and racialised minorities?
\nInma S\u00e1nchez Garc\u00eda is a lecturer in European languages and culture at the University of Edinburgh.
\n3. Throne of Blood (1957)
\nJapanese, based on Macbeth
The genius of Throne of Blood is that despite being set in 16th century Japan and changing almost everything about the original, it is immediately recognizable as the Scottish play. It\u2019s considered by many to be the greatest Shakespeare film ever made.
\nThe mist-swirled locations, the screeching flute, and ominous drumbeats, the spooky old lady in the forest, and above all the samurai, barking orders and getting lost on their horses, can mean only that \u201cMacbeth doth come.\u201d The final scene when Washizu\u2019s (Macbeth\u2019s) soldiers turn on him with a hail of arrows may even represent an improvement on Shakespeare. Meanwhile his poker-faced lady clearly wears the kimono-trousers in their marriage.
\nDaniel Gallimore is a professor of literature and linguistics at Kwansei Gakuin University.
\n4. Bhrantibilas (1963)
\nBengali, based on Comedy of Errors
If you asked me to pick a favorite Shakespeare film, I\u2019d probably surprise people by saying Bhrantibilas. It\u2019s one of the earliest filmed Shakespeare adaptations in Indian cinema. It was also the inspiration for the globally popular film Angoor (1982).
\nWhat I love about it is how confidently it relocates Shakespeare\u2019s farce into a Bengali urban world without ever feeling like a dutiful \u201cliterary\u201d exercise. A huge part of its lasting appeal is Bengali superstar Uttam Kumar. It\u2019s pure pleasure watching him play the twin roles \u2013 Antipholus of Syracuse and Antipholus of Ephesus, identical twins separated at birth, whose accidental reunion causes chaos. His comic timing is razor-sharp, and there\u2019s also an ease and charm that makes the confusion feel human, never mechanical.
\nDecades on, audiences still return to Bhrantibilas, often knowing every gag by heart, which says a lot about its cultural afterlife. For me, it\u2019s a perfect example of how Shakespeare survives not through reverence but through reinvention \u2013 absorbed into popular cinema and kept alive by star power, humor, and sheer re-watchability.
\nKoel Chatterjee is a lecturer in English at Regent College, and the creator and host of The Shakespop Podcast and The Shakesfic Podcast.
\n5. Rahm (2016)
\nUrdu, based on Measure for Measure
Measure for Measure has long been regarded as a \u201cproblem play.\u201d Disfavored among Shakespeare\u2019s works for centuries, it hit stages again in the 20th century and reached new audiences through its resonances with the #MeToo movement.
\nA local leader tells a devout woman that if she loses her virginity to him, he will spare her imprisoned brother\u2019s life. This film shifts the action from early modern, Catholic Vienna to an ambiguous period in Islamic Lahore. Moderate and extremist versions of faith contend, against the backdrop of the city. This film\u2019s billing as a thriller, and status as the only big screen version of the play, help raise it from obscurity.
\n6. To The Marriage of True Minds (2010)
\nArabic, based on \u201cSonnet 116\u201d
This freely available short film expands on one of Shakespeare\u2019s shortest forms: the sonnet. It riffs on \u201cSonnet 116,\u201d heard at countless weddings: \u201cLet me not to the marriage of true minds \u2026 admit impediments.\u201d Here, its Arabic translation provides both the back story to \u2013 and future hope for \u2013 an asylum-seeking couple in a same-sex relationship, Falah (Amir Boutrous) and Hayder (Waleed Elgadi).
\nThe story of their journey by sea, and shots of a tossed-about paper boat reference the poem\u2019s sea-voyage imagery. Over 12 tense minutes, we hold our breath to see whether the Iraqi poet and his childhood beloved will overcome the impediments of religious conservatism, on one shore, and an apparently hostile asylum system on the other. \u2014 The Conversation via Reuters Connect
\n\n
Sarah Olive is a senior lecturer in English literature at Aston University.
\n", "content_text": "1 of 6\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \nTHE future of Shakespeare may well lie beyond the English language. That was the striking message I took away from a talk by translation studies scholar Professor Susan Bassnett at the British Shakespeare Conference in Hull in 2016.\nHer point was simple but powerful: Shakespeare\u2019s works are likely to survive and flourish not only in English, but through translation, adaptation, and reinvention across the world. Inspired by this, I asked six of my colleagues from around the globe to share some Shakespeare adaptations in other languages that you might enjoy.\n1. Goliyon Ki Raasleela Ram-Leela (2013)\nHindi, based on Romeo and Juliet\nRam-Leela is as heady a mix as Shakespeare\u2019s own play, in equal parts comic and tragic, tender and flamboyant. Director Sanjay Leela Bhansali relocates the action of Verona to an Indian town riven by two criminal clans: Rajadis and Sanedas. Violence saturates daily life. Bullets spill from spice jars and a Rajadi child urinating on Saneda territory ignites a vicious brawl.\nIn such a world, can love bring peace? The leads\u2019 scorching chemistry makes us hope. My students practically swooned during a screening. At the end, soulful lyrics such as \u201cTera naam ishq / Mera naam ishq\u201d (\u201cYour name is love / My name is love\u201d) frame the film\u2019s Romeo and Juliet \u2014 Ram and Leela \u2014 through love rather than their hate-fueled lineage.\nThe film also gives depth to its Lady Capulet and nurse figures, while Leela is sensual, witty and brave. Juliet exactly as Shakespeare imagined her.\nVarsha Panjwani teaches at New York University, London, and is the creator and host of the podcast Women and Shakespeare.\n2. Otel\u00b7lo (2012)\nCatalan, based on Othello\nAn award-winning work of Catalan cinema, Otel\u00b7lo transposes Shakespeare\u2019s play to a contemporary film studio. Such a meta-narrative approach feels in line with the play\u2019s focus on the enticing power of storytelling \u2013 famously embodied in the character of Iago as its arch-villain.\nBlending documentary, mockumentary, and thriller aesthetics, the film turns Iago into an unscrupulous filmmaker willing to cross every boundary in the name of art. With his role played by the actual director of the film (Hammudi Al-Rahmoun Font), the adaptation skillfully integrates form and content. We are, like Othello, manipulated into thinking that the fiction he has created is reality.\nThe film asks: To what extent are the images we absorb real? What purpose do they serve? And how do they affect our views on gendered and racialised minorities?\nInma S\u00e1nchez Garc\u00eda is a lecturer in European languages and culture at the University of Edinburgh.\n3. Throne of Blood (1957)\nJapanese, based on Macbeth\nThe genius of Throne of Blood is that despite being set in 16th century Japan and changing almost everything about the original, it is immediately recognizable as the Scottish play. It\u2019s considered by many to be the greatest Shakespeare film ever made.\nThe mist-swirled locations, the screeching flute, and ominous drumbeats, the spooky old lady in the forest, and above all the samurai, barking orders and getting lost on their horses, can mean only that \u201cMacbeth doth come.\u201d The final scene when Washizu\u2019s (Macbeth\u2019s) soldiers turn on him with a hail of arrows may even represent an improvement on Shakespeare. Meanwhile his poker-faced lady clearly wears the kimono-trousers in their marriage.\nDaniel Gallimore is a professor of literature and linguistics at Kwansei Gakuin University.\n4. Bhrantibilas (1963)\nBengali, based on Comedy of Errors\nIf you asked me to pick a favorite Shakespeare film, I\u2019d probably surprise people by saying Bhrantibilas. It\u2019s one of the earliest filmed Shakespeare adaptations in Indian cinema. It was also the inspiration for the globally popular film Angoor (1982).\nWhat I love about it is how confidently it relocates Shakespeare\u2019s farce into a Bengali urban world without ever feeling like a dutiful \u201cliterary\u201d exercise. A huge part of its lasting appeal is Bengali superstar Uttam Kumar. It\u2019s pure pleasure watching him play the twin roles \u2013 Antipholus of Syracuse and Antipholus of Ephesus, identical twins separated at birth, whose accidental reunion causes chaos. His comic timing is razor-sharp, and there\u2019s also an ease and charm that makes the confusion feel human, never mechanical.\nDecades on, audiences still return to Bhrantibilas, often knowing every gag by heart, which says a lot about its cultural afterlife. For me, it\u2019s a perfect example of how Shakespeare survives not through reverence but through reinvention \u2013 absorbed into popular cinema and kept alive by star power, humor, and sheer re-watchability.\nKoel Chatterjee is a lecturer in English at Regent College, and the creator and host of The Shakespop Podcast and The Shakesfic Podcast.\n5. Rahm (2016)\nUrdu, based on Measure for Measure\nMeasure for Measure has long been regarded as a \u201cproblem play.\u201d Disfavored among Shakespeare\u2019s works for centuries, it hit stages again in the 20th century and reached new audiences through its resonances with the #MeToo movement.\nA local leader tells a devout woman that if she loses her virginity to him, he will spare her imprisoned brother\u2019s life. This film shifts the action from early modern, Catholic Vienna to an ambiguous period in Islamic Lahore. Moderate and extremist versions of faith contend, against the backdrop of the city. This film\u2019s billing as a thriller, and status as the only big screen version of the play, help raise it from obscurity.\n6. To The Marriage of True Minds (2010)\nArabic, based on \u201cSonnet 116\u201d\nThis freely available short film expands on one of Shakespeare\u2019s shortest forms: the sonnet. It riffs on \u201cSonnet 116,\u201d heard at countless weddings: \u201cLet me not to the marriage of true minds \u2026 admit impediments.\u201d Here, its Arabic translation provides both the back story to \u2013 and future hope for \u2013 an asylum-seeking couple in a same-sex relationship, Falah (Amir Boutrous) and Hayder (Waleed Elgadi).\nThe story of their journey by sea, and shots of a tossed-about paper boat reference the poem\u2019s sea-voyage imagery. Over 12 tense minutes, we hold our breath to see whether the Iraqi poet and his childhood beloved will overcome the impediments of religious conservatism, on one shore, and an apparently hostile asylum system on the other. \u2014 The Conversation via Reuters Connect\n \nSarah Olive is a senior lecturer in English literature at Aston University.", "date_published": "2026-05-13T00:07:20+08:00", "date_modified": "2026-05-12T19:22:40+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Goliyon-Ki-Raasleela-Ram-Leela-2013-thumb.jpg", "tags": [ "Sarah Olive", "The Conversation", "Arts & Leisure" ] }, { "id": "/?p=749109", "url": "/arts-and-leisure/2026/05/13/749109/arts-culture-05-13-26/", "title": "Arts & Culture (05/13/26)", "content_html": "\r\n \r\n\r\nFIVE exhibits are now on view at West Gallery in Quezon City. There\u2019s Celine Lee\u2019s Times: Expansion of Matter, depicting a collection of explosions resulting from missile strikes in the early stages of the ongoing US-Israel war on Iran. The images were composed by generative artificial intelligence and adjusted by Ms. Lee as she seared and polished them onto copper sheets. In Anj Pe\u2019s Nothing and Everything, For the Time Being, viewers are invited to a meditative journey into everyday life by seeing familiar items in paintings as if encountered for the very first time. Other exhibitions this month are Eugene Jarque\u2019s Offcuts, Mac Valdezco\u2019s Bagyong Bahaghari, and a collaboration between artists Miguel Aquilizan and Jessica Dorizac, titled Pilgrimage: Telescopic realities, kaleidoscope dreams. These all run until June 6 at West Gallery.
\nGAJAH GALLERY is presenting An Endless Soul, a Boundless Feeling, the debut exhibition of Indonesian artist Ibrahim in the Philippines. It presents 15 new works shaped by color and intuition. His paintings are meant to evoke sensory exploration as they are reconfigured into vivid textured landscapes. Curated by Alain Zedrick Camiling, Ibrahim\u2019s exhibition runs until May 24 at Gajah Gallery, NBS Park, Pioneer St., Mandaluyong City.
\nNINETEEN artists have gathered at Rift Gallery this May to transform the space into a modern playground. Through various art forms, they offer reappraisals of playground rules, interrogations of the hybrid and the hyperreal and of advertorial and algorithmic content; critiques of gamified consumerism; and reminiscences of carefree days of childhood. The artists are Andrew Rimpola, Carlos Jose Camus, Cristina Escario, Dan Mendoza, Ferd Failano, Francis Valles Bejar, Hyacinth Laoke, Joel Casimiro, Kate Callangan, Kean Barrameda, Michael Joselo, Mio Aceremo, Pam Liban-Sarmiento, Patreng Non, Raha Rodriguez, Shangrila Viola, Teepee Gile, Timo Ambo, and Trina Clemente Nguyen. The show runs until May 31 at Rift Gallery, VV Soliven, EDSA, San Juan City.
\nTHIS MAY, in line with National Heritage Month, the CCP Channel is highlighting content on the interconnectedness of Filipinos. Guided by the theme \u201cRoots and Horizons: Our Shared Heritage, Our Collective Future,\u201d the streaming platform\u2019s lineup weaves together stories that bridge generations to shape national sensibility. From Cinemalaya are Iar Arondaing\u2019s Musmos na Sumibol sa Gubat ng Digma, Mark Sicat dela Cruz\u2019 Misteryo ng Hapis, and Sol Garcia\u2019s Tagapagligtas. From the Virgin Labfest\u2019s 14th edition comes the play Labor Room, written by Maki dela Rosa and co-directed by Jos\u00e9 Estrella and Issa Manalo Lopez. The CCP Channel also shares educational and dance performance videos of Singkil: Sagip sa Sintang Ibig and Pal\u00f3bo: Pags\u00fayo sa Siphayo ng Pobreng Puso from the CCP T(A)YONG Dalawa project in 2023.
\nTHE Mari Dance Company is set to restage its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, from May 16 to 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. Tickets are available via maridance.com.
\nREPERTORY PHILIPPINES (Rep) is set to restage the classic musical Man of La Mancha, the story of literary hero Don Quixote. There will be a limited four-weekend run from June 5 to 28 at the Rep Eastwood Theater, 4F Citywalk 2, Eastwood City, Quezon City. The musical will be directed by Nelsito Gomez and will star 2025 Gawad Buhay Best Actor in a Play awardee, Nonie Buencamino. He will be making his comeback into musicals as Alonso Quijano/Don Quixote, a man on a dedicated mission to restore honor, justice, and beauty to a world tainted by cynicism and hatred.
\nTHEATRE GROUP ASIA (TGA) has announced that iconic Filipino performer Celeste Legaspi will take on the role of Older Allie in its production of The Notebook, The Musical. Ms. Legaspi will join Morissette as Middle Allie and Sheena Belarmino as Younger Allie in the play\u2019s multi-generational ensemble. Featuring music and lyrics by Ingrid Michaelson and a Tony Award-nominated book by Bekah Brunstetter, the musical portrays love as it evolves through youth, adulthood, and old age. It will be staged in September.
\n", "content_text": "1 of 7\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nExhibitions at West Gallery for May\nFIVE exhibits are now on view at West Gallery in Quezon City. There\u2019s Celine Lee\u2019s Times: Expansion of Matter, depicting a collection of explosions resulting from missile strikes in the early stages of the ongoing US-Israel war on Iran. The images were composed by generative artificial intelligence and adjusted by Ms. Lee as she seared and polished them onto copper sheets. In Anj Pe\u2019s Nothing and Everything, For the Time Being, viewers are invited to a meditative journey into everyday life by seeing familiar items in paintings as if encountered for the very first time. Other exhibitions this month are Eugene Jarque\u2019s Offcuts, Mac Valdezco\u2019s Bagyong Bahaghari, and a collaboration between artists Miguel Aquilizan and Jessica Dorizac, titled Pilgrimage: Telescopic realities, kaleidoscope dreams. These all run until June 6 at West Gallery.\n\nIndonesian artist\u2019s debut show in the Philippines\nGAJAH GALLERY is presenting An Endless Soul, a Boundless Feeling, the debut exhibition of Indonesian artist Ibrahim in the Philippines. It presents 15 new works shaped by color and intuition. His paintings are meant to evoke sensory exploration as they are reconfigured into vivid textured landscapes. Curated by Alain Zedrick Camiling, Ibrahim\u2019s exhibition runs until May 24 at Gajah Gallery, NBS Park, Pioneer St., Mandaluyong City.\n\nRift Gallery mounts group exhibit\nNINETEEN artists have gathered at Rift Gallery this May to transform the space into a modern playground. Through various art forms, they offer reappraisals of playground rules, interrogations of the hybrid and the hyperreal and of advertorial and algorithmic content; critiques of gamified consumerism; and reminiscences of carefree days of childhood. The artists are Andrew Rimpola, Carlos Jose Camus, Cristina Escario, Dan Mendoza, Ferd Failano, Francis Valles Bejar, Hyacinth Laoke, Joel Casimiro, Kate Callangan, Kean Barrameda, Michael Joselo, Mio Aceremo, Pam Liban-Sarmiento, Patreng Non, Raha Rodriguez, Shangrila Viola, Teepee Gile, Timo Ambo, and Trina Clemente Nguyen. The show runs until May 31 at Rift Gallery, VV Soliven, EDSA, San Juan City.\n\nCCP Channel offers stories of Filipino heritage\nTHIS MAY, in line with National Heritage Month, the CCP Channel is highlighting content on the interconnectedness of Filipinos. Guided by the theme \u201cRoots and Horizons: Our Shared Heritage, Our Collective Future,\u201d the streaming platform\u2019s lineup weaves together stories that bridge generations to shape national sensibility. From Cinemalaya are Iar Arondaing\u2019s Musmos na Sumibol sa Gubat ng Digma, Mark Sicat dela Cruz\u2019 Misteryo ng Hapis, and Sol Garcia\u2019s Tagapagligtas. From the Virgin Labfest\u2019s 14th edition comes the play Labor Room, written by Maki dela Rosa and co-directed by Jos\u00e9 Estrella and Issa Manalo Lopez. The CCP Channel also shares educational and dance performance videos of Singkil: Sagip sa Sintang Ibig and Pal\u00f3bo: Pags\u00fayo sa Siphayo ng Pobreng Puso from the CCP T(A)YONG Dalawa project in 2023.\n\nMari Dance Company restages a dance in a day in a dance\nTHE Mari Dance Company is set to restage its acclaimed production, a dance in a day in a dance by choreographer JM Cabling, from May 16 to 31 at the Doreen Black Box Theater, Aret\u00e9, Ateneo de Manila University, Katipunan Ave., Quezon City. Shaped by musical theater director Mikko Angeles, with Al Garcia reprising his role as the Choreographer, the work unifies five distinct choreographic voices into a single evening that reflects the realities of dance making in the Philippines today. The full-length contemporary dance production brings these together to narrate the lives of dancers and choreographers. Four were developed through the Cultural Center of the Philippines\u2019 (CCP) Choreographer\u2019s Series and other dance programs. The production features alternating performances by ballet dancers Georgette Sanchez-Vargas, Ea Torrado, and Janine Arisola-Cabrera. Tickets are available via maridance.com. \n\nNonie Buencamino stars in Rep\u2019s Man of La Mancha\nREPERTORY PHILIPPINES (Rep) is set to restage the classic musical Man of La Mancha, the story of literary hero Don Quixote. There will be a limited four-weekend run from June 5 to 28 at the Rep Eastwood Theater, 4F Citywalk 2, Eastwood City, Quezon City. The musical will be directed by Nelsito Gomez and will star 2025 Gawad Buhay Best Actor in a Play awardee, Nonie Buencamino. He will be making his comeback into musicals as Alonso Quijano/Don Quixote, a man on a dedicated mission to restore honor, justice, and beauty to a world tainted by cynicism and hatred.\n\nTGA casts Celeste Legaspi in The Notebook\nTHEATRE GROUP ASIA (TGA) has announced that iconic Filipino performer Celeste Legaspi will take on the role of Older Allie in its production of The Notebook, The Musical. Ms. Legaspi will join Morissette as Middle Allie and Sheena Belarmino as Younger Allie in the play\u2019s multi-generational ensemble. Featuring music and lyrics by Ingrid Michaelson and a Tony Award-nominated book by Bekah Brunstetter, the musical portrays love as it evolves through youth, adulthood, and old age. It will be staged in September.", "date_published": "2026-05-13T00:06:20+08:00", "date_modified": "2026-05-12T19:16:01+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/1-west-gallery-exhibits.jpg", "tags": [ "Arts & Culture", "Arts & Leisure" ], "summary": "FIVE exhibits are now on view at West Gallery in Quezon City. There\u2019s Celine Lee\u2019s Times: Expansion of Matter, depicting a collection of explosions resulting from missile strikes in the early stages of the ongoing US-Israel war on Iran." }, { "id": "/?p=748776", "url": "/arts-and-leisure/2026/05/12/748776/the-return-of-white-party-manila/", "title": "The return of White Party Manila", "content_html": "AMID RISING cases of human immunodeficiency virus (HIV) in the Philippines, film and events production company Mentorque Productions is bringing back the White Party Manila, an iconic Pride Month celebration that went into hibernation in 2014.
\nBack in 2001, the lesbian, gay, bisexual, and transgender (LGBT) community came together and held the first edition of White Party Manila, which was meant to promote local businesses in Manila\u2019s district of Malate, fight for their advocacies, and educate people about gender equality. Over time, it became the largest annual gathering of LGBT+ Filipinos in Metro Manila.
\nHeld every June in time for Pride Month at the corner of Julio Nakpil and Maria Orosa Streets, it used to have dance floors, DJ sets, and live performances. Later iterations had it in clubs in Ortigas, until complications in organizing brought the event to a halt.
\nWith the theme \u201cReignite,\u201d White Party Manila will return in 2026, to take place on June 27 at the World Trade Center in Pasay City.
\nAt the media launch on May 9, Mentorque Productions and HIV advocacy group LoveYourself, Inc., revealed that the return of the iconic gathering will be \u201cgrounded in a deeper commitment to community care, health, wellness, and empowerment.\u201d
\nLoveYourself provides HIV testing and treatment services to Filipinos nationwide.
\n\u201cNone of our programs would be possible without those who share about us and use platforms to reach a bigger audience,\u201d said Dr. Ronivin G. Pagtakhan, LoveYourself founder, at the media launch.
\n\u201cThere\u2019s always an increase of HIV cases every year, every day, which is sad. When the cases of HIV are high, it\u2019s scary because it\u2019s an epidemic in the country and our surveillance here is passive,\u201d he explained. \u201cBut those who get tested get to be part of the statistic. Since it\u2019s rising, that means more and more people are actually getting tested and gaining access to life-saving programs.\u201d
\nIn addition to HIV treatments like pre-exposure prophylaxis and post-exposure prophylaxis, LoveYourself has also been providing free treatments for tuberculosis. They also offer counseling for LGBT+ Filipinos facing mental health challenges, including transgender people who require transitioning counselling.
\nCHANGING COMMUNITY
\nMentorque Productions unveiled a lineup of White Party Manila ambassadors, each with their own spheres of influence in the local LGBT+ community, led by actress-comedienne Vice Ganda.
The ambassadors include vlogger Mimiyuuuh, celebrity couple Joey and Angie Mead King, actress-host Jervi Wrightson, actor John \u201cSweet\u201d Lapus, singer-songwriter Ice Seguerra, director and theater actor Andoy Ranay, actor Alex Diaz, and actresses Janella Salvador and Klea Pineda.
\nThere will also be a fashion collection by designer Bang Pineda, to complement the White Party Manila\u2019s aesthetic.
\nJohn Bryan Diamante, founder and chief executive officer of Mentorque Productions, told 大象传媒 that the party brings together \u201cworld-class production and inclusive programming at a time when community gatherings are needed the most.\u201d
\n\u201cTwelve years ago, the community was really strong. We all knew each other better,\u201d he said, on the sidelines of the media launch. \u201cI think in this chaotic social media landscape, this event harkens back to that. The Gen Zs especially can have real connections and meet people in their community.\u201d
\nBecause White Party Manila started out as a safe space, its role in today\u2019s fractured world is to be \u201ca vehicle for this sense of belonging.\u201d
\nTo reach the Gen Z crowd, performers that will grace the White Party stage include pop band Ben&Ben, singer-songwriter Maki, rapper Gloc-9, and drag performer Marina Summers. The organizers assured that many drag queens will be making an appearance, with Miss Jade So offering a taste of her magic at the media launch.
\n\u201cThe culture of rave parties, we\u2019ll bring that in as well. Overall, it will present a mixture of Pinoy pop culture,\u201d Mr. Diamante said.
\nHe added that they are hoping to have 15,000 to 20,000 attendees at the World Trade Center. In its peak years, the event always drew over 10,000.
\nFor Mr. Pagtakhan, guiding the younger generation in terms of both sexual identity and sexual health is the way to strengthen the LGBT+ community in the Philippines.
\nMr. Diamante said that the reason the White Party is white is because it\u2019s a coming together of all the colors of the rainbow, with no bias for anyone.
\n\u201cIt\u2019s to show that we\u2019re together, that we\u2019re united,\u201d he explained. \u201cAnd when they see all the icons that will be there, it will show that the LGBTQIA+ community are also movers and shakers of this country.\u201d
\nThe full lineup of performers will be revealed soon. Tickets \u2014 priced at P1,500 for general admission, P2,000 for walk-ins, and P7,000 for VIP access \u2014 are available via Ticket2Me. \u2014 Bront\u00eb H. Lacsamana
\n", "content_text": "AMID RISING cases of human immunodeficiency virus (HIV) in the Philippines, film and events production company Mentorque Productions is bringing back the White Party Manila, an iconic Pride Month celebration that went into hibernation in 2014.\nBack in 2001, the lesbian, gay, bisexual, and transgender (LGBT) community came together and held the first edition of White Party Manila, which was meant to promote local businesses in Manila\u2019s district of Malate, fight for their advocacies, and educate people about gender equality. Over time, it became the largest annual gathering of LGBT+ Filipinos in Metro Manila.\nHeld every June in time for Pride Month at the corner of Julio Nakpil and Maria Orosa Streets, it used to have dance floors, DJ sets, and live performances. Later iterations had it in clubs in Ortigas, until complications in organizing brought the event to a halt.\nWith the theme \u201cReignite,\u201d White Party Manila will return in 2026, to take place on June 27 at the World Trade Center in Pasay City.\nAt the media launch on May 9, Mentorque Productions and HIV advocacy group LoveYourself, Inc., revealed that the return of the iconic gathering will be \u201cgrounded in a deeper commitment to community care, health, wellness, and empowerment.\u201d\nLoveYourself provides HIV testing and treatment services to Filipinos nationwide.\n\u201cNone of our programs would be possible without those who share about us and use platforms to reach a bigger audience,\u201d said Dr. Ronivin G. Pagtakhan, LoveYourself founder, at the media launch.\n\u201cThere\u2019s always an increase of HIV cases every year, every day, which is sad. When the cases of HIV are high, it\u2019s scary because it\u2019s an epidemic in the country and our surveillance here is passive,\u201d he explained. \u201cBut those who get tested get to be part of the statistic. Since it\u2019s rising, that means more and more people are actually getting tested and gaining access to life-saving programs.\u201d\nIn addition to HIV treatments like pre-exposure prophylaxis and post-exposure prophylaxis, LoveYourself has also been providing free treatments for tuberculosis. They also offer counseling for LGBT+ Filipinos facing mental health challenges, including transgender people who require transitioning counselling.\nCHANGING COMMUNITY\nMentorque Productions unveiled a lineup of White Party Manila ambassadors, each with their own spheres of influence in the local LGBT+ community, led by actress-comedienne Vice Ganda.\nThe ambassadors include vlogger Mimiyuuuh, celebrity couple Joey and Angie Mead King, actress-host Jervi Wrightson, actor John \u201cSweet\u201d Lapus, singer-songwriter Ice Seguerra, director and theater actor Andoy Ranay, actor Alex Diaz, and actresses Janella Salvador and Klea Pineda.\nThere will also be a fashion collection by designer Bang Pineda, to complement the White Party Manila\u2019s aesthetic.\nJohn Bryan Diamante, founder and chief executive officer of Mentorque Productions, told 大象传媒 that the party brings together \u201cworld-class production and inclusive programming at a time when community gatherings are needed the most.\u201d\n\u201cTwelve years ago, the community was really strong. We all knew each other better,\u201d he said, on the sidelines of the media launch. \u201cI think in this chaotic social media landscape, this event harkens back to that. The Gen Zs especially can have real connections and meet people in their community.\u201d\nBecause White Party Manila started out as a safe space, its role in today\u2019s fractured world is to be \u201ca vehicle for this sense of belonging.\u201d\nTo reach the Gen Z crowd, performers that will grace the White Party stage include pop band Ben&Ben, singer-songwriter Maki, rapper Gloc-9, and drag performer Marina Summers. The organizers assured that many drag queens will be making an appearance, with Miss Jade So offering a taste of her magic at the media launch.\n\u201cThe culture of rave parties, we\u2019ll bring that in as well. Overall, it will present a mixture of Pinoy pop culture,\u201d Mr. Diamante said.\nHe added that they are hoping to have 15,000 to 20,000 attendees at the World Trade Center. In its peak years, the event always drew over 10,000.\nFor Mr. Pagtakhan, guiding the younger generation in terms of both sexual identity and sexual health is the way to strengthen the LGBT+ community in the Philippines.\nMr. Diamante said that the reason the White Party is white is because it\u2019s a coming together of all the colors of the rainbow, with no bias for anyone.\n\u201cIt\u2019s to show that we\u2019re together, that we\u2019re united,\u201d he explained. \u201cAnd when they see all the icons that will be there, it will show that the LGBTQIA+ community are also movers and shakers of this country.\u201d\nThe full lineup of performers will be revealed soon. Tickets \u2014 priced at P1,500 for general admission, P2,000 for walk-ins, and P7,000 for VIP access \u2014 are available via Ticket2Me. \u2014 Bront\u00eb H. Lacsamana", "date_published": "2026-05-12T00:05:47+08:00", "date_modified": "2026-05-11T17:53:09+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/white-party-manila-reignite-1.jpg", "tags": [ "Bront\u00eb H. Lacsamana", "Arts & Leisure", "Editors' Picks" ] }, { "id": "/?p=748774", "url": "/arts-and-leisure/2026/05/12/748774/motowns-black-women-songwriters-and-producers-were-the-invisible-architects-behind-the-pop-music-juggernaut/", "title": "Motown\u2019s Black women songwriters and producers were the invisible architects behind the pop music juggernaut", "content_html": "By Margena A. Christian
\n![\"\"](\"/wp-content/uploads/2026/05/Its-No-Wonder-The-Life-and-Times-of-Motowns-Legendary-Songwriter-Sylvia-Moy-Its-No-Wonder-Open-the-full-size-image-Contributors-By-Dr.-Margena-A.-Christian-hachettebookgroup.com_.jpg\")
DURING the 1960s, in a country divided by racial strife, the music of Berry Gordy, Jr.\u2019s Motown Records helped bring people together.
Motown was noted for star performers like Mary Wells, The Miracles, The Supremes, The Temptations, Martha Reeves and the Vandellas, Marvin Gaye, and Stevie Wonder. But, behind the scenes, a talented group of lesser known women were driving the hits in Hitsville U.S.A.
\nI\u2019m a scholar of popular culture and author of the biography It\u2019s No Wonder: The Life and Times of Motown\u2019s Legendary Songwriter Sylvia Moy. Researching my book inspired me to find other women who contributed to the Detroit label\u2019s era of chart dominance and helped change the music industry, despite going largely unrecognized for their efforts.
\nI listened to Motown growing up, but it wasn\u2019t until 2021, while sitting at home during the pandemic, that I discovered Moy\u2019s history as the lyricist for Stevie Wonder and how she helped revive his early career.
\nBecause Moy died in 2017, I wasn\u2019t able to speak with her for the book. Instead I researched her life by reading countless interviews she gave, along with talking to her former colleagues at Motown, family, and ethnomusicologists, who are scholars that study music through the lens of culture.
\nARCHITECT OF THE EARLY SOUND
\nWhen Gordy was organizing his company, Janie Bradford was one of the original five founding members who arrived in 1958. She was the label\u2019s first secretary and its first female songwriter after co-writing, with Gordy, the song \u201cMoney (That\u2019s What I Want).\u201d That song was released on Tamla Records in 1959 and performed by Barrett Strong. When Motown was incorporated the following year, the song became the label\u2019s first hit record on the R&B chart and Billboard Hot 100.
Later, Bradford co-wrote \u201cContract on Love\u201d for Wonder and \u201cToo Busy Thinking About My Baby,\u201d first recorded by The Temptations and later, Marvin Gaye. Bradford, who later became Motown\u2019s director of writer\u2019s relations, teamed up with pianist Richard \u201cPopcorn\u201d Wylie in the early 1960s to form Janard, a small production company.
\nBradford\u2019s collection of poetry is what captured Gordy\u2019s attention, so he encouraged her to be a songwriter. Her witty lyrics told stories about situations that most anyone could relate to \u2014 namely, money and love \u2014 blended with up-tempo, thumping beats.
\nLAYING THE FOUNDATION AS A PRODUCER
\nAnother key figure who paved the way with the Motown sound was Raynoma Gordy Singleton, who was married to Berry Gordy Jr. from 1960 to 1964. She organized Motown during its beginnings by completing the necessary paperwork to incorporate the business. Known as \u201cMiss Ray\u201d to some and \u201cMother Motown\u201d to others, she located the legendary house at 2648 West Grand Boulevard that became the Motown headquarters and, decades later, the Motown Museum.
In her role as the label\u2019s first executive vice-president, she established a tape library. A piano virtuoso and singer, the Cass Technical High School graduate wrote that she was able to play all string and wind instruments. As a result, she became the company\u2019s first female arranger and producer by putting together its first backup vocal group, the Rayber Voices, in 1958.
\n\u201cProducing records was where the action was controlled \u2014 and where the money was to be made,\u201d she wrote in her memoir, The Untold Story: Berry, Me, and Motown, which aimed to reclaim her place in the Motown echelon.
\nDuring the 1960s, women weren\u2019t considered producers because of broader biases and norms in the male-dominated music industry. Even so, Miss Ray got credit for producing Jimmy Ruffin\u2019s song \u201cDon\u2019t Feel Sorry for Me\u201d in 1961.
\nEarning a producer\u2019s credit was a sign of legitimacy. Most producers received a songwriting credit and determined who received credit in the liner notes for their contribution to the recording.
\nWhile women mostly worked in administrative roles at Motown, there still weren\u2019t any female full-time, in-house songwriters and producers. Like the rest of the music industry back then, Motown\u2019s internal structure was patriarchal with those positions.
\nTHE FIRST CERTIFIED FEMALE SONGWRITER AND PRODUCER
\nYet this imbalanced gender dynamic at Motown didn\u2019t stop Sylvia Moy.
There hadn\u2019t been any women producers behind significant, popular songs at Motown until Moy arrived, according to interviews I conducted for her biography.
\nMotown was at its peak in 1964. Demand for new songs was intense. When the label\u2019s executives realized how skillfully the two audition songs Moy performed were composed, they decided that her future was in songwriting instead of singing.
\nDiscovered by William \u201cMickey\u201d Stevenson and Marvin Gaye, Moy was hired as the first female in-house songwriter, competing with eminent colleagues like Smokey Robinson, Norman Whitfield, and the songwriting trio Holland-Dozier-Holland who wrote 10 of the Supremes\u2019 chart-topping singles. Moy made more history in 1965 after co-writing and co-producing Stevie Wonder\u2019s \u201cUptight (Everything\u2019s Alright).\u201d
\nWhile she received the songwriting credit and helped revive the teenaged Wonder\u2019s career, Moy wasn\u2019t given the producer\u2019s credit, unlike her two male counterparts, Stevenson and Henry \u201cHank\u201d Cosby.
\nA lack of recognition stymied Moy\u2019s career opportunities. If a songwriter or producer wasn\u2019t credited, their value could not be validated or established, which made it harder for them to find work at other record labels.
\nAccording to my research, Moy revealed that she never got producer credit for any of her work while at Motown. This is why her legacy was buried for so long.
\nOther tunes she wrote for Wonder were \u201cI Was Made to Love Her,\u201d \u201cMy Cherie Amour,\u201d and \u201cWith A Child\u2019s Heart,\u201d co-written with Vicki Basemore. Moy also wrote Marvin Gaye and Kim Weston\u2019s \u201cIt Takes Two\u201d and The Isley Brothers\u2019 \u201cThis Old Heart of Mine (Is Weak For You).\u201d Though songwriter Eddie Holland told me he gave her a co-writing credit for \u201cThis Old Heart of Mine,\u201d Moy\u2019s name was not listed on the record, only Holland-Dozier-Holland.
\nInterviews I conducted with Moy\u2019s family members and research from an ethnomusicologist suggest she was even an uncredited co-writer for Wonder\u2019s \u201cSigned, Sealed, Delivered (I\u2019m Yours),\u201d his first song as a solo producer, and The Temptations\u2019 \u201cAin\u2019t Too Proud to Beg.\u201d
\nHowever, Holland denied this claim in an interview with me, though he also admitted that the song\u2019s late co-writer and producer, Norman Whitfield, presented him with the lyrics, and he wasn\u2019t sure where they came from.
\nFULL CREDIT ALONG WITH CREATIVE CONTROL
\nIn 1968, Valerie Simpson became Motown\u2019s first female songwriter to also receive a producer credit. This possibly happened because her songwriting partner was her husband, Nickolas Ashford.
Other famous female songwriters like Carole King, Ellie Greenwich, and Cynthia Weil also had a prominent husband in the music industry. Sylvia Moy did not, which made what she did unprecedented.
\nSimpson told Billboard in 2023 that the credit was difficult to attain because so few women were producers back then. It finally happened with the Tammi Terrell and Marvin Gaye song \u201cAin\u2019t Nothing Like The Real Thing,\u201d with Simpson getting credit for co-writing, co-producing, and performing background vocals along with Ashford.
\nThis was their third hit tune by Terrell and Gaye, who also recorded \u201cAin\u2019t No Mountain High Enough\u201d and \u201cYour Precious Love,\u201d in 1967. The following year, they had another hit with \u201cYou\u2019re All I Need to Get By,\u201d which Ashford and Simpson also co-wrote, co-produced and did background vocals on.
\nSimpson became the first Black woman to be inducted into the Songwriters Hall of Fame in 2002. Moy became the second in 2006.
\nThough female songwriters and producers continue the fight for inclusion in the recording studio, the doors were opened by the tenacious women of Motown. It is because of them that future generations of female creatives know what is possible. \u2014 The Conversation via Reuters Connect
\n\n
Margena A. Christian is an emeritus professor at the University of Illinois Chicago.
\n", "content_text": "By Margena A. Christian\nDURING the 1960s, in a country divided by racial strife, the music of Berry Gordy, Jr.\u2019s Motown Records helped bring people together.\nMotown was noted for star performers like Mary Wells, The Miracles, The Supremes, The Temptations, Martha Reeves and the Vandellas, Marvin Gaye, and Stevie Wonder. But, behind the scenes, a talented group of lesser known women were driving the hits in Hitsville U.S.A.\nI\u2019m a scholar of popular culture and author of the biography It\u2019s No Wonder: The Life and Times of Motown\u2019s Legendary Songwriter Sylvia Moy. Researching my book inspired me to find other women who contributed to the Detroit label\u2019s era of chart dominance and helped change the music industry, despite going largely unrecognized for their efforts.\nI listened to Motown growing up, but it wasn\u2019t until 2021, while sitting at home during the pandemic, that I discovered Moy\u2019s history as the lyricist for Stevie Wonder and how she helped revive his early career.\nBecause Moy died in 2017, I wasn\u2019t able to speak with her for the book. Instead I researched her life by reading countless interviews she gave, along with talking to her former colleagues at Motown, family, and ethnomusicologists, who are scholars that study music through the lens of culture.\nARCHITECT OF THE EARLY SOUND\nWhen Gordy was organizing his company, Janie Bradford was one of the original five founding members who arrived in 1958. She was the label\u2019s first secretary and its first female songwriter after co-writing, with Gordy, the song \u201cMoney (That\u2019s What I Want).\u201d That song was released on Tamla Records in 1959 and performed by Barrett Strong. When Motown was incorporated the following year, the song became the label\u2019s first hit record on the R&B chart and Billboard Hot 100.\nLater, Bradford co-wrote \u201cContract on Love\u201d for Wonder and \u201cToo Busy Thinking About My Baby,\u201d first recorded by The Temptations and later, Marvin Gaye. Bradford, who later became Motown\u2019s director of writer\u2019s relations, teamed up with pianist Richard \u201cPopcorn\u201d Wylie in the early 1960s to form Janard, a small production company.\nBradford\u2019s collection of poetry is what captured Gordy\u2019s attention, so he encouraged her to be a songwriter. Her witty lyrics told stories about situations that most anyone could relate to \u2014 namely, money and love \u2014 blended with up-tempo, thumping beats.\nLAYING THE FOUNDATION AS A PRODUCER\nAnother key figure who paved the way with the Motown sound was Raynoma Gordy Singleton, who was married to Berry Gordy Jr. from 1960 to 1964. She organized Motown during its beginnings by completing the necessary paperwork to incorporate the business. Known as \u201cMiss Ray\u201d to some and \u201cMother Motown\u201d to others, she located the legendary house at 2648 West Grand Boulevard that became the Motown headquarters and, decades later, the Motown Museum.\nIn her role as the label\u2019s first executive vice-president, she established a tape library. A piano virtuoso and singer, the Cass Technical High School graduate wrote that she was able to play all string and wind instruments. As a result, she became the company\u2019s first female arranger and producer by putting together its first backup vocal group, the Rayber Voices, in 1958.\n\u201cProducing records was where the action was controlled \u2014 and where the money was to be made,\u201d she wrote in her memoir, The Untold Story: Berry, Me, and Motown, which aimed to reclaim her place in the Motown echelon.\nDuring the 1960s, women weren\u2019t considered producers because of broader biases and norms in the male-dominated music industry. Even so, Miss Ray got credit for producing Jimmy Ruffin\u2019s song \u201cDon\u2019t Feel Sorry for Me\u201d in 1961.\nEarning a producer\u2019s credit was a sign of legitimacy. Most producers received a songwriting credit and determined who received credit in the liner notes for their contribution to the recording.\nWhile women mostly worked in administrative roles at Motown, there still weren\u2019t any female full-time, in-house songwriters and producers. Like the rest of the music industry back then, Motown\u2019s internal structure was patriarchal with those positions.\nTHE FIRST CERTIFIED FEMALE SONGWRITER AND PRODUCER\nYet this imbalanced gender dynamic at Motown didn\u2019t stop Sylvia Moy.\nThere hadn\u2019t been any women producers behind significant, popular songs at Motown until Moy arrived, according to interviews I conducted for her biography.\nMotown was at its peak in 1964. Demand for new songs was intense. When the label\u2019s executives realized how skillfully the two audition songs Moy performed were composed, they decided that her future was in songwriting instead of singing.\nDiscovered by William \u201cMickey\u201d Stevenson and Marvin Gaye, Moy was hired as the first female in-house songwriter, competing with eminent colleagues like Smokey Robinson, Norman Whitfield, and the songwriting trio Holland-Dozier-Holland who wrote 10 of the Supremes\u2019 chart-topping singles. Moy made more history in 1965 after co-writing and co-producing Stevie Wonder\u2019s \u201cUptight (Everything\u2019s Alright).\u201d\nWhile she received the songwriting credit and helped revive the teenaged Wonder\u2019s career, Moy wasn\u2019t given the producer\u2019s credit, unlike her two male counterparts, Stevenson and Henry \u201cHank\u201d Cosby.\nA lack of recognition stymied Moy\u2019s career opportunities. If a songwriter or producer wasn\u2019t credited, their value could not be validated or established, which made it harder for them to find work at other record labels.\nAccording to my research, Moy revealed that she never got producer credit for any of her work while at Motown. This is why her legacy was buried for so long.\nOther tunes she wrote for Wonder were \u201cI Was Made to Love Her,\u201d \u201cMy Cherie Amour,\u201d and \u201cWith A Child\u2019s Heart,\u201d co-written with Vicki Basemore. Moy also wrote Marvin Gaye and Kim Weston\u2019s \u201cIt Takes Two\u201d and The Isley Brothers\u2019 \u201cThis Old Heart of Mine (Is Weak For You).\u201d Though songwriter Eddie Holland told me he gave her a co-writing credit for \u201cThis Old Heart of Mine,\u201d Moy\u2019s name was not listed on the record, only Holland-Dozier-Holland.\nInterviews I conducted with Moy\u2019s family members and research from an ethnomusicologist suggest she was even an uncredited co-writer for Wonder\u2019s \u201cSigned, Sealed, Delivered (I\u2019m Yours),\u201d his first song as a solo producer, and The Temptations\u2019 \u201cAin\u2019t Too Proud to Beg.\u201d\nHowever, Holland denied this claim in an interview with me, though he also admitted that the song\u2019s late co-writer and producer, Norman Whitfield, presented him with the lyrics, and he wasn\u2019t sure where they came from.\nFULL CREDIT ALONG WITH CREATIVE CONTROL\nIn 1968, Valerie Simpson became Motown\u2019s first female songwriter to also receive a producer credit. This possibly happened because her songwriting partner was her husband, Nickolas Ashford.\nOther famous female songwriters like Carole King, Ellie Greenwich, and Cynthia Weil also had a prominent husband in the music industry. Sylvia Moy did not, which made what she did unprecedented.\nSimpson told Billboard in 2023 that the credit was difficult to attain because so few women were producers back then. It finally happened with the Tammi Terrell and Marvin Gaye song \u201cAin\u2019t Nothing Like The Real Thing,\u201d with Simpson getting credit for co-writing, co-producing, and performing background vocals along with Ashford.\nThis was their third hit tune by Terrell and Gaye, who also recorded \u201cAin\u2019t No Mountain High Enough\u201d and \u201cYour Precious Love,\u201d in 1967. The following year, they had another hit with \u201cYou\u2019re All I Need to Get By,\u201d which Ashford and Simpson also co-wrote, co-produced and did background vocals on.\nSimpson became the first Black woman to be inducted into the Songwriters Hall of Fame in 2002. Moy became the second in 2006.\nThough female songwriters and producers continue the fight for inclusion in the recording studio, the doors were opened by the tenacious women of Motown. It is because of them that future generations of female creatives know what is possible. \u2014 The Conversation via Reuters Connect\n \nMargena A. Christian is an emeritus professor at the University of Illinois Chicago.", "date_published": "2026-05-12T00:04:46+08:00", "date_modified": "2026-05-11T17:52:27+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/Its-No-Wonder-The-Life-and-Times-of-Motowns-Legendary-Songwriter-Sylvia-Moy-Its-No-Wonder-Open-the-full-size-image-Contributors-By-Dr.-Margena-A.-Christian-hachettebookgroup.com-thumb.jpg", "tags": [ "Margena A. Christian", "Arts & Leisure", "Editors' Picks" ], "summary": "DURING the 1960s, in a country divided by racial strife, the music of Berry Gordy, Jr.\u2019s Motown Records helped bring people together." }, { "id": "/?p=748771", "url": "/arts-and-leisure/2026/05/12/748771/entertainment-news-05-12-26/", "title": "Entertainment News (05/12/26)", "content_html": "\r\n \r\n\r\n![\"\"](\"/wp-content/uploads/2026/05/1-Ayala-Malls-2026-Red-Carpet-Mondays-1.jpg\")
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\r\n \r\n \r\n AYALA MALLS Cinemas is giving moviegoers a reason to head out this month with Red Carpet Mondays. Customers who buy one ticket to any eligible movie on a Monday get a second ticket free for the same film on the same day. The promo is valid on May 18 and 25 for select films. Tickets may be purchased onsite at cinema ticket booths or online through Ayala All Access (www.ayalaallaccess.com). The offer excludes the film The Devil Wears Prada 2, the Bonifacio High Street cinemas, and the Specialty Cinemas (4DX, A-Luxe, MyCinema). It is not valid in conjunction with other promos or discounts. Senior/PWD discounts do not apply. To avail of the promo online, add two tickets for the same film and screening to cart, and pay for only one.
\nRENOWNED pop group Westlife has released 25 – The Ultimate Collection, a celebration of their 25-year journey in global pop. The album is available across multiple formats including a CD, a two CD deluxe set, an LP, and an Amazon Exclusive one LP picture disc and cassette. To mark the release, the group also announced the expansion of Westlife 25: The Anniversary World Tour, which includes a concert date of Jan. 20, 2027 in Manila, at the SM Mall of Asia Arena. Presented by Wilbros Live, tickets will go on sale on May 15, 12 p.m., via SMTickets.com and SM Tickets outlets nationwide.
\nFILIPINO rapper WAIIAN is celebrating the success of his 2025 album with the staging of BACKSHOW, co-presented by Sony Music Entertainment and Lightning in a Bottle Studios (LIAB Studios). The concert serves as an anniversary celebration of his full-length album BACKSHOTS. The show will also feature performances by Karmela Roxy, Bad Indie Eye, Nicole Anjela, SHNTI, Yorko, DJ MILKY, Kartell\u2019em, DJ Bebi Keychain, Alisson Shore, and La Mave. It will take place at 123 Block in Mandaluyong City on May 15. Tickets are available via https://docs.google.com/forms/d/e/1FAIpQLSc_wNrZJBQYD-UFahUbE0yteO2YlxuB6Dbl9ql_gSsQs5L_AA/viewform.
\nTHE Sprite Ultimate Sunset Summer Party will take place on May 16 at SM Mall of Asia By the Bay, from 3 to 7 p.m. This is part of Sprite\u2019s \u201c\u2019Yan ang Refreshing\u201d campaign.\u201d The event will feature live performances by acts like BGYO, Illest Morena, Shanti Dope, Maxie Anderson, and fitterkarma, with free-flowing ice-cold Sprite and exclusive Sprite merch available throughout the event.
\nFOLLOWING a recent global expansion, including a landmark edition in Brazil, The Walt Disney Company is bringing D23: The Ultimate Disney Fan Event to Singapore in 2027, marking its Asia debut. Reimagined specifically for the Asia Pacific market, D23 Asia combines the global scale of the Anaheim and Brazil events with unique, fan-first experiences and merchandise. The immersive, multi-day event will offer fans exclusive access to Disney, Pixar, Marvel, and Star Wars storytelling. Attendees can expect live stage presentations, appearances by Hollywood stars, and first-look previews of new APAC Originals coming to Disney+. More details will be revealed soon.
\nRISING Filipina R&B singer/songwriter and producer Denise Julia has partnered with global independent record label Empire. Known for smooth R&B that blends 1990s and early-2000s influences with modern R&B and pop production, her sound features airy vocals, layered harmonies, and flirtatious lyrics. Her first single with Empire is \u201cChanges.\u201d It is out today under 2nd Floor Entertainment on all streaming platforms.
\nFIVE promising projects have received P700,000 production grants from the QCinema International Film Festival out of a record-breaking 395 submissions from Filipino filmmakers worldwide. The selected filmmakers and their projects are: Carla Pulido Ocampo (Agsangit Laeng ti Al-alia), Clister Santos (Sana\u2019y Nandito Ka), Maki Makilan (Body Works), Rodiell Veloso (Run Shirley Run!), and Toni Ca\u00f1ete (Maanaa Kanimo). The 14th edition of the QCinema International Film Festival will be held on Nov. 13 to 22.
\nHBO MAX has announced that it has greenlit a second season for the upcoming original Harry Potter series, ahead of the Christmas 2026 debut of Harry Potter and the Philosopher\u2019s Stone. The second season is scheduled to begin production this autumn. The series will be available to stream exclusively on HBO Max. Jon Brown, who is a writer on season one, has been elevated to co-showrunner for season two. The series is based on J.K. Rowling\u2019s book series, written and executive produced by Francesca Gardiner. Mark Mylod serves as executive producer and directed multiple episodes of the series.
\nSINGAPOREAN indie-pop singer-songwriter and producer Shye has unveiled her sophomore album, The Doves Came Home. Her most expansive and personal record to date, it is rooted in 1990s dream-pop with elements of shoegaze and alt-rock. It is out now on all streaming platforms.
\nABS-CBN Studios\u2019 first vertical drama has released official stickers that highlight memorable lines and visuals from the trending iWant series. Headlined by Alexa Ilacad and BGYO leader Gelo Rivera, the show now has favorite lines and emotions immortalized in sticker packs and bundles through a collaboration between ABS-CBN and Wimzi. The Chambermaid\u2019s Daughter is ABS-CBN Studios\u2019 first offering in the micro-drama format, told through short episodes designed for quick viewing. The merch is available via Shopee.
\nGRAMMY-nominated and platinum-selling artist Madison Beer has dropped the deluxe edition of her album, locket. Its release is also accompanied by a music video for her brand-new song \u201clovergirl.\u201d The album includes four new tracks and the hit releases, \u201cmake you mine,\u201d \u201cyes baby,\u201d \u201cbittersweet,\u201d and \u201cbad enough.\u201d It is out now on all digital music streaming platforms.
\nGMA Network\u2019s high-rating musical drama series, Born to Shine, is sharing its original songs through the Born to Shine OST Volume 1 which is out now on all digital streaming platforms, produced by GMA Playlist. The mini album includes songs performed by some of the star-studded cast of Born to Shine: \u201cRunaway\u201d by girl group NIXI, \u201cThis is our Time\u201d by girl group YUMI, two solo songs by Zephanie, a single from actress and singer Vina Morales, and \u201cMay Gusto na Ako Sa \u2019Yo\u201d by Michael Sager. The Born to Shine OST album is now available on digital streaming platforms.
\n", "content_text": "1 of 11\r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n\r\n \r\n\r\n \r\n \n\nAyala Malls Cinemas rolls out Red Carpet Mondays\nAYALA MALLS Cinemas is giving moviegoers a reason to head out this month with Red Carpet Mondays. Customers who buy one ticket to any eligible movie on a Monday get a second ticket free for the same film on the same day. The promo is valid on May 18 and 25 for select films. Tickets may be purchased onsite at cinema ticket booths or online through Ayala All Access (www.ayalaallaccess.com). The offer excludes the film The Devil Wears Prada 2, the Bonifacio High Street cinemas, and the Specialty Cinemas (4DX, A-Luxe, MyCinema). It is not valid in conjunction with other promos or discounts. Senior/PWD discounts do not apply. To avail of the promo online, add two tickets for the same film and screening to cart, and pay for only one.\n\nWestlife tour for album is stopping in Manila\nRENOWNED pop group Westlife has released 25 – The Ultimate Collection, a celebration of their 25-year journey in global pop. The album is available across multiple formats including a CD, a two CD deluxe set, an LP, and an Amazon Exclusive one LP picture disc and cassette. To mark the release, the group also announced the expansion of Westlife 25: The Anniversary World Tour, which includes a concert date of Jan. 20, 2027 in Manila, at the SM Mall of Asia Arena. Presented by Wilbros Live, tickets will go on sale on May 15, 12 p.m., via SMTickets.com and SM Tickets outlets nationwide.\n\nWAIIAN holds anniversary show\nFILIPINO rapper WAIIAN is celebrating the success of his 2025 album with the staging of BACKSHOW, co-presented by Sony Music Entertainment and Lightning in a Bottle Studios (LIAB Studios). The concert serves as an anniversary celebration of his full-length album BACKSHOTS. The show will also feature performances by Karmela Roxy, Bad Indie Eye, Nicole Anjela, SHNTI, Yorko, DJ MILKY, Kartell\u2019em, DJ Bebi Keychain, Alisson Shore, and La Mave. It will take place at 123 Block in Mandaluyong City on May 15. Tickets are available via https://docs.google.com/forms/d/e/1FAIpQLSc_wNrZJBQYD-UFahUbE0yteO2YlxuB6Dbl9ql_gSsQs5L_AA/viewform. \n\nSprite mounts summer party\nTHE Sprite Ultimate Sunset Summer Party will take place on May 16 at SM Mall of Asia By the Bay, from 3 to 7 p.m. This is part of Sprite\u2019s \u201c\u2019Yan ang Refreshing\u201d campaign.\u201d The event will feature live performances by acts like BGYO, Illest Morena, Shanti Dope, Maxie Anderson, and fitterkarma, with free-flowing ice-cold Sprite and exclusive Sprite merch available throughout the event.\n\nDisney fan event makes Asia debut\nFOLLOWING a recent global expansion, including a landmark edition in Brazil, The Walt Disney Company is bringing D23: The Ultimate Disney Fan Event to Singapore in 2027, marking its Asia debut. Reimagined specifically for the Asia Pacific market, D23 Asia combines the global scale of the Anaheim and Brazil events with unique, fan-first experiences and merchandise. The immersive, multi-day event will offer fans exclusive access to Disney, Pixar, Marvel, and Star Wars storytelling. Attendees can expect live stage presentations, appearances by Hollywood stars, and first-look previews of new APAC Originals coming to Disney+. More details will be revealed soon.\n\nDenise Julia partners with Empire\nRISING Filipina R&B singer/songwriter and producer Denise Julia has partnered with global independent record label Empire. Known for smooth R&B that blends 1990s and early-2000s influences with modern R&B and pop production, her sound features airy vocals, layered harmonies, and flirtatious lyrics. Her first single with Empire is \u201cChanges.\u201d It is out today under 2nd Floor Entertainment on all streaming platforms.\n\nQCinema introduces QCShorts filmmakers\nFIVE promising projects have received P700,000 production grants from the QCinema International Film Festival out of a record-breaking 395 submissions from Filipino filmmakers worldwide. The selected filmmakers and their projects are: Carla Pulido Ocampo (Agsangit Laeng ti Al-alia), Clister Santos (Sana\u2019y Nandito Ka), Maki Makilan (Body Works), Rodiell Veloso (Run Shirley Run!), and Toni Ca\u00f1ete (Maanaa Kanimo). The 14th edition of the QCinema International Film Festival will be held on Nov. 13 to 22.\n\nHBO greenlights Harry Potter Season 2\nHBO MAX has announced that it has greenlit a second season for the upcoming original Harry Potter series, ahead of the Christmas 2026 debut of Harry Potter and the Philosopher\u2019s Stone. The second season is scheduled to begin production this autumn. The series will be available to stream exclusively on HBO Max. Jon Brown, who is a writer on season one, has been elevated to co-showrunner for season two. The series is based on J.K. Rowling\u2019s book series, written and executive produced by Francesca Gardiner. Mark Mylod serves as executive producer and directed multiple episodes of the series.\n\nSingaporean indie act Shye drops 2nd album\nSINGAPOREAN indie-pop singer-songwriter and producer Shye has unveiled her sophomore album, The Doves Came Home. Her most expansive and personal record to date, it is rooted in 1990s dream-pop with elements of shoegaze and alt-rock. It is out now on all streaming platforms.\n\nThe Chambermaid\u2019s Daughter launches sticker packs\nABS-CBN Studios\u2019 first vertical drama has released official stickers that highlight memorable lines and visuals from the trending iWant series. Headlined by Alexa Ilacad and BGYO leader Gelo Rivera, the show now has favorite lines and emotions immortalized in sticker packs and bundles through a collaboration between ABS-CBN and Wimzi. The Chambermaid\u2019s Daughter is ABS-CBN Studios\u2019 first offering in the micro-drama format, told through short episodes designed for quick viewing. The merch is available via Shopee.\n\nMadison Beer releases deluxe album\nGRAMMY-nominated and platinum-selling artist Madison Beer has dropped the deluxe edition of her album, locket. Its release is also accompanied by a music video for her brand-new song \u201clovergirl.\u201d The album includes four new tracks and the hit releases, \u201cmake you mine,\u201d \u201cyes baby,\u201d \u201cbittersweet,\u201d and \u201cbad enough.\u201d It is out now on all digital music streaming platforms.\n\nBorn to Shine series releases original songs\nGMA Network\u2019s high-rating musical drama series, Born to Shine, is sharing its original songs through the Born to Shine OST Volume 1 which is out now on all digital streaming platforms, produced by GMA Playlist. The mini album includes songs performed by some of the star-studded cast of Born to Shine: \u201cRunaway\u201d by girl group NIXI, \u201cThis is our Time\u201d by girl group YUMI, two solo songs by Zephanie, a single from actress and singer Vina Morales, and \u201cMay Gusto na Ako Sa \u2019Yo\u201d by Michael Sager. The Born to Shine OST album is now available on digital streaming platforms.", "date_published": "2026-05-12T00:01:45+08:00", "date_modified": "2026-05-11T17:48:16+08:00", "authors": [ { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" } ], "author": { "name": "大象传媒", "url": "/author/cedadiantityclea/", "avatar": "https://secure.gravatar.com/avatar/fc38d2668fdee8f1e2b22df5e72ae6f4ad265ab7814de4aa60060edd377a70ce?s=512&d=mm&r=g" }, "image": "/wp-content/uploads/2026/05/1-Ayala-Malls-2026-Red-Carpet-Mondays-1.jpg", "tags": [ "Entertainment News", "Arts & Leisure" ], "summary": "AYALA MALLS Cinemas is giving moviegoers a reason to head out this month with Red Carpet Mondays." } ] }![\"\"](\"/wp-content/uploads/2026/05/Board-game-2.jpg\")
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