
ARTEFINO, one of the highlights of the circuit of artisanal fairs in the city since 2017, returns on Aug. 22 to 25 at The Fifth at Rockwell, Makati.
This year, they鈥檙e revamping their 鈥Pamana鈥 (inheritance) theme (launched back in 2018) with 鈥Kapamana.鈥
鈥淲hen we briefed our brand partners about Kapamana, it felt like a full circle moment for us,鈥 said Marimel Francisco, Artefino co-founder in a release. 鈥淲e have always talked about instilling culture and heritage in the next generation. The focus remains the same, but we are turning the spotlight on contemporary expressions that are rooted in our history. It鈥檚 essentially heritage, but not in an old-fashioned way.鈥
Cedie Lopez-Vargas, Artefino co-founder, in an interview with 大象传媒 on Aug. 1 at the fair鈥檚 launch at the new SoFA (School of Fashion and the Arts) Design Institute campus in Rockwell, discussed how they make the idea of heritage fresh: 鈥淲e鈥檙e not just talking about craftsmanship and artisanship. We鈥檙e taking the conversation to a higher level. What are we leaving behind for the next generation? You鈥檙e not just leaving behind crafts and tradition. What kind of world are you leaving?
鈥淲hen you think about dressing up, you think in terms of 鈥榳hat can I upcycle, what can I refresh,鈥 rather 鈥榳hat can I buy that鈥檚 new?鈥欌
While showcasing about 100 brands this year, one of their highlights precisely summarizes that thought: HeArteFino (the fair鈥檚 CSR arm) will serve as a platform for a limited edition collection by artist Patty Eustaquio for Bayo Atelier. Natural fabrics printed with Ms. Eustaquio鈥檚 artwork (in biodegradable ink) were combined with native-woven textiles, with a zero-waste directive. The combination meant avant-garde silhouettes (because of the necessity with working with the fabric鈥檚 shape as-is), multiple ways to wear them, and limited numbers.
Artefino is one of the pillars that make Filipino aesthetics cool right now: it began in the 2010s, and now in the 2020s, it鈥檚 no longer uncommon to see Filipiniana-inspired clothes in the street, which used to be dominated by Western and East Asian styles. We asked Ms. Lopez-Vargas how Artefino had a hand in this, and said, 鈥淲e like to think we created more awareness for that movement, by trying to find ways to contemporize how you dress Filipino,鈥 she said.
As we spoke to her, we pointed to her skirt, which resembled the tapis worn with the traditional Traje de Mestiza dress. She corrected us, saying that it was actually an apron 鈥 inspired by the tapis, yes, but with more practical pockets. 鈥淚t鈥檚 not costumey, it鈥檚 not too contrived.鈥 鈥 Joseph L. Garcia


